The Sword and the Dragon (1956)

SERIOUSLY. This is what the crap Hollywood still puts out?

Good concept, poorly executed.

An absolute waste of money

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I remember seeing this film on the "Million Dollar Movie" on channel 9 {in the New York area} in the early 60s and I also had the Dell comic book adaptation.As a child it was impressive and it still holds up today.Basically its the story of the legendary Ilya Murometz{the Russian Giant}and his attempt to rid his land of the invading Tugars-in reality Mongols-who had their name changed for this film.The film features beautiful color photography, some massive battle scenes set against an Eisenstein like darkening sky, decent special effects like the Wind Demon, the Pig Man , the three headed fire dragon and some musical numbers too,including a sexy belly dancer at the Tugar's camp-adolescent fantasy material! .There probably is a pro Soviet message, but due to the fall of the Soviet Union it is no longer relevant.The acting which has often been criticized is actually pretty good on its own level, its just the English dubbing that somewhat works against it.An early example of the medieval themed "sword and sorcery" genre that became briefly popular in the 80s with films like "Excalibur" and "Conan the Barbarian", this one is entertaining, well produced and has an overall sense of innocence and wonder about it that is hard to resist. It may not be perfect, but it does what it has to do very well. Give it a shot. You might enjoy it.

The story of Ilja Muromets requires severe suspension disbelief. Even in the weirdly dubbed American version it plays as a pro-workers film. There is a political message not so hidden here, but you can ignore it rather easily.The plot is very innocent with a lame hero becoming healed and so that he can go off and fight the invading Mongols. Its grand fantasy with semi-special effects that are wonderfully of the period, and fit the gentle style. (Gentle even with the huge battle scenes) The trick is to give yourself over to it ,on its terms, and you'll have a great time. And yes its completely silly and over the top, despite seeming rather serious.The director, Aleksandr Ptushko, specialized in fantasies of this sort. I think this is the best, with the other films like Ruslan and Ludmila, or Sadko (The Magic Voyage of Sinbad) or Sampo (The Day the Earth Froze) suffering from pacing problems, despite having fantastic visuals. (indeed Sampo is so dull as to put on into a deep coma) If you like this film then try Ruslan or Sadko.If you click into this you'll love it. Since I do I give it 10 out of 10. Your mileage may vary, even as you laugh your ass off at at it.

While this film doesn't look as impressive today as it once did, you have to remember that it debuted here in 1956, when the big "epic" movie was DeMille's "The Ten Commandments," and this film has several things in common with it. This was a very, VERY big picture for 1956 Russia, and while technically there's no comparison with DeMille's picture, it has a kind of charming innocence that DeMille's definitely does not. The dated, over-the-top acting styles are common to both pictures, and while it sort of works for the Russian picture, it really doesn't for "Commandments," and was the one thing that always annoyed me about that picture (and pretty much all of DeMille's talkies, for that matter). I enjoyed the villains much more in "Sword and the Dragon," and the human pyramid scene is still astounding, as is the scene near the end where the Russian spearmen pincushion the Mongol chief and raise him, screaming and still impaled on their spears, above their heads; it was quite gruesome for 1956, and is still remembered by people who haven't seen the film for 20 years or more. Granted, some of the film is laughable--the simpering, pigtailed blonde girlfriend is a bit much--and some of the effects are pretty cheesy, but overall I still think it's an impressive accomplishment. The Russians put a lot of money into this movie, and for the most part it shows. The film is a bit lumbering, but not much more so than "The Ten Commandments," which is more highly regarded, and not entirely justifiably.Overall, this is a somewhat goofy, charmingly dated but eminently watchable spectacle with some truly memorable scenes, so slip it in the VCR, pop open a beer, get some popcorn and see what passed for state-of-the-art cinema in 1956 Russia.

Just sit back and assume you are going to see something so strange that you'll either flee to reruns of Beastmaster, or fall in love with an enchanting film unlike anything you've ever seen. Its an old Soviet production from the mid fifties, filled with overacting in the best traditions of social realist acting, and that indeed is part of the charm. But it is so much more, a child like wonder land of wind demons, magic swords, squirrels beating on mushrooms like bongo drums, and some of the best darn villians ever created. I first saw this in a theater when I was a kid and fell in love with the tale, so much so that it actually impacted my life in a major way. I wound up in a library, a ten year old wanting to read about Russian history, folktales, and above all else, the Mongols, who are the bad guys in the film. Well, I now spend my summers in Mongolia working on archaeological digs, have wandered around Russia doing the same, and though I teach American history on the college level, this film triggered a life long love of the exotic world of old Rus and the "Tugar," i.e. Mongol Hordes. . .along with the science fiction novels I write in which a Mongol like Horde are the major antagonists. For that alone I'm grateful to the weird genius of Ptushko, the director of this and several other equally strange movies. When I ran a college film series as a student I ordered this one up for what I guess you could call a "stoner's night," the old routine of strange cartoons, "Reefer Madness," and such. Everyone went nuts over "The Sword and the Dragon," and said it was the best of the night! Some of my favorite moments, the tower of human bodies, the great dancing girl routine, the 1000 lb envoy, the dancing squirrel, the wind demon, and the beautiful entry scene in the the court of Prince Vander. . .a moment as beautiful as any put on film and one of a couple of songs that are in Russian. So, go ahead and call it goofy. . .it might haunt your nightmares, you might just freak, call me a nut and turn it off in ten minutes. . .or you might get haunted by the film and watch it again and again. "Bravo Ilya Murometz!"