The Karen Carpenter Story (1989)

Stylish but barely mediocre overall

This movie was so-so. It had it's moments, but wasn't the greatest.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Sadly, I didn't appreciate the Carprenters until after Karen's death--young, stupid, inexperienced in romantic relationships, I guess, so lacking in taste! Also, hadn't had the classical vocal training I've since accrued, so couldn't have remarked earlier on what an exquisite voice we had the privilege to know. As a blind viewer, I can't, obviously, comment on the visuals, but Gibb was, in terms of speaking voice, remarkably similar to Karen (check out YouTube interviews)--this from someone who has "made a career" out of discerning between voices--Cynthia was only slightly higher, and had a very similar timbre. I would love to either read the screen play, or find an audio-described version that would catch me up on the visual aspects. I will say that a director/producer is only as good as the material provided--the family kept a lot of details hidden (typical of eating-disorder families not in recovery, especially then), and so, we don't have a chance for an accurate picture, and ironically, the fact that it skims over much or the inward aspects of anorexia is similar to how it is experienced until recovery: only the surface aspects are evident, until the person gets into therapy and uncovers what the illness is saying. And, back then, we knew so little about anorexia, so I don't find much fault in how it was presented here--we only had two hours (less, accounting for the time used up by commercials). If you go online, you can find some DVDs of the movie. I do hope that a more thorough and lengthier biopic will emerge after Richard has passed (preferably, before--if he can come to acknowledge that what their family has gone through is not shameful or terribly unique and deserves to be told truthfully, to assist others so they won't meet the same fate as his sister).

Karen Carpenter had a singing voice that only comes along in the world every few decades. It was instantly recognizable. She had a full three octaves of range, with the lower two of those possessing a rich timbre and an uncanny ability for a very soothing slow-vibrato (my term). Karen's problems were partly caused by her desire to be accepted and were intensely driven by her stage-demon of a mother, Agnes Carpenter. The problems perpetuated because her family lived in denial that a problem existed. They refused outside help until the damage to Karen's heart from her abuse of ipecac (which she eventually discontinued because she feared that it would damage her vocal cords) was irreversible. The acting in the movie is good, and the songs are well-mixed, but it takes unreasonable liberties with reality. Over half of the scenes that Barry Morrow wrote were rejected by the family (mainly by Agnes Carpenter), who didn't want any negativity. It drove Morrow to the point where he refused to work on the movie any longer. His replacement had the same problem, and a third writer was brought in to finish. The whole thing is contrived, and to anybody who knew the actual situation, the movie has very little to do with how things really were.Anybody who wants a realistic view of how things were should read the book "Little Girl Blue" by Randy Schmidt, which offers an objective view.

I've become a big fan of the Carpenters, and I didn't really enjoy this movie.I feel it focused far too much on her anorexia and didn't let her true personality shine through. I wasn't overly fond of Cynthia Gibb's portrayal; especially knowing she decided Karen's anorexia was suicide, which it clearly wasn't. Although her family was not big on hugs and kisses, I thought the movie portrayed Agnes (their mother) as being terrible.I did find a few scenes to be harrowing in a way, such as where she sees herself in a mirror that seems to distort her and make her look heavier; I thought the metaphor (so-to-speak) there was rather effective. When the family is playing pool and discussing her divorce and she breaks down and Richard is shocked when he comforts her and feels her frail body was pretty moving (which is probably the wrong word) as well.Overall, I feel they needed to bring out her more bubbly, quirky side--her genuine personality. Even as the focus of the film, there really wasn't a point that caused one to understand what would lead her to anorexia (though of course no one can really know), and almost made it seem baseless. The film was more poor-singer-with-anorexia than Karen Carpenter's story, in my opinion.I would assume that they changed her husband's name/profession and all because they couldn't get his permission to actually include him (there were some bad terms there), but that whole aspect was inaccurate with the changes. On this note, I can't recall the movie bringing out her longing for a family and kids, which greatly prevailed in her life and explains her whirlwind romance and quick marriage to her husband.On the whole, it ends up as a low-budget made-for-TV movie that just isn't very high quality and can be disappointing if you're a hardcore fan who is hoping to see beyond Karen's disease. I feel that such a legend deserves/deserved a better film as a tribute to an amazing person and an awesome voice.

I have been a fan of the Carpenters for a long time, read the biography, watched the specials, and saw the Karen Carpenter Story. This movie really didn't show the real Karen Carpenter. In the movie she seems to be a shy and a pretty much of loner (except for one girl friend). The real Karen Carpenter was much different. She was outgoing and friendly. She had lots of friends, especially Olive Newton-John. The movie doesn't even show Karen's attempts for a solo album and her meeting Phil Ramone and his wife Itchy "Karen". Itchy knew the real Karen Carpenter in New York. When Karen was in New York, she did see a psychologist, but it was voluntary and once a day and then she would leave to go to her hotel room. Also, Karen was taking pills to increase her thyroid, so she could loss weight, but stop taking them because the psychologist recommended her not too. Also, the Karen's husband in the movie is named Bob Knight, but in real life was named Tom Burris. Also, Karen wasn't divorced from Tom, but only separated. Karen was to sign the divorce papers on the day she died. Also, Agnes found Karen naked in the closet unciousness, unlike in the movie where she was dressed in white. The music was very good. That was the only thing I would recommend on seeing it.