Cautiva (2004)

brilliant actors, brilliant editing

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

This film hearkens back to the magnificent The Official Story, and it helps form a body of work for humanity that might be filed under the "never forget" category. Artistically, it's not a mature work, and is imperfect. Emotionally, it is wrenching. The brief mentions of American training and support of the brutal Argentinian military junta, were uncomfortable; they raised feelings about how much damage this country has aided and abetted in recent years. There's a note at the end that explains that the criminals responsible for "the disappeared," and the damaged children at the heart of the movie, have never been brought to justice. Well, here too. The people responsible for overthrowing Allende, for carpet bombing in Vietnam, for destabilizing and supporting the contras in Nicaragua, and on and on, are still invited to the White House for state dinners.

We take our heritage for granted. But, what is we are slapped in the face and told that the "parents" we have known for 15 years were not real, and our real parents were "disappeared" by a dictatorial regime? Of course, the film reminds us of the shame of our complicity in these regimes by showing Henry Kissinger snuggling up to the dictators.Bárbara Lombardo (The Motorcycle Diaries) in her first feature film, captivates us as the teen faced with this harsh reality in Argentina. The pain she feels is obvious and she is torn from the only family she has ever known and learns to live with strangers, who are, in fact, her real relatives.Television actress, Mercedes Funes, also was great as her new friend, who parents were also "disappeared." A really oustanding film by Gaston Biraben; a shameful part of Argentine and US history that cries out for justice that will never come.

A dazzling directorial debut that is set in 1994 Argentina, but goes back to the early 80's when thousands of political dissidents were "disappeared". A fifteen year-old girl is plucked out of class one day at the summons of a judge, who tells her that the couple she takes to be her parents had in fact adopted her. Her biological parents were young architects who had been "disappeared" for criticizing the political regime of the time. The judge directs her to live with her biological grandmother and new family. Feeling she can no longer trust anybody, she begins, for her peace of mind, an investigation of her own. Played with an extraordinary gravity by the luminous Barbara Lombardo, the young girl meets others like herself and arrives at shocking truths, which it would be wrong to reveal here. Given the documentary aspects of the film (it addresses an ongoing unresolved situation, where thousands of young adults, born during this tumultuous period of Argentine history, continue to search for their birth parents), it goes beyond being just a political thriller. Despite being, at times, unevenly paced (this is, after all, a directorial first-attempt), it is a splendid examination of relationships and the doggedness and resilience of the human spirit.

CAUTIVA is an emotionally powerful story about a teenage girl in Argentina learning that she is one of the children of the "disappeared." The actress in the lead role is a fresh and wonderful surprise. The story builds entirely from her point of view, and the greatest pleasure of it is watching her mature and come to grips with her family and her past in front of our eyes. Direction is first-rate, and the film is an experience from which no one walks away unaffected.