Fortunes of Captain Blood (1950)

This is How Movies Should Be Made

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

In the 17th Century, daring buccaneer Louis Hayward (as Peter Blood) preys on Spanish ships sailing from the West Indies. The lawless captain sends some of his men ashore for supplies, but they are ambushed and enslaved. Meanwhile, King Charles II hires dastardly George Macready (as the Marquis de Riconete) to track down Mr. Hayward. Although it is considered foolish and dangerous, Hayward decides to rescue his men while disguised as a common fruit seller named "Pedro". The most excitement on land is generated by sexy Dona Drake (as Pepita), who delightfully fills her costume. Higher-billed Patricia Medina (as Isabelita Sotomayor) also wears it well. Producer Harry Joe Brown gives the popular character ingredients for a fun lower budget adventure, but director Gordon Douglas and his team can't quite keep it afloat. Hayward has little spring in his step and the "Fortunes of Captain Blood" trudges through its running time.**** Fortunes of Captain Blood (5/19/50) Gordon Douglas ~ Louis Hayward, George Macready, Dona Drake, Patricia Medina

Gordon Douglas at the time was redoing Erroll Flynn's adventures movies :for instance "rogues of Sherwood" showed Robin Hood's son (!)battling against his wicked uncle ;Hayward was sluggish but Mc Ready was delightful as the villain.Another character portrayed by Flynn (gloriously) :another Hayward /McReady pairing and another battle.Six men from captain Blood's crew have been sold as slaves and they have got to dive for pearls in waters infested with sharks (too bad,those scenes are not shown;it would have added some suspense to a story which is terribly in need of it) The story is barely entertaining ,compared to the great Blood of Flynn and De Havilland (replaced by Patricia Medina who tries her best but who is not Olivia )

I enjoy movie. I thought Louis Hayward was very charming with his witty humor and tongue to get himself in and out of trouble and to speak with a Hispanic accent. In this movie, Louis Hayward and his first mate remember very easy about their horrible times as slaves (they were sold into slavery by the English) which is why Hayward had to go back to and release his men even though it might cost him his life. It also seems that Louis raid the Spanish colonies while in the Errol Flynn raided both the English and Spanish colonies. George Macready did play an excellent role in the movie. I recognize his voice, but not his name. The women were also very funny as well as full of pride.

A Columbia Pictures' release, "The Fortunes of Captain Blood" (1950) neither boasts the epic scale nor the lavish quality that Warner Brothers' poured into its classic 1935 Errol Flynn original with Erich Wolfgang Korngold's exhilarating orchestral score. Essentially, this thoroughly routine black and white swashbuckler confines itself largely to intrigue on land rather than adventure on the high seas. The budgetary constraints no doubt forced veteran director Gordon Douglas to stage only two less than spectacular sea battles that take place at the outset and during the finale. These lackluster clashes occur with the opposing ships miles apart rather than hull to hull. You won't see any pirates with cutlasses clenched in their scrofulous teeth as they swing from the rigging of their ship to board the enemy vessel.The pompous Hispanic monarch, King Charles II (Kurt Bois of "The Desert Song"),warns the Marquis de Riconete (George Macready of "Knock On Any Door")that unless he captures lawless Irish buccaneer Captain Blood (Louis Hayward of "Captain Pirate"), the king will strip him of all his wealth and position. Charles II also places a bounty of 50-thousand pieces of eight on Blood's head. Blood has has been devastating Spanish galleons in the West Indies. Blood and his ship the Avenger lie off the island of La Hacha, the most important Spanish possession in the West Indies. They are awaiting a signal from the mainland to pick up supplies and ammunition from a trusted merchant. Unfortunately, it's a trap, and the Marquis bags a boatload of Blood's men. Although we never see them once they wind up behind bars, we learn from the expository dialogue in the loquacious screenplay by Frank Burt of "Barbary Pirate," Michael Hogan of "Tall in the Saddle," and Robert Libott of "Captain Pirate," that these poor souls are forced to dive for pearls in shark-infested waters with slim chances of survival. Captain Blood refuses to tolerate this unhappy situation. He remembers his own days as a prisoner and he ventures ashore against the advice of his second-in-command to free his men. Masquerading as a harmless fruit peddler, Senor Morales, so that he can have open access to the town, he sets out to rescue his enslaved sailors. Along the way, he encounters a hot-blooded little tomato, Pepita Maria Rosados (Dona Drake of "Road to Morocco"),who takes a shine to him. Pepita's boyfriend is the Prison Overseer, Carmilio (Alfonso Bedoya of "Treasure of the Sierra Madre," who uttered the famous line of dialogue from the Humphrey Bogart classic: "We don't need no stinkin' badges!")."The Fortunes of Captain Blood" contains few surprises or revelations during its trim 90 running time. A clean-shaven Louis Hayward makes an adequate Captain Blood, but he sorely lacks the charisma of an Errol Flynn. Consequently, Hayward seems somewhat wooden in the role. In his defense, Hayward doesn't perform any feats of valor like Flynn did because the scenarists give him nothing in the way of grandstanding heroics. On the other hand, George Macready doesn't make your blood boil as the villainous Marquis. As the Marquis' relative Isabelita Sotomayor, beautiful Patricia Medina of "Mr. Arkadin" spends more time off-screen than on-screen. Eventually, Captain Blood gets around to wooing Isabelita, but he devotes more time to spunky Pepita so he can befriend Carmilio and orchestrate the release of his men. However, since there is no suspense, Blood has few close calls with his adversaries and rarely appears in jeopardy. The miniature ships look fine, but the back projection aboard the ships when the heroes and villains weight anchor is obvious. The sword fighting choreography is strictly second-rate with the combatants never moving far from where the fight started. The last scene before the final ship battle when Blood and his men switch ships and capture a Spanish warship anticipates the future cinematic antics of Captain Jack Sparrow against the British.