Ride Clear of Diablo (1954)

Don't listen to the negative reviews

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

While it doesn't offer any answers, it both thrills and makes you think.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

In this rather routine-plotted Western, the men keep referring to Audie Murphy as "the boy" or "the kid." It seemed to fit. He was almost thirty but didn't look it. He wasn't big, like John Wayne, or deep of voice. He was self effacing. His acting talents were modest. He gave one memorable performance in "The Red Badge of Courage," a flawed movie, but not flawed because of him. And all his life suffered from what we would now call PTSD. It practically wrecked him. He slept with a pistol under his pillow and had recurring dreams of being attacked by Germans while his M-1 fell apart, piece by piece, in his hands. He really earned those decorations.In "Ride Clear of Diablo," a mid-career movie, he's the good guy whose father and younger brother have been killed while trying to prevent their cattle from being rustled. He comes to town from Denver, where he's been working as a railroad dispatcher or something equally clerical. The local sheriff and lawyer, being particeps criminis themselves, send him after Whitey Kinkaid, the gunslinger in a nearby town, played by Dan Duryea, thinking that the kid will draw on Whitey and get his head shot off. Murphy outdraws Whitey, shoots the gun out of his hand, and takes him captive. It's the kind of movie where no one bothers to explain how a railroad bureaucrat has learned to shoot so well.It gets kind of interesting because a bond of wary friendship develops between Duryea, who happens to be innocent of this particular crime, and Murphy. Not that they hug each other and take showers together, but Duryea shows his respect for Murphy by doing him little favors, such as not shooting him in the back when he has the chance to do it.Duryea is his usual wisecracking self, all smiles. He laughs a lot. He laughs so much that sometimes he seems like a maniac and the director should have reined him in. But, okay. He's one of those likable rogues. It's a familiar enough figure in movies. The relationship is complex enough to keep the viewer interested. Without it, you're just watching another Audie Murphy Western.Susan Cabot is the good girl. She's as innocent and well behaved as Audie Murphy. Murphy has one drink in the movie, except for a lot of water and milk and coffee. Cabot may have been mentally unbalanced and met a bad death. Abbe Lane is the naughty girl. She has hair the color of a tangerine and sings in a saloon, so we know she's bad. But, though she may have slept with her boyfriend or something, she's not evil. Both women are made up like mannequins and sport false eyelashes the size of tarpaulins.I won't give the ending away except to reveal what the experienced viewer must already know -- Murphy and Cabot live happily ever after.

Murf plays a man intent on revenging the murder of his kin. To give the appearance of helping him he is deputized by a renegade sheriff and sent off on a mission sure to cause his death at the hands of psychotic killer Whitey Kincaid. When things don't go as the lawman planned he and his henchmen must try other measures to get the pesky little rascal off their scent or be found out as the very ones Murf is seeking. Average western with Duryea giving quite a performance as the always jolly, backshooting scumbag Kincaid.

Ride clear of Diablo is my favourite Audie Murphy western.Its exciting,suspenseful and the rapport between audie and Dan Duryea is great.This film is highly enjoyable with humour and a good twist in the end.This is a feel good western.

A pretty routine Audie Murphy vehicle made infinitely watchable by Dan Duryea's colorful and totally against type performance as the notorious black clad outlaw Whitey Kincaid. A gem for Duryea fans.