Road to Nowhere (2011)

This is a must-see and one of the best documentaries - and films - of this year.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Road to Nowhere is auteur director Monte Hellman's first film in 21 years and is a breathtaking return to cinema. The film premiered in competition at the 67th Venice Int' Film Festival and won the Jury Award Special Lion for Career Achievement. This recognition is a testament to the quality of the film as well as the genius of the filmmaker behind it. The film also features a terrific cameo from legendary film actor Fabio Testi. I look forward to many more films from Hellman in the future. His latest project is 'Love or Die', which is scheduled to commence shooting in Lisbon in March 2014. He is truly one of the greatest film directors in the history of American film.William Anderson

This movie makes your brain a road to nowhere. Although confusingly slow, for some. For others depth is more important. So deep you cant look around cause everything looks the same.I watched this movie for the first time on 3 beautiful tabs of perception enhancers and it made me change life perspective and my own personality. How much of it was the movie I Don't know. The movie changes perspective the whole time. It. Is. Odd.People who think they are creative will hate this movie cause it will pee in their eyes.Real people who 'think' regularly will be enchanted by the detail. They will laugh while the ignorant cry. Bottom line: not for anyone.

A really bad movie trying to be existential and thought provoking, with supposed stylish scenes, that starts and ends up being just a confusing, intentionally unintelligible borefest.First we watch a riveting four minute scene with a woman blowing a hairdryer on her face for some reason. Pretty girl, but please. I guess the director thinks that some people when they are pondering their lives or a dilemma break out the hairdryer. Shots ring out later for reasons that are never fully shown or explained. I will tell you why, but there are now SPOILERS AHEAD.There begins some type of cover up for a crime, that ends up actually being a movie of the cover up of the crime that ends up being a movie of a movie of the cover up of the crime, or maybe not, that ends up being an entirely new crime, but wait.....it is a now a movie of that crime, but that ends up being a filming of the story of that crime, or maybe not......who knows? I am sure this all has some deep meaning to the director, and shadows his personal life or something, but to normal people, no meaning at all. Worse, it is stunningly slow and boring. If you find the above premise intriguing, I would suggest someone could have made a movie like that that would be infinitely more interesting and yet still be confusing and thought provoking. Like maybe Inception or numerous other movies.I think the movie is summed up by its title, but even more to the point, a line within the movie itself (or within one of the movies of the movies...): " Let's f--- the facts" OK cut....lets look over this review and see if it reads well.... OK CUT.......THATS A WRAP OF THIS REVIEW..........

Just went to the New York premiere last night..."Road to Nowhere" is artistically designed to be viewed over and over again, as the scenes will piece together like a jigsaw puzzle. Its pace has an addictive nature, much like David Lynch's "Twin Peaks", but conversely, this is perfectly cohesive thematically. It's abstract, dynamically ambitious, yet flawless in its dialogue and divine scripting. This is the best of all of Monte Hellman's films in one, covering all territory and more. Hellman pays strict attention to detail from shot to shot. All of the photography/cinematography is stylish, yet raw and uncut, giving the mood of the film a realistic look under a very experimental screenplay. The story gets complex, a movie within a movie, and sometimes you can't tell which is which as the characters blend, but there's an underlying sense of humor about it all. Scenes go dramatic to funny like you're on the set for the outtakes sometimes, and it's fascinating how the story unfolds like a who-dunnit that is totally unpredictable. Shannyn Sossamon is perfect, and so is the whole ensemble Hellman brings to the screen. Add some great Tom Russell songs and an erratic but beautiful ending, you'll need to see it again and again.Impressed to say the least, "Road to Nowhere" is as much a homage to the classics as it is the future of filmmaking.