Adrift in Manhattan (2007)

Well Deserved Praise

Overrated and overhyped

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

In Manhattan, where 11 million folks live, one can still feel very alone. Dr. Rose Phipps (Heather Graham) certainly does. She has recently suffered the death of her toddler son and it has caused her marriage to fall apart. Ex-husband Mark (William Baldwin) lives elsewhere and has tried a new romance, with mixed results. Meanwhile, Tomas, a mail clerk by day and a painter by night, is startled to learn he is going blind. This news was delivered by Dr. Rose, who urges him to call his family for support. He has none. However, Isabel (Elizabeth Pena) is a co-worker who has his best interests at heart. Finally, Simon (Victor Rasuk) is a twenty- something who works in a photo shop and takes artistic photographs on the side. Unfortunately, his mother is a troubled lady who drinks too much, never having got over her husband leaving her. She has made incestuous gestures to her son, which has left him shy and a virgin. Spying Rose on the street, as these folk all live and work near each other, Simon begins to take photos of Rose, beautiful ones. Is he interested in Rose as a woman? How will all of these troubled lives go on? This stunning film is very touching, very disturbing in parts, and very adult. Though not overly described, the topics of masturbation, incest, and voyeurism are present. This will tell some viewers to "stay away". Yet, the stories are touching as these flawed folks have sad and lonely lives but might, finally, establish connections with others. All of the cast members, Graham, Baldwin, Rasuk, Pena and the rest are quite wonderful. This term also applies to the scenery, script and thoughtful direction. If you can get past a touch of objectionable material, Adrift in M is a piercing examination of the human experience.

Enjoyed the film very much. The three main characters each have issues to deal with and are a bit trapped in themselves. The young man is so inhibited, you can practically feel the pressure in him about to explode. The old man is facing new horizons and is afraid of what that will bring. And the doctor is consumed with grief. The way the movie threads the lives of these 3 ordinary characters is done beautifully. Without knowing each characters intentions we see how our actions, great or small, affect others. My only complaint is it took a while to figure out what problem the Doctor was having, and there was not much information provided as to how the child died. As to the old man, the scene where he is drawing is incredible. His story unfolds quickly and the woman he works with does a great job in reaching out to him. The young man is a more complicated story. There is little to go on in trying to figure him out. His mother is overbearing, and a little "too close" to him. Yet, that is about all we can tell, except that he likes to take pictures. His inability to communicate clearly with anyone creates an enormous amount of tension, and the sex scene with him and the Doctor finally breaks down his wall. Beautifully produced. Would recommend. On a purely technical note, I occasionally found the sound track not consistent, and would have to raise and lower the volume on the remote. ( This could be due to my TV or the actual copy that Hulu is transmitting).

Adrift in Manhattan is a small, lovingly made, melancholy film about the intersecting lives of various emotionally wounded people in Manhattan. As I watched the film though, I felt something was "off." Then I realized it, the Manhattan in this movie is much too quiet. I lived in Manhattan for years and one of my overriding memories of it is the constant noise; sirens, garbage trucks, horns honking, boom boxes, crazy people yelling, etc. Yet, in this film Manhattan is a quiet, dignified place. If only! I wonder what the film would have been like if it actually had the background noise that's so much a part of the city. I think it would have improved the film and made the characters' loneliness all the more poignant.

"Adrift in Manhattan" tells three intertwining tales of life along Manhattan's 1 subway line. (The film was originally called "1/9," but was probably changed due to the 9 recently being discontinued.) The first concerns an optometrist (Heather Graham) haunted by the death of her child and no longer able to make a connection to anyone, including her estranged husband (William Baldwin). The second deals with a teenager (Victor Rasuk) with a disturbing home life who can only relate to the world through a camera lens. The third deals with an elderly painter (Dominic Chianese, best known for playing Uncle Junior on "The Sopranos") rapidly losing his eyesight as he discovers love with a younger woman (Elizabeth Pena).I don't give this film a 10 rating lightly...I don't gratuitously hand out the highest ratings to films. But I loved this movie, and I love movies like this: character-driven dramas with solid plots in which the featured players take interesting, unexpected paths. "Adrift in Manhattan" is filled with great characters who could each be the single focus of a film. It's to the credit of director Alfredo de Villa that he manages to fit them all within the confines of this roughly 90 minute movie in such a satisfying manner.The acting is excellent. Heather Graham gives a carefully nuanced performance that should serve to remind people she can be a great actress when working with solid material and a skilled director. William Baldwin is a revelation. Here you realize the magnitude of his potential, and how he is not "just one of the Baldwin brothers." Victor Rasuk manages to be both creepy and sympathetic, and it's a credit to his talent that you wind up rooting for him more than anyone else. Dominic Chianese gives a heartbreaking performance, and proves to be an actor of great depth. Anyone expecting to see traces of Uncle Junior will be surprised. It makes one hope he stays with us a long, long time so that we can see the full realization of his talents now that the spotlight is on him and he's better able to get good roles like this. I could go on and on about the stand-out performance by Elizabeth Pena, but time is limited.There's a raw, leave-nothing-to-the-imagination sex scene between Graham and a certain character (trying not to divulge any serious spoilers here) that is not only surprising (given how, when Graham shot it, there were very high hopes for her ABC sitcom and for her becoming a network prime time queen), but cathartic and wholly satisfying in terms of character arc. It is shocking and unexpected when it comes, but makes perfect sense when you realize the film has been building up to it.Best of all about "Adrift in Manhattan," de Villa effortlessly presents a New York City vibrant in all of its diverse glory, not only in terms of race, but age, class, mental stability, aspirations, and broken dreams...the way the city truly is. This isn't the fake, lifeless, Midwest fantasy New York you find in "Friends," "Sex and the City," "The Devil Wears Prada," and most sitcoms and movies of the last several years. This is the real New York as presented through the gaze of narrative film.Travel along the 1 train in Manhattan and you'll find a million stories, with each one leading to a million others. (A real life, non-virtual MySpace network.) De Villa and co-writer Nat Moss take three interconnecting ones, and the result is an amazing film that not only provides an ideal showcase for the actors involved, but also serves notice to the film-making community that a talented director has arrived. Let's hope some studio or mini-major pays attention.