The Old Gun (1975)

Very very predictable, including the post credit scene !!!

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Many people have already made clear why this movie is so incredibly good. It is definitely worth watching.There is one thing however that bothers me in this movie. Without spoiling, you will see that this man cares so much more about his wife than his daughter. This is awfully unrealistic for the hero in a movie, but necessary seen the famous actress playing the wife (they had to give her more screen time).Other than that, the action is great for its time. It is a realistic revenge story, so don't expect Jason Statham killing over a 100 Nazi's in half an hour. This movie keeps it real and touches your heart, don't watch it for the action.

> This is where we may wonder why it has taken so much to rouse this peaceful man; Everybody has his own threshold of awakening; and this film is actually the story of awakening - this is why the whole first part showing his peaceful life, even during the war, up until he is led to his threshold, and so the contrast between that and merciful killer that he becomes, becomes even more powerful.> The next question we find ourselves asking is why he is content to go up against men armed with pistols, rifles,machine guns, grenades and flame-throwers with only a shotgun rather than picking off one man and appropriating his weaponry.The best weapon is the weapon you are used to, the weapon you trust. Plus, this old gun together with the old castle and their old owner, become one collective weapon against the invaders. Not wise to take one piece out.

I know a lot of people will disagree,but "le Vieux Fusil" is far from being Enrico's best .The "Dictionnaire des Films " gives no star to it,which is going a bit too far ,but is not thoroughly unjustified.Let's put it straight;Enrico's best are his early efforts :his masterful "Au coeur de la vie" ,the intense beauty of which no review will reveal,"La Belle Vie" ,a courageous plea against the Algerian war,and "les Aventuriers" a much more accessible work with Hustonian accents."Le Vieux Fusil" is admittedly a good movie;nevertheless a 7.9 rating -at my time of writing-is much more than it deserves.First part -although a fiction based on real facts dealing with the martyrs of the end of the Occupation - is the best:Romy Schneider's presence (the fact she was actually a German actress is not a problem) and the harrowing scene of her death are strong assets.But the second part could be described as "Rambo meets Louis Feuillade" .The hero singlehandedly does away with a whole German patrol who's housed in his castle full of two way mirrors,secret passages,oubliettes,etc.It looks like an old Feuillade serial circa 1915 .

The story telling is utterly convincing, and because of the flashback technique, we feel the emotion of the main character (Julien) as the drama unfolds. The suspense is keen and mounting. The viewer keeps asking with increasing intensity: is this what I would do in Julien's position? His mistakes make us groan, his successes make us cheer. His pathos makes us cry.