Belle of the Yukon (1944)

Better Late Then Never

Close shines in drama with strong language, adult themes.

This film is so real. It treats its characters with so much care and sensitivity.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

An intriguing entry whichever way way you look at it, unavailable for many years and even now I caught it in what may well be a one-off screening. In my case I had several reasons for catching it: 1) The score, which boasts two standards, 2) a chance to see Gypsy Rose Lee, 3)William Marshall had a featured role, and that's about it. The score was the work of composer Jimmmy Van Heusen and lyricist Johnny Burke, who got together in the early forties and were staff writers at Paramount supplying songs for five of the seven 'Road' pictures (Burke did the first, Singapore, with James V. Monaco and Van Heusen did the last, Hong Kong, with Sammy Cahn) plus virtually everything Crosby did in the forties at Paramount, so this was a rare sortie to another Lot. William Marshall was married to two outstanding French Actresses, Michele Morgan and Micheline Presle and I'm a French movie buff and thirdly I have never actually seen Gypsy Rose Lee herself although I have seen both the Broadway Musical and Film adaptation of Gypsy albeit it centres on her mother. I'm glad I finally got to see it if only to hear Dinah Shore - who they contrive to make look like a freak - perform Like Someone In Love and Sleighride In July.

Set in the days of the great Canadian Gold Rush, this rousing musical stars Randolph Scott as a "reformed" con artist-turned-dance hall owner whose girlfriend, singer Gypsy Rose Lee, tries to keep him on the straight and narrow. I really like this type of film, as it reminds me of French movies where it's more about the characters and their environment. It also reminds me of some of those sombre Chinese films that were popular back in the 1990. From an artistic standpoint, it holds its own. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose. 7 outta 10.

Seriously, the costuming in this film is over-the-top but inspired. It helps that it's in brilliant Technicolor.But this film is plagued by a story that is uneven. And by overacting.The story takes place in the Yukon and features Randolph Scott as a conman gone straight. Gypsy Rose Lee is the new featured performer in his saloon. Dinah Shore comes up short (acting and singing) as the featured songstress. She may be the only one who underacts.You might be able to figure out who double-crosses who, but I'm guessing you will eventually give up because you don't care. Better to sit back and enjoy the fashion.

I like this movie as it represents a different style & is refreshing. The costumes & scenery are outstanding & quite something to see especially in colour. I can watch this movie over & over again without being bored. The characters are well played & entertaining. I'm glad I came across it & thoroughly enjoyed it. It was a nice change to see Randolph Scott play a different type of role & I think he must have had 'fun' doing this movie. Gypsy Rose Lee is perfect in her role as the "Belle of the Yukon". Dinah Shore is well suited as the 'Nightingale of the North' with her singing. The comedic undertones add a lift to the movie & keeps it rolling. All in all this is a light & entertaining type of movie.