Lianna (1983)

Tied for the best movie I have ever seen

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

I don't know what is more depressing: that the great John Sayles crafted this piece of cartoon character lesbian propaganda or that people today who have the tremendous increase in psychological knowledge available to them and should know better still can't see that Sayles was glorifying a narcissist.The "hero" of our film, Liannna, is attracted to emotionally unavailable people of either sex. Yet she takes no responsibility for her sick actions. She has no problem with unethical behavior, whether it be having sexual relationships with authority figures or a meaningless one-night stand of loveless sex with a stranger. Are we to stand up and cheer because she learns to act like her sexual predator husband in the bar? Lianna trades a loveless marriage with Dick for a loveless lesbian affair with Ruth. She abandons her two young children for a life of hedonism and doesn't give her devastating actions a second thought. All that matters is her being a naughty and daring pioneer for the sexual revolution. By the end of the film Lianna finds out everyone else is just as self-centered as she is.The sad conclusion drawn from watching Lianna is that John Sayles betrayed his audience. He used our moral outrage at Dick's unconscionable behavior to justify Lianna's initial actions, but she turns into another Dick. But now I know why he had to resort to such a cheap cinematic trick to engage the audience: throughout the rest of the film Sayles fails to make the case that this life is worth examining or this character is worth caring about.

Writer/director John Sayles went with this film where few other directors would have dared to venture at that time. His Lianna is a film dealing with the coming out of a young woman in the midst of a failing marriage. Lianna is a 33 year old woman married to a self-centered college teacher and mother of two children. Though her family does not seem to greatly prosper, it would appear on the surface that Lianna lives a comfortable life. Just when her husband pushes things too far, Lianna starts up a sexual relationship with her night school teacher. Lianna cares enough for this woman that she becomes openly gay, and moves out of her home. She quickly learns that her coming out may cause more problems than she originally bargained for.First of all, she is forced to live in a tiny apartment and financially support herself. The job market of this college town seems weak, and there isn't much out there in terms of decent employment. As one might expect, Lianna's children are somewhat alienated by their mother's new lifestyle. Their father no doubt helps further the alienation. Lianna's best friend no longer wishes to speak to her. And perhaps worst of all, the woman she came out for, does not wish to be committed to her. She has another woman in another town she is still very much in love with. The rest of the film deals with Lianna coming to terms with her new lifestyle, and trying her best to fight off her sudden loneliness and isolation.John Sayles, who even plays a supporting part, does a very good job with the material. He had to make this film on a budget of less than half a million dollars, and all of that pretty much came from private donors. The film ends up looking pretty good, but many of the locations are somewhat bleak in appearance. Sayles handles perhaps the most important scene with very good tact. In it, Lianna is trying to come out to Ruth (the teacher) without actually saying it point blank. Ruth is clearly attracted to Lianna, but she obviously fears making a move before she is sure that's what Lianna wishes. Notice how she delicately moves her hand through Lianna's hair as Lianna details a close relationship with a female friend at summer camp. And yes, there are numerous sex scenes. On the surface, this type of film might sound like exploitation, but Sayles doesn't let it slip into that territory. He allows his characters to keep their dignity, and we the audience care deeply about them before its over.The film is not necessarily about the triumphs and empowerment of coming out. Lianna in fact seems mostly miserable once she allows herself to be honest about her sexuality. That makes this film a somewhat depressing endeavor. Only in the film's final scene is there any sliver of hope that the protagonist can gain acceptance from someone was alienated by her change of lifestyle. The film stumbles a bit in terms of how it handles Lianna's relationship with her husband. He is shown to us as being a truly reprehensible slug from the beginning. I think it would have been more interesting to show him as being either likable or at the very worst simply inattentive. Being as though we already know what a jerk he is, there really isn't any where else the story can go with him. Maybe it would have been more interesting to show how a more typical man would have reacted to his wife coming out. Just a thought.Overall this is a daring and thoughtful film. Linda Griffiths is particularly outstanding as the title character, and the rest of the cast is fairly convincing as well. The film scores points for dealing with its characters as well-defined individuals, rather than simple stereotypes. If you can find a copy of this little-known film, by all means give it a look. 8 of 10 stars.The Hound.

John Sayles, portrays a realistic story of lesbian love. Though the film is 23 years old, it has all the trappings of a classic film, as the subject matter and the characters could easily take place at any time, in any place in history or currently. Intimate and delicate, the story of a young married woman (Lianna) who's restrictive world of stuffy husband, kids and homemaking is slowly coming undone. For enrichment, she takes a class at a local college where her teacher, Ruth, makes a great impact on Lianna who sees Ruth as a strong, decisive, smart woman. These qualities are the initial attraction for Lianna and as her friendship with her grows, Lianne feels long forgotten feelings she had as a young girl before she settled into the more traditional role of marriage, children and the occupation of housewife. At the end of the film, Lianna is free in many aspects of her life and as the credits role, the viewer can't help but take that feeling of relief and freedom with her . A lovely film.

I think if you are interested in the subject matter, the content of the movie carries it. The comments thus far have been extremely positive, which is not quite in line with the current rating. So my comment would be to warn you that there is a lot of mediocre acting and the photography was not great. I'm sure the budget of the movie had a lot to do with it. And in some way the lack of great lighting, etc., and the "lameness" of the movie tends to work in its favor to present the subject matter as very ordinary, very commonplace, in opposition to how society wants to view this as something very unusual. I'm not a long-winded person. The need to pad this out to meet an IMDB requirement of ten lines would seem to ensure that there will be a lot of filler in these comments.