Death Watch (1982)
In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.
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Wonderfully offbeat film!
Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
This European science fiction story reminded me in many ways of Fassbinder's "World on a Wire," the starkness, the deliberate pacing, and the art house pretensions all within a clever sci-fi premise. However, Fassbinder made his film engaging, suspenseful and also thought provoking. This film, while thought provoking, is dreadfully dull. The story here has TV producer Harry Dead Stanton sending reporter Harvey Keitel (who has camera implants in his eyes with special x-ray properties) to interview a dying writer, Romy Schneider. The film does pose interesting questions about privacy and independence in a society where both are eroding. This topic is made all the more interesting and prescient today, in the age of Google Glass and social media. Unfortunately, the film moves as a leadened pace and is populated with uninvolving characters, despite three strong actors in the leads, along with Max Von Sydow in a supporting role. This film does have it's defenders, but I found it pretentious and dull, though it may be that I'm just not a fan of writer/director Bertrand Tavernier, whose only film I've ever liked was "Coup de torchon."
In what is said to be a tragically prophetic role, Romy Schneider gives a superb performance as a dying woman at the mercy of a voyeuristic society presided over by a greedy television executive (coldly played by the brilliant Harry Dean Stanton). Also of note is an elegant cameo by the legendary Max von Sydow.Why this movie has yet to get a rerelease is entirely beyond me. It doesn't help that it's nearly impossible to find in terms of both rental and sale. If you are able to track it down, then do not pass up the chance to see it.
I had been wanting to watch Deathwatch for years mainly to see Keitel and Stanton on screen together in something other than The Last Temptation Of Christ. I never managed to find a copy so I was excited when it was shown here on tv a couple of weeks ago. This movie is superb! Intelligent script, beautiful direction and photography, and faultless acting from Romy Schneider and Harvey Keitel in particular. PLEASE try and see this haunting and increasingly more pertinent film, it will resonate with you for a long time.
I saw this film in May 1980, loved it, and immediately became a Harvey Keitel and Romy Schneider fan. I was shocked and saddened to read the next week in the newspaper that Romy Schneider had died suddenly. This was haunting -- especially since in this film she plays a woman who is dying and just wants to be left alone. Harvey Keitel plays a reporter working for a TV station who wants to up their ratings by filming raw drama. Harvey follows her, befriends her, and secretly films her on the run as she falls sicker and falls in love with Harvey. There are wonderful twists in the plot and technology ground breakers. Harvey has a camera lens implanted in his eye but the side effect is that he can never sleep. When I saw the Truman Show, it reminded me of this film from so long ago whose treatment of the subject matter (filming someone's life who is unaware of the fact) was such a new and exciting concept. Check this film out. You will not be disappointed!