American Grindhouse (2011)

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is a dark and sometimes deeply uncomfortable drama

One of the worst ways to make a cult movie is to set out to make a cult movie.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Cheerful, appropriately unfettered documentary on exploitation, sexploitation and blaxploitation movies, from 1913's "Traffic in Souls" to the (would-be) grindhouse movies of the present day (Tarantino's efforts rightly looked upon as homages rather than the real thing). Elijah Drenner co-wrote, co-produced and directed this clip-heavy essay on the names, faces and posters behind the salacious, scandalous, shocking and sometimes successful grade-B features that played in rundown theaters on the bad side of town. Of the celebrity interviews, only directors John Landis and Joe Dante are knowing enough to give us a broad spectrum of the now-cult genre. Drenner loves showing off the title cards and advertisements of the movies his guests are talking about, but there's no exploration into the financing, production or box-office returns of these pictures. It's a facetious, shallow entertainment--which may be purely intentional, as it accurately reflects the sex-drugs-and-gore-infatuated features on display. ** from ****

I really, really enjoyed this. At the same time, though entertaining and informative, it leaves one yearning for so much more. The clips from the films shown are usually VERY short, and quite often, they are not directly discussed by the commentators. Instead, they are used to "illustrate" a more general discussion of one of the sub-genres covered her (ie: pre-code; nudist camp, nudie cuties, etc). I look forward to someone expanding upon this introduction to provide us with a film exploring each of the sub-genres in more depth.Finally, I was pleased to hear John Landis refer to PASSION OF THE Christ as an Exploitation film, as that's exactly how I viewed it... with total delight, I must say. In fact, given it and APOCALYPTO, an argument could be made for Mel Gibson as the greatest Exploitation film director of the past decade... even if he does not exactly see his own films in that light.

A documentary about the history of exploitation movies, from the silent movie era to the 1970s.This film covers it all: from the earliest Edison films, to the pre-code days (who knew the 1920s were so raunchy), to the story of "Freaks" and the end of Tod Browning's career.With interviews from John Landis, Joe Dante, and William Lustig, you have it all: the importance of H. G. Lewis (despite his questionable talent, as Landis points out), and the world of Larry Cohen and his "no permits" approach to renegade movie making.If nothing else, the story of "Ilsa" and how the director got involved is priceless. That film has achieved such cult status -- it is probably known by far more people than who have ever actually seen it.

I love grindhouse films, especially the gore of Herschell Gordon Lewis, horror like The Last House on the Left, and exploitation films, whether they be blaxploitation, women in prison films, and even nunsploitation.I guess that makes me weird, but grindhouse films in various forms have existed from the birth of motion pictures. Films like Maniac, Reefer Madness, and more have titillated moviegoers for almost 100 years.This documentary does an excellent job of reviewing exploitation from the beginning, complete with uncensored clips from the movies they talk about.If grindhouse is something you are not familiar with, then this documentary will enlighten you. It is for all those who want to know more.