The City of Lost Souls (2000)

Sadly Over-hyped

Amateur movie with Big budget

The first must-see film of the year.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I have a troubled relationship to Takashi Miikes films. While i usually find them interesting i have a hard time really enjoying them. And while (or perhaps because) this is one of his less extreme movies i have the same problem here.When Takashi Miike is discussed people often mention his over-the-top, gore-filled movies with flashy visuals and plots that are usually quite hard to comprehend. Of course plot usually takes the back-seat and are not the reason why you would watch something by Miike to begin with. "The City of Lost Souls" however is a more conventional movie where the plot is easier to understand and the action is not as extreme. And the result is, perhaps not surprisingly, not very interesting in my opinion.This is the story about a Brazilian gangster and his girlfriend who try to leave Japan to start a new life. But things don't go as planned and before long they end up having both the Triads and the Yakuza on their tail after interfering with a drug deal.This movie does have some interesting scenes, it's far from all bad. But in the end this is not twisted enough for my tastes. And to me it feels like Miike doesn't really have the ideas or the script to make a more straight-forward movie out of this. Rather it feels like he should either have focused more on the plot here or tried twisting the whole style of the movie a couple of times. In the end this becomes a movie with a weak plot and not enough screwed-up moments to make it interesting. While it's not without entertainment value, it's still a disappointment. I rate it 4/10.

The beginning of this film was pretty good. You got to see this guys nice ass and this tells you this is going to be a interesting movie.Then - ZZZZZZzzzzzzZZZZZZzzzzz - boring. Until we meet this Asian gentleman who seems to be in love with this girl Kei. The Asian man is beautiful and he never smiles during the entire film. But he has that kind of porcelain doll look.Then a lot of stupid stuff in the middle.Then the ending - the two killers kiss at the end (which I figured out in the middle of the film - no one can be together in that much violence and not turn to each other for comfort). Finally it's over.What did you think. Send me a email....

I haven't seen anything as cool as the "cock fight" on film in a long time. See this if you are a Miike fan, but it is nowhere near as good as Ichi, Fudoh, Visitor Q, the DOA trilogy, Audition or Happiness in the Katikouras (spelling?). It was better than Full Metal Gokudo, however.

Takashi Miike's City of Lost Souls (also known as Hazard City, 2000) is very different due to its multi nation cast which includes Russians, Chinese, Japanese, Portuguese and some others. The protagonist is Mario who is a Japanese/Brazilian who has beautiful Chinese girlfriend Kei who he frees in the outrageous beginning of the movie from some immigration system. Then they try to get out of Japan, but before they can, they have to deal with crazy Yakuza members, Mario's ex-girlfriend and her little girl and irritating radio host. This film reminds distantly of Guy Ritchie's Lock, Stock and Two Smoking Barrels so that gives a clue how much things happen in this film; you're right, a lot.This is one wild ride to experience and even though it's not the director's masterpiece, it's still very interesting film and personal to say the least. The film is full of details to be found and crazy ideas, and Takashi is definitely among the most interesting directors of today. There are long takes without edits, weird and crazy camera angles (the toilet!), wild action scenes, CGI and some outrageous gags mostly towards some Hollywood blockbusters like The Matrix. The cockfight scene is totally unbelievable and I'd like to know what do the Wachowsky brothers think about this film! The very menacing "blade" effect at the end is again very personal and the kind of crazy idea one could expect from this director and Japanese cinema in general. The violence and action is very comic book like and thus not too shocking nor disturbing and that's not even the purpose. Fudoh (1995) is far more serious film and very masterful piece of Yakuza genre and alongside Audition (1999), it is Takashi's masterpiece.City of Lost Souls raises some interesting topics mostly about different races and how we after all are very similar no matter what "race" or nation we belong to. All the characters are more or less tragicomic and show that there's absolutely no culture or person in the world who could be described as "perfect" or without flaws; people in City of Lost Souls are selfish, stupid, violent and proud of themselves so these are exactly the same things which plague every human being in the world. These things are not necessarily active in every case, but they're still there "un-active" and waiting for some stimulation to become active because, in my opinion, they belong to human nature, whether we wanted to accept it or not. City of Lost Souls tells many thins about us humans, but it tells them with little like tongue in cheek and with plenty of humor and lightening elements and so the film becomes even more interesting. The same case is with Mario Bava's slasher classic Bay of Blood aka Twitch of the Death Nerve (1971), which is a horror film on one level, but ends up being a hilarious satire and black comedy during the end, and the final scene in Bava's film is very memorable and, in a way, little similar to Takashi's film's end and how and why Kei and Mario end up like that. City of Lost Souls is very easy to watch many times due to its creative content and over-the-top personal director, who hopefully manages to make more interesting films for many years to come. It is ridiculous but also sad how many just think this is some non-sense director whose films are so good just because of their often strong violence and other shock elements. Takashi Miike is another great talent in the growing list of Japanese talents, and his films are far more than many manage to understand and see. 8/10