Tombstone Canyon (1932)

Good concept, poorly executed.

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

One of the best movies of the year! Incredible from the beginning to the end.

The opening hook is a real grabber. In fact, the movie's best scenes are the action among the other-worldly rocks and spires. 'Other-worldly' is apt since a caped figure called the Phantom Killer occupies the rocks with a deadly rifle and a shattering scream. So Ken's got a lot to contend with, since he doesn't even know his real identity or why cowboy Sykes and his gang are trying to kill him. Plus, just who's side is the Phantom really on; first it seems one and then the other. Good thing Ken's got Tarzan, the wonder horse, to help. And what matinee hero would be complete without a cute girl helper trailing along (Parker). Oh sure, it's standard matinee fare except for the creepy Phantom angle, and a couple of plot twists. At the same time, credit outstanding cinematographer Ted McCord for many of the complex scenic compositions. He later graduated to a string of A-productions including Treasure Of The Sierra Madre (1948). Unfortunately, my DVD copy had a lot of fuzzy sound, a consequence I guess of the many copies in circulation (IMDB Trivia). Nonetheless, the hour amounts to matinee time well spent and with an unexpected ending.

I love watching these films from the early thirties. Rarely are they good in the way that I need as a modern viewer. The story is not the one the movie directly delivers, but the larger story of movies finding themselves after the disruptive introduction of sound.They just didn't know what would work, so they tried everything. Sometimes they invented, and that is very cool when you can find the first glimmer of some now mainstream stroke. What we have here is one third mystery of the old school. A man does not know who he is we have to find out after the one who could reveal all is murdered. We have a third that is haunted house. This was already a well established genre. Here we have the phantom. He mysteriously kills and disappears as if a ghost. He has a terrifying call that usually brings death. He is dressed in black, skulks and covers his face with his cape, even — especially — when it is just us about. We find he has a horribly disfigured face... as disfigured as simple makeup could arrange anyway. We see comic fear of this ghost. It has everything a haunted house movie does except the house which is replaced here by the supposedly spooky Tombstone Canyon (where no one goes),And a third is good old western, with good and bad ranchers. The good rancher is Judge Lee with a pretty cowgirl daughter who falls for our cowboy. In what seems like two days, they are engaged. A wise sheriff, rough town. Fights at cliff edge. Lots of galloping. What a hodgepodge. What confusion! It is clear that this was a disposable experiment like hundreds of others, even thousands from the era.

The plot is set in motion from the time the studio logo disappears from the screen and nary a second is wasted on anything but advancing the plot over the film's sixty minutes. No atmosphere, no characterization; all action, almost like a TV episode. The story concerns one man's search for his unknown identity and the apparent ranch war he walks into on his quest. There are some quaint old timey quirks like every horse ride and fist fight running in double speed, and the word "fellas" is used a good thirty times, but even someone like myself who wasn't born until forty years after this picture was made found it to be consistently entertaining.

"Tombstone Canyon" (1932) combines an above average story with Ken Maynard (the all- time best movie cowboy) and Cecilia Parker (Andy Hardy's blonde sister). Plus it was filmed in California's spectacular Red Rock Canyon State Park (Canti, CA.) which was to become the scene of countless western movies and many of the 1950's western television series. All these factors make for an excellent combination as this early sound film is a very entertaining feature of slightly less than 60 minutes. The film begins with a wrangler with only the first name Ken (Maynard) fighting off ambushers in Tombstone Canyon. Ken gets unexpected assistance from a cowgirl named Jenny Lee (Parker). Jenny rode out to meet him at the request of the man who requested that Ken come to the area for some information about his identity. Ken does not know who his parents were and has never adopted a last name. Tombstone Canyon is a spooky place that most of the locals avoid because they fear a spectral figure called The Black Phantom. The Phantom was been systematically killing cowboys from the Lazy S. ranch, and frightening everyone else with his banshee like scream.Ken and Jenny must contend with the owner of the Lazy S who wants him dead for some reason; and tries several times to frame him for murder. The town's sympathetic marshal refuses to arrest Ken, believing in his innocence and reasoning that the best way to solve the mystery is by giving Ken a free hand to investigate. One thing to avoid is the 1990 VHS version being distributed by MNTEX Entertainment and titled "Classic Westerns". This is the one with a pair of Tombstones on the cover. They used a truly horrible print of the film and most scenes are so dark it is difficult to follow them, let alone pick out many of the details. Probably the worst commercially released print I have ever run across. Hopefully the other versions and the DVD are better.Then again, what do I know? I'm only a child.