The King of Pigs (2011)

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

This is probably one of the most depressing cartoons I have ever seen. The story at first may seem to be about bullying in middle school at the surface but it's way more than that. This movie is about humanity, shown in a realistic perspective. That some viewers that is in tune with Korean culture may agree with or part of it or at least understand it. It really is a messed up and yet realistic cartoon that is shown in a brutal manner. The story revolves around 3 middle school kids that feel that they will always be the underdogs no matter how hard they try. So one of the kids has the mentality of being vicious, malicious and evil in order to defeat the corrupt. In another words fight fire with lava. Now the kids portrayed in this movie who re being bullied may seem crazy to some, but it's understandable. This movie basically shows the ugly side of humanity and how the people that are suppressed deal with it. However I am not quite sure what the message of this movie is about because the theme basically seems to revolve around hopelessness. Is the message about fighting back, taking what you want from other people and vengeance, because the weak gets taken advantage of? Anyways this didn't have that emotional impact like what the director Sang-ho Yeon tried to convey, but it's still a gripping and attention grabbing flick. Not all Asian cartoon flicks can be like Hayao Miyazaki films with happy endings.6.3/10

The movie tries to get in a really tough subject matter. While doing so, it does steer away too much though. The constant flashbacks (Rashomon this ain't) and the pace do not work in favor of the movie. The subject is very serious indeed (bullying) and is not to be taken lightly (no matter what country it happens and it unfortunately happens a lot), but while the movie does not take it lightly, it does try too hard. The moral finger pointing is heavy ... too heavy.The anime style is good throughout, but the movie still felt like it had double the running time. One other thing that made it penetrating and almost unbearable were the subtitles. The filmmaker is (likely) not responsible for those, but it does add to the overall dissatisfaction you might feel while watching this. A feeling that arises because you might feel that this subject matter could've been handled better.

The King of Pigs is certainly not an animated feature for kids. Despite the story being about the school life of a group of boys, this is a very bleak and disturbing story. It begins in the way that it means to go on with us being introduced to the two central characters. Both are now around the age of thirty, and both clearly have extreme issues. Jong-suk is a wife-beating journalist who has aspirations of becoming a novelist; while Kyung-min is a failed businessman who we are led to believe has murdered his wife just prior to the story beginning. The two men meet in a café and discuss their schooldays. They have never even spoken in fifteen years, since an incident at school. The rest of the story is told in flashback, returning to the men periodically and ending with them after a very surprising twist.The boys were the victims of systematic bullying. A hierarchal society existed where the weak were known as the pigs and the bullies, the dogs. The teachers actively encouraged the situation as a way of controlling the school in a brutal regimented manner. Only that it would have worked seamlessly was it not for a boy called Chul. This mysterious loner stood fearlessly up to the bullies and simply combated them with far greater levels of violence. He became the King of Pigs and was the saviour of the downtrodden. However, he had a real darkness within him, and a tragic family life. The film's trajectory hurtles towards a depressing conclusion.I found this South Korean animation very moving and involving. Unlike Japanese anime I have seen, this feature is not afraid to depict the characters with real Asian faces. The world the characters live in feels like a real South Korean place. This focus on realism is to the film's huge credit. This means that the carefully chosen fantasy moments that occur within the film have more impact, such as the dead cat that mocks the boys in hallucinations; it was an animal they brutally killed. It has to be said that The King of Pigs is a very dark and troubling story about bullying and the way it can shape lives forever. It's a cartoon that allows the viewer to think, it does not spell out the intricacies of its protagonist's inner minds. We are allowed to work out for ourselves much of what we see. It really is a cartoon that actually lives up to the adult label. Highly recommended.

Serious animation is no longer a novelty but the bleakness of this Korean toon is disturbing.Leaving a girl with a rope mark on her neck, the bespectacled lead 'phones the old school pal, who is having domestic troubles of his own. During their night drinking and walking together, we see flashbacks to their school days, where they were at the bottom layer of a brutal system of bullying.The director's first feature is done with limited movement and only occasional flashes of striking imagery - the animal headed class mates, the ugly ghost cat, simulated afternoon light. Using female voices for the boys is also alienating. The film is so intense that viewers are likely to forget the exposition and find themselves unsatisfied by the rapid wind-up.Think of this as a curious companion to the similarly themed OLD BOY and part of the country's ultra-violence cycle, among which it is a stand out.