November (2003)
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
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One of my all time favorites.
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Close shines in drama with strong language, adult themes.
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
they wanted to change the world.did they? by this film i clearly understand that believing something or to have a hope is more vital than to accomplish it.to believe is the first and last thing in any of the story.since everyone exists in this story no matter who is actor who is watching.maybe meaning of the life is to understand that believing and challenging for any idea or a belief.death is the only perfect stage for Alfredo and actually for all of us. And no matter when it comes.Alfroda i saw,you change the world.sleep in peace. yes,finally all of us will die?will we? i believe in you i believe in we i believe in la ilahe illallah.
I am interested in finding out where (online preferably. that ships internatioanlly as I am based in Manila, Philippines) I can purchase the DVD of this movie (Noviembre by Achero Manas). I have emailed the producers/distributors in Spaon and I haven't received any replies. Help! I am not particular whether the DVD has English subtitles or not (as I speak and understand Spanish). I would like to have a Spanish subtitled option though, as I plan to study the dialog of the movie. Any comments/suggestions or just pointers would greatly help. I donot believe in nor do I practice the downloading of movies via the net, so please, only legitimate suggestions are appreciated. Thank you.
I walked into this film 10 minutes late, saw it without subtitles, and only realized afterward that the commentators were the actors thirty years later. Even so I enjoyed the film immensely and it left me thinking about how much is too much. Because of the language problem (I live in Mexico but have enough hearing loss that movie sound doesn't come through well to me), most of the effect of the movie came through the outstanding cinematography and pacing. Spain is a country that has a recent history of atentados (political murders) so I wonder what Spaniards think of Noviembre. As an outsider, besides the plot and texture of the movie, I welcomed the shots of Madrid but what I liked most was the portrayal of the young energy of the street theater company. After seeing the film I felt older, wiser, and wish I could see it again.
Never read anything about this film, so when it showed on cable, I decided to see it. The idea of making theatre in the streets seemed an interesting idea. To bring drama to the masses, in that environment, is to be commended.Approaching Achero Manas' picture, without having any background to the history behind it, doesn't make much sense to an ordinary viewer. Maybe to audiences in Spain, it might resonate, or at least, given the publicity surrounding some of its most daring pieces, they could bring a proximity, which to me, seemed illusive, at best.First of all, the group, as I gathered, was active in Madrid in the past. We see Alfredo organizing his troupe of actors, then we are given glimpses of some of their work in the center of the city. The director brings another dimension by adding an explanation as to why things worked, or didn't, and its ultimate demise, by presenting actors, mostly in their 50s or older, talking directly to the camera telling us about their experiences when they were young. If we are to believe them, it would have put the action as having taken place in the 60s, in a Spain where Franco still dominated and most of the actions of the Noviembre group would not have occurred, and not in the recent past. If the director wanted to add this sort of device, he would have achieved more reality by presenting the same actors we see, throughout the film, as part of the Noviembre group, doing the explanations.Some of the Noviembre theater pieces aren't even interesting! One wonders what was the big deal about them. Maybe the fact that it was never done in Spain? In other western countries, where street performances happen on a daily basis, these performances they did, seem very tame and pointless. Only their piece about the assault to apparently innocent bystanders have any real punch, the rest, doesn't amount to much.Unfortunately this Spanish film seems to have been made for only a few, that knew the in joke, not for the rest of us outside of Spain.