7 Men from Now (1956)

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This movie feels like it was made purely to piss off people who want good shows

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Seven men rob Wells Fargo, steal a lot of gold, and kill Ben Stride's wife in the process. He sets out to avenge her death, and while he is at it, he retrieves the gold as well. Justice is served. But there is another injustice that has to be addressed in this movie.When Stride first happens across John Greer and his wife Annie, we can see right off that this guy is a wimp, and we wonder how he ever got himself a wife like Annie. Even when she falls in the mud, she oozes sex appeal. Later, when they are joined by Bill Masters and his partner Clete, Masters poses the question to Clete as to why a full woman like Annie would settle for half a man. He is right. Greer just does not deserve Annie.A man like Masters is the sort who cannot help stepping on something little, so one night while Stride, Greer, Annie, and Masters are inside the covered wagon, Masters starts talking about how deliciously desirable Annie is, practically ravishing her with his words, while her husband, who is being verbally cuckolded, just sits there and takes it. Masters also talks about how he once knew another woman like Annie, who eventually ran off with a real man, suggesting that she has a thing for Stride. And apparently she does, because later when Stride says goodbye to her, she moves in to be kissed, although Stride does not avail himself of the opportunity. For one thing, he is a recent widower, and for another, he is too upright to take another man's wife.We know that Stride will eventually kill all the men who stole the gold and caused his wife's death, because that is routine for a Western. It is the injustice of Greer's being married to Annie that worries us, for there is no standard convention for handling that situation. When Stride discovers that Greer had been hired by the robbers to transport the gold, he takes the box of gold away from Greer and tells him and Annie to go west. We get a sinking feeling. The wrong will never be righted. Fortunately, Greer decides to go south to inform the sheriff of Stride's situation.Before Greer can get to the sheriff's office, the leader of the men who hired him to transport the gold shoots him down in the street. Because Greer knowingly risked his life and lost it trying to help Stride, Masters says he was wrong, that Greer was a man after all. Well, it is nice of Masters to say that, being generous about the man now that he is dead, but we know better. After all, Greer was not wearing a gun, and in a Western, that is always the mark of a weakling. And thus it is that when Greer is shot in the back unarmed as he walks to the sheriff's office, we breathe a sigh of relief. Though Annie says she loves her husband, yet we know that this is for the best.Later, after Stride has returned the gold, he tells Annie where he will be working as a deputy and indicates that he would be glad to see her, if ever she should be passing by that way. She quickly decides that after a decent interval (both have recently murdered spouses), she will take him up on that offer. This makes us feel good, because Stride is the real man she has needed all along. When they finally get married and he gives it to her the way her first husband never could, justice will finally be restored.

Seven Men from Now is directed by Budd Boetticher and produced by John Wayne's Batjac Productions. Written by Burt Kennedy it stars Randolph Scott, Gail Russell & Lee Marvin. Music is by Henry Vars & William H. Clothier photographs out of the Alabama Hills and Lone Pine, California.Former Sheriff Ben Stride is on the trail of the seven men; who whilst robbing a Wells Fargo office, killed his wife in the process. Mentally tortured by having lost his job that resulted in his wife having to work at Wells Fargo, Stride is totally driven by hurt and anger. But along the way he helps a married couple who are stuck in the mud; who persuade Stride to ride West with them in case of further problems. They are then joined by a couple of suspect characters who have their own private agenda for tagging along with Stride: all parties seemingly heading for the day when the truth will out.Director Budd Boetticher and leading Western star Randolph Scott made between 1956 and 1960, seven interesting and genre bending films. This was the first of their collaborations, and although it can be said they were merely honing their "Adult Western" bent here, all the traits that would make the upcoming The Tall T, Ride Loneome and Comanche Station so worthy of genre classic status is evident here in this film. Tho simple in plot; I mean man on a mission movies are not exactly rare are they? Seven Men From Now is boosted by a smartly ambiguous turn from Lee Marvin as Bill Masters, while Boetticher's ability to raise his complex and hungry characters above and beyond the standard tale further gives the piece some kudos. Incidents dot themselves throughout the story to keep the film from ever drifting to the mundane, while the location work at Lone Pine, Alabama Hills in California is gorgeous; where we should be thankful to cinematographer William H. Clothier for realising that Boetticher needs his vista to be another character.Originally intended as a vehicle for John Wayne, who took producing duties instead when his schedule wouldn't allow him the time to star, Seven Men From Now gave Randolph Scott a chance to show just what a fine actor he was. His Ben Stride could so easily have been played as corny and grumpy, but Scott gives it the emotional depth that Burt Kennedy's script demanded. Gail Russell (Annie Greer) is the lady of the piece, she ultimately led a sad real life, but at least here as the woman caught between two men, we get to see that she did have the ability when called upon - even if this didn't relaunch her career in the way that her friend John Wayne had originally hoped for. In fact Gail was to sadly succumb to the alcoholism that blighted her life just five years later, aged just 36. Thankfully this film stands up as a fine way to remember her beauty and for the efforts that she put into the Western genre.Lacking the heavy cloud of doom of Boetticher & Scott's best collaborations, this one, however, boasts richly interesting characters that are telling a cunning moral allegory tale. It be an Oater for those who like intelligence over yippee ki-yay like histrionics. 8/10

One of the first collaborations between Boetticher and Randolph Scott for their cycle of low budget B westerns they did in the fifties. John Wayne was to play the lead role before it went to Scott. There's nothing atypical, sophisticated or extraordinary about the story or depictions of the old west - this is still white hats, black hats territory with plot points telegraphed in pretty obvious fashion. It is however economical, unpretentious, restrained and straight to the point. The awkward love interest that develops between disgruntled sheriff and squatter's wife reminded me of SHANE. Lee Marvin turns another solid performance as the villain.

SEVEN MEN FROM NOW is a 78 minute typical 1956 film, that played as the lower half of a double feature. This review is probably close to what I said about it in 1956,The production company was BATJAC STUDIOS, which many of you may remember was the studio name of JOHN WAYNE's production company. The director was BUDD BOETTECHER who was a well known director at the time. & written by Burt Kennedy who wrote many very good screenplays as well as Tele-plays.Its star was Randolph Scott an actor similar in style to John Wayne,He was already a star (mostly westerns)for over 20 years & would continue for a few more years yet.Even though he basically played the same type of character (ala John Wayne),we always rooted for him.Co-starring is the lovely actress Gail Russell it was her first film in 5 years,( she had a tragic personal life).She still was radiant, even though she looked much older than her real age,.Lee Marvin in another one of his nice but nasty villain roles. It was no surprise to me that he would eventually get his well deserved Oscar.The rest of the cast was good. Even though this film had a small budget, the production was first rate.On the DVD there is way over an hour of extras & they are very good.Ratings; *** (out of 4)82 points (out of 100) IMDb 7 (out of 10)