King of the Cowboys (1943)

SERIOUSLY. This is what the crap Hollywood still puts out?

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Close shines in drama with strong language, adult themes.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Leonard Slye (Roy Rogers), Smiley Burnette (Frog Millhouse), Peggy Moran (Judy Mason), Bob Nolan and the Sons of the Pioneers: Lloyd Perryman, Tim Spencer, Pat Brady, Carl Farr, Hugh Farr (themselves), Yakima Canutt ("Where am I?" outlaw at the border), Emmett Vogan ("triplet" saboteur in audience), Norman Willis (Nazi agent), Gerald Mohr (Maurice), Dorothea Kent (Ruby Smith), Lloyd Corrigan (William Kraly), James Bush (Dave Mason), Russell Hicks (Governor Shuville), Irving Bacon (Deputy Alf Cluckus), Stuart Hamblen (Duke Wilson), Eddie Dean (Tex), Forrest Taylor (cowhand), Dick Wessell (Hershel), Jack Kirk (bartender), Edward Earle (manufacturer), Charles King, Jack O'Shea (henchmen), and "Trigger".Director: Joseph KANE. Screenplay: Olive Cooper, J. Benton Cheney. Original screen story: Hal Long. Photography: Reggie Lanning. Film editor: Harry Keller. Art director: Russell Kimball. Set decorator: Charles Thompson. Music director: Morton Scott. Songs: "Gay Ranchero" (Slye), "Ride 'Em Cowboy" (Slye, Pioneers), "I'm an Old Cowhand from the Rio Grande" (Slye), "Red River Valley" (Pioneers), "Roll Along Prairie Moon" (Slye). Trainer for "Trigger": Glenn Randall. RCA Sound System. Associate producer: Harry Grey. Executive producer: Herbert J. Yates.Copyright 1 April 1943 by Republic Pictures Corp. No recorded New York opening. U.S. release: 9 April 1943. Australian release through British Empire Films: 23 March 1944. 7 reels. 5,589 feet.SYNOPSIS: Roy Rogers (Leonard Slye) and Frog Millhouse (Smiley Burnette) are hired by Governor Shuville (Russell Hicks) to crack a ring of Nazi saboteurs moving around the state under the cover of a traveling carnival. Unbeknown to the governor one of the leaders is his own secretary (Lloyd Corrigan).NOTES: Early in 1943 "Life" magazine did a cover story on Rogers under the journalistically exaggerated title "King of the Cowboys". Of course everyone knows that Gene Autry is the above-mentioned "King". But Autry was away in the war, serving his country as a GI and later as a pilot with the Air Transport Command. Republic was quick to capitalize on the Rogers' "Life" headline. In his autobiography "Back in the Saddle Again", Gene bends over backwards to say nice things about Slye. Only a few lines — and you really have to read them closely — betray a slight touch of justifiable bitterness: "My last picture before entering the service was Bells of Capistrano... Republic acknowledged my departure by proclaiming Roy Rogers as 'the King of the Cowboys', and increasing the Rogers- western budgets to the kind of dollars the Autry and other Republic units saw only once in a while."The title has zilch to do with the plot. King of the Saboteur- Busters would be more apt, if equally exaggerated. True, Rogers does appear briefly as a rodeo rider at the beginning and end of the movie, but his chief task — aside from singing, of course — is to assist the heroine in a "Nightmare Alley" mind-reading act!Peggy Moran is the heroine — and a real nice girl too. Smiley is along mostly to cover up or back up Roy. His comic opportunities in this one (at least in the print under review) are severely limited. But at least he's in the movie, something that can't really be said for Bob Nolan and the Sons of the Pioneers. Blink and you'll miss them. Hissable Lloyd Corrigan and the other villains led by Gerald Mohr have more than their fair share of footage, whilst Irving Bacon as a comic jailer makes hay for a couple of scenes.There's a fair action climax (obviously inspired by "For Whom the Bell Tolls") but otherwise production values are generally "B". And aside from the action set-ups (which were probably mounted by a professional), Kane's direction is unremittingly routine.

Ya-hoo! This is probably one of the best of the Roy Rogers Westerns from the 1940s.By 1942 Roy Rogers' popularity as a "Singing Cowboy" had increased by leaps and bounds. With Gene Autry out of the picture and away on the war-effort in Europe, Republic Studios replaced him with Rogers.Known as "Poverty Row", Republic took a big chance and doubled their usual skimpy budget on this picture. It was a gamble that paid off handsomely and made Roy Rogers a house-hold name and idol to Western movie fans everywhere.In King Of The Cowboys, Roy Rogers sings a little, fights a little, and even loves a little. (well, sort of) Rogers plays a government agent working undercover as a rodeo performer trying to infiltrate a ring of saboteurs. These bomb-crazy scoundrels are a ruthless bunch led by a phony-baloney carnival mind-reader.All around the state of Arizona these villains are bombing warehouses, left, right, and center. It's now up to Roy Rogers to put a stop to their dastardly deeds.Can Roy stop these nasty-minded criminals before another crime is committed? Watch and find out why Roy Rogers is called King Of The Cowboys! And, Happy trails to you.....

Roy Rogers tangles with Axis sympathizers in director Joseph Kane's "King of the Cowboys," a contemporary Republic Pictures western set during World War II. You won't find any Fifth Columnists wielding firearms, but the American traitors mean business. Roy sings "I'm an Old Cowhand," "Ride, Ranger, Ride," "Red River Valley," and "Roll Along Prairie Moon." Basically, "King of the Cowboys" is an espionage western. Roy has several interesting scenes, including his escape from a warehouse set to blow up. One of the Sons of the Pioneers is none other than Pat Brady who utters a line of dialogue that I always thought was first used in the 1982 movie "Conan the Barbarian": "What's the matter with you? Do you want to live forever?" Most of the physical action involves the kind of derring-do that was the bread and butter of Republic's serials. Smiley Burnette plays Roy's sidekick Frog Millhouse and serves as comic relief. One of the gimmicks the villains deploy to wreck the car that the good guys are riding in predates the gimmick that the villains used against James Bond when he infiltrated Goldfinger's headquarters.A sabotage ring is raising havoc in Texas, and the dastards are destroying warehouses. Texas Governor Shuville (Russell Hicks of "Captain America") wants to see Roy and Frog Millhouse about an incident that occurred when they pursued the Wilson gang to Arkansas. They confronted the outlaws in a saloon that straddled the border between Arkansas and Texas. One of them is Duke Wilson (Stuart Hamblen) who robbed the rodeo where Roy worked. Predictably, the Arkansas sheriff (Herbert Heyes of "New York Confidential") isn't happy about Roy's decision and lodges a formal complaint with Governor Shuville. "Rogers," Shuville observes, "I like the way you work. I like your nerve. I can use a fast-thinking man like you. In fact, I need you for an assignment." The Governor wants Roy to infiltrate a group that has exposed all his operatives. He wants Roy because "the fellows after you wouldn't mistake you for anything but a cowboy." The Governor explains, "There is a wave of sabotage sweeping through this territory with the precision of a well-organized gang. All my efforts to apprehend them have failed." The Governor warns Roy that his predecessor died making his report by telephone. The only available clues are the words: "following Mary." Roy volunteers to work for the Governor. The chief executive asks Roy to memorize a secret phone number. This will be the only way they will communicate until they close the case. The Governor is the only man who knows about Roy's mission. What the Governor has no way of knowing is that his personal secretary, William Kraley (Lloyd Corrigan of "Son of Paleface"), is the leader of the saboteurs. Kraley warns his henchmen to be on the look-out for Roy Rogers.Later, while Roy is singing and strumming his guitar in the back of a cafe, two actresses from The Merry Makers Carnival and Tent Show enter and order lunch. Roy serves them coffee, and they converse. "Every town we play has an explosion or a fire," Judy Mason (Peggy Moran of "Horror Island") points out. Roy explains he is looking for a job, and Judy agrees to notify her stepbrother Dave (James Bush of "Massacre River") about Roy needing employment. The comments about the explosions arouse Roy's suspicions after the Ruby uses the words "following Mary." He visits the carnival in the town of Rawhide with Frog. Roy decides to join the carnival to learn first-hand what is really happening. The carnival features a mind-reading act with Maurice the Mental Marvel. The act is rather sophisticated. A cowgirl with a microphone in her ring which is she calls 'the mystic stone" asks the audience to address their problems to the stone. Actually, the stone serves as a microphone. A man behind the stage with a receiving set relays the information to a man in a turban and a robe. Roy and Frog disrupt Maurice's show and their commotion compels Mason to give Roy a chance to sing. Roy has a run-in with Maurice and they tie him up and leave him in a warehouse about to be blown to smithereens. Afterward, Roy contacts Shuville, and the Governor and his men ride into a trap. They think that they are about to collide head on with another car when in fact all that is happening is they are driving toward a huge mirror. This is rather ingenious. The Governor's car tumbles down the side of a mountain.Meantime, Roy suspects that they have trapped the saboteur when Frog and he take over the mind-reading act. Maurice catches Roy using the receiver. When he is about to shoot Roy, Mason threatens to expose them all. Instead of Roy, Maurice shoots Dave in the back. Maurice frames Roy for Dave's murder. During his stay is in jail, Roy learns that the Governor isn't expected to survive the car crash. He summons Frog, who appears in a disguise masquerading as Roy's grandfather, and tells him to tell Judy about Maurice's treachery. Judy and Ruby arrange for Roy to escape from jail and returns to the carnival. Kraley passes along information during the Maurice act. Maurice tries to intervene, and Roy guns down Kraley. Roy and the Sons of the Pioneers hightail it on horseback to prevent the saboteurs from dynamiting a metal bridge that a train will cross. Roy climbs the bridge and defuses the dynamite. While he is climbing on the bridge, Maurice's henchmen keep him busy dodging their lead and firing back at them."King of the Cowboys" is a predictable but entertaining, lightweight espionage western that is easy to follow. Director Joe Kane keeps the action constantly moving headlong so this B-movie doesn't wear out its welcome during its 56-minute running length.

Roy apparently earns his title as King of the Cowboys by helping out Governor Russell Hicks of Texas track down a nest of Nazi saboteurs who are wreaking havoc across the Lone Star State. Did Congressman Lyndon B. Johnson know about this?Herbert J. Yates put the best creative minds at Republic Pictures to work on this and they came up with a script that's a combination of The Thirty Nine Steps and This Is My Affair. Like the Robert Taylor MGM classic where he's a secret agent working directly and reporting to President McKinley because McKinley like Governor Hicks can't seem to trust anyone in his official capacity. And like The Thirty Nine Steps the key is Gerald Mohr with a carnival memory act. If you're going to borrow at least Yates felt you should borrow from the best. You can't do too much better than Alfred Hitchcock.Roy gets a nice group of songs and I particularly liked the fact that he gets to sing I'm An Old Cowhand which in fact he had a hand in introducing seven years earlier. When Roy was just one of the Sons of the Pioneers who also appear in King of the Cowboys he backed Bing Crosby when he introduced the Johnny Mercer classic in Rhythm on the Range. Now Roy's a star and does a nice solo turn accompanying himself on the guitar.While Republic's other big singing cowboy Gene Autry was off to war, Roy inherited for a while, Smiley Burnette who does his usual comedy bit.Sadly though the film that gives Roy the title he was forever known by is a badly dated war propaganda flick that simply doesn't wear well or age well. The King had been better served by his subjects at Republic before and after this film. They'd also done worse by him as well.