Long John Silver (1954)

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The film makes a home in your brain and the only cure is to see it again.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Calling all fans of the one and only-well, the most famous-Long John Silver! Robert Newton is back in the sequel to Treasure Island to portray the pirate he created in 1950. His "Aaarrrrg!" returns to the big screen, as does his famous red coat, parrot, perpetually squinting face, peg-legged limp, and penchant for rum. While Treasure Island was mostly a swashbuckling adventure, this film-sometimes referred to as Long John Silver and sometimes called Return to Treasure Island-is more of a shout out to its fans. There's quite a bit of humor in this one, with one of the side plots devoted to a romance between Robert Newton and the local pub owner, Connie Gilchrist. She wants to get married, but he's determined to escape her clutches. The main story picks up where the original left off. Long John Silver is safe on a Caribbean island, but he's asked to rescue the governor's daughter from another pirate ship, and he soon finds out his old friend Jim Hawkins-played by Kit Taylor in this version-is also being held captive on the ship. He heads to sea and takes the audience with him!Personally, I like Treasure Island better, since the production values are higher, but this one is still pretty cute because of the humor sprinkled in among the script.

This film is a great example of what happens when Hollywood hacks decide to take a classic character from literature and prostitute it for all it's worth.So, cobble together a script full of "arrrghs" and "belays", hire a few props and stuntmen from a western and, by heck, while you're at it write in a hoedown scene to boot.Invent a love interest for Long John Silver who has all the characteristics of a 19th century American mom.Transport it to what looks to be the Australian bush and pretend that it's a tropical island.The only thing going for this bucket of bilge is Robert Newton.

Robert Newton returns once again to his famous role from TREASURE ISLAND, that of Long John Silver. Once more he chews the scenery with gusto and is just grand fun to watch in this particular role any time you can catch him.This time Long John sets out to save young Jim Hawkins (played by Kit Taylor who sadly doesn't possess the memorable screen presence that his predecessor Bobby Driscoll put into the role) from a cutthroat pirate named "El Toro" Mendoza (Lloyd Berrell) but also added into the mix are a slightly more memorable crew of pirates following after Long John's lead and Long John's frequently comedic interactions with his main squeeze Purity Pinker (Connie Gilchrist), who has her eyes firmly set on marriage and settling down the old sea Captain. Things become truly adventurous when the band of pirates set out for a return to Treasure Island and meet up with some most unexpected surprises and obstacles along the way.In many ways, this unofficial sequel to the classic Walt Disney film, has a more gritty, real down to Earth feel about it although it really adds little new to the mix. Still any boy who ever dreamed of pirates and searching for lost treasure should find much to enjoy here. Great fun overall, Newton is just a pure delight to watch in this entertaining, surprisingly well-written and executed boys fantasy brought to life.

With enough references to the original "Treasure Island", I didn't feel lost for not having seen that one yet. Robert Newton is a treat as the 'Arrgghh...ing' Long John Silver, planning one scheme or another to lay his hands on the fabled riches of the titled island.Here's a question - how did Silver manage to get into Billy Bowlegs boat near the beginning of the story without being seen?Here's another puzzler. When Silver lays out the plan to 'El Toro' Mendoza (Lloyd Berrell) to waylay Sir Henry's warehouse of jewels and rum, it called for two signal fires to send the governor's warships south as a diversion, while the pirates would head north toward the warehouse. However only one signal fire was lit, which was the signal for Henry's men to go north as well! When I saw the opening credits and the garish bright blue and orange coloration of the De Luxe format I experienced some trepidation regarding the actual film's rendition. There were alternate sequences of mundane, almost muddy scenes, usually during night time or indoors, whereas outdoor vistas on the ocean, particularly those with Newton's bright red outfit contrasted against the ocean showing up superb. More than anything it probably shows how far camera technology has advanced over the years to even out those wide swings in light sensitivity.With the present day popularity of the "Pirates of the Carribbean" series of films, it's both interesting and fun to see how little has changed in the pirate movie genre over a half century. They still employ treasure maps, secret medallions, skeletons and a character named Mendoza. To that I say - "Arrgghh...men!"