Houdini (2014)

Good story, Not enough for a whole film

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

It's entirely possible that sending the audience out feeling lousy was intentional

It really made me laugh, but for some moments I was tearing up because I could relate so much.

I'm a big fan of Houdini; he ranks up there as one of the top historical figures to fascinate the present. The multiple layers of his life and the different translations of it from his public side to his private side have become fuel for some very interesting depictions from the 1953 depiction, "Houdini," to "The Great Houdini" with Paul Michael Glaser and Sally Struthers in 1976, the one that ranks as my favorite. However, after Jonathan Schaech's 2008 version, one might start to wonder what might be left to dramatize. Well, there is the rumor that Houdini might have been drafted to work as a spy for British Intelligence, a claim that has never been proved. With this depicted in the film, one might start to wonder what else did they get wrong? "Houdini" still manages to adhere to the basic time-line of Houdini's life and career, but it also seems to bend things here and there to create drama and to rush into the famous moments of his life we all want to see brought to life on the small screen. From his simple life working for carnivals to his later successes, the movie actually condenses the one thing that Houdini was actually best known for than his magic: his war on phony Spiritualists and then going much further than that by establishing his motives. Could Houdini have actually believed in an Afterlife so much that he outed all the charlatans he encountered trying to find a one-true psychic in touch with the spirit world. It's a very novel interpretation that I've never seen posed before, but it also makes sense when you keep it in mind to re-watch the other Houdini movies. However, where it starts becoming unbelievable are in depicting Houdini's possible spy career and more fiction with Houdini entertaining the Russian Royal Family and meeting Rasputin before the revolution, events I've learned which never happened. It does stay essentially truthful to his death in the hospital rather than the stage legend that has been forced down our throats. (Thank you, Tony Curtis.) Nevertheless, the movie does not fail to entertain or keep our attention. Despite being thinner and more gaunt than Houdini, Adrien Brody enjoys himself in the role and gives an excellent performance, as does Kristen Connolly who is woefully underused at times as a fiery and strong-willed Bess. The highlights are the explanations behind some of Houdini's lesser-known illusions. I enjoyed the movie, and unless you're a massive Houdini purist for accuracy, this one should appeal to you as well.

-Houdini (2014) miniseries review: -Houdini is a two-part series following the life and career of Harry Houdini, played by Adrian Brody. Mainly focusing on his rise to fame and career as a major entertainer, Houdini looks at various elements of his life, such as his marriage, family, rivalries, and of course, escape magic tricks.-I honestly wish Houdini would have been a film. If has a total runtime of 2 hours 20 minutes, a great cast, and high production design. But as a series, it was still pretty darn good! -The story was well focused and very compelling. The second half is very different from the first half because of Houdini's change in interests, but that is what actually happened, so….-The pace was fantastic. It never became not interesting to me. I binged-watched it because I could not turn it off.-The acting is very good. Adrian Brody does a very convincing job and the supporting cast did great.-The characters all feel very human and flawed, which is something I am glad they showed because of how inhuman Houdini appeared to everyone at the time. I also really liked seeing his rivalries with Sir Arthur Conan Doyle and Charlie Chaplin.-The music did not fit very well. It had a very modern vibe to it, which aided the pace, but made the overall tone feel too…. hip? Something like that.-The editing was also pretty choppy. It matched the fast cuts in the music, which was played for suspense, but was not needed for it. It is prevalent that he lives through dangerous escapes, but his life was still on the line, so modern music and quick-cuts don't were overkill.-The production design on the film was great. Everything from costumes to makeup was done very well. I also really liked seeing how tricks were done, and some of them are explained afterwards, making you guess first. I am also not going to complain about an anticlimactic ending, because that is how Harry Houdini went, very anticlimactically.-Houdini had some flaws trying to add style and suspense, but despite its best efforts, it was very well done, well-acted, and compelling due to an engaging story and relentless pace. Houdini, being slightly shy of Amazingtastic, is definitely worth checking out! -Houdini is TV-14 for some mild language, intense scenes, some violence, and some brief sexual content, but no nudity.

I actually had quite high hopes for this two part Bio-pic of the great escapologist Harry Houdini. For one thing, being in two parts should give the narrative plenty of room for detail and development. It was also a "History Channel" production which I presumed meant it would focus on factual and not fictional incidents in Houdini's life. I even thought that the casting of Oscar-winner Adrien Brody would confer some gravitas on proceedings. Well, sorry to say I was wrong on every count. I've done a little background research and can't see any evidence of Houdini's secret spy-work across Europe prior to World War I (far less break into the German Embassy's safe for valuable papers, during his own act), ringing the Kremlin bells for Czar Nicholas and his family, far less meeting Rasputin or do the bullet-catch trick in front of Kaiser Wilhelm. Houdini surely had such a fascinating life that there was no need for these fictitious sensational-isms. Even real-life events such as his exposure of the fraudulent medium Margery (with gratuitous seduction scene, natch!) or thevfall-out with the Conan-Doyle's seemed souped-up, to say the least.I also hated the production values with its trendy post-"Sherlock" use of jump-cuts, time-compressions, internal anatomy close-ups and worst of all the booming cacophonous soundtrack employed presumably to accentuate dramatic scenes. Then there's Adrien Brody himself, that's tall, gangling Adrien Brody playing short stocky Harry Houdini. And just what were those far from platonic kisses with his adored mother all about?No, I really hated this, it really did, for me encapsulate all that's bad in Hollywood representations of supposedly factual events. One day, we'll presumably get an accurate retelling of Houdini's fascinating life and times, but this assuredly wasn't it, not by a long chalk.

...but highly watchable nonetheless. 'Houdini' is nothing we haven't seen before. This is so formulaic that really without much rewriting this film could be about anyone. This script is dead awful in terms of creating a story about the life of a real human being. This is the kind of picture 'Dewey Cox' lampooned so brutally. But really I sort of expected this going into 'Houdini'. Bio pics really are a dime a dozen. None of them are particularly imaginative in framing the stories of their subjects. It's all about the presentation and the lead actor. In these regards 'Houdini' is a very fortunate movie. It's well shot, staged. and is very imaginative. Above anything else though Adrien Brody is the savior of this film. I think had a lesser actor been cast this movie could have been a disaster. This is a performance that transcends the clichés.One of the glaring problems 'Houdini' and most bio pics has is that they want their titular characters to dissect life in a way that no real human ever does. Harry Houdini was a brilliant magician but that was also his job. If 'Houdini' wanted to dissect life through the lens of it's character it would devote more time to showing Houdini developing his performances and exploring his relationship with the audience. I really fail to see why this isn't more simple to comprehend. So the least interesting aspects of the film all have to do with the comical monologues Brody is given as he explains his deepest darkest fears. Frankly, they make Houdini sound pretentious and whiny. Brody does his best with them but they hurt both the pacing of the film and the audience's relationship with the character.Unsurprisingly 'Houdini' works brilliantly when it goes into his magic acts. Brody exhibits a great starry eyed quality into his character. There's a great moment in the film when Harry talks about striving to give his audience the best and how that serves as a constant challenge to one up himself. Everything is recreated in a painstaking manner and Brody actually does a great job setting up these tricks. He is brilliant at making us interested. The second half which delves into his quest to debunk spiritualists is even better than the first half. It really leaves the traps of the script here and we see Houdini as a real character. Frankly, I think this is what I admired most about Houdini. Brody shows Houdini as a man in grief who wants nothing more than to be wrong and to believe in a world of the fantastic despite knowing the secrets behind every magic trick. I think a great film could just be made with this aspect of Houdini's life because it shows Houdini for what he was best at, bending secrets. The fact that he bends secrets because he cares about people though is what makes him identifiable. 'Houdini' is goofy but really in the scope of things it is harmless and Adrien Brody is able to do some good things with the role. I recommend it to anyone who is interested in Harry Houdini and wants a somewhat fresh looking take. It's not terrible but serviceable. At the very most Adrien Brody wants to have fun even if it is ridiculous and Harry Houdini is remembered because of his ability to bring fun to the audiences.