Jack Goes Home (2016)

not horrible nor great

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Amazing worth wacthing. So good. Biased but well made with many good points.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

This film tells the story of a young man who receives a phone call to inform him that his father died in a car accident, when his mother was at the wheels. He goes home, discovers strange happenings at present concerning his mother and the house. To compound with the grief, he discovers evidence of his secret traumatic past that he has no memory about."Jack Goes Home" may sound interesting on paper, but I think it does not work for me. I think that the film cannot decide whether it is a drama or a horror story. There are many things that are touched on briefly but not explored, such as Jack sleepwalking or windows in the lounge breaking. It show a collage of scenes that basically tells how weird the mother and Jack both are. It is not scary, it is just a freak show of two weirdos who are weird in their own ways, with hardly any connection with each other. Actually, the characters all seem to be drowning in their own world, and have poor connection with each other. Even the neighbour Duncan, who tries to seduce Jack, has a poor connection with Jack because Jack looks like he is in another world. I find "Jack Goes Home" quite a disappointment.

This movie's script would of been put to better use as toilet paper and left with the other excrement. If your going to attempt to make a "psychological" thriller at least take a gosh darn psychology course for a day. As for horror the only thing scary about this p.o.s. is the possibility of the writer/director making more movies. If anyone working on this film had any actual real life experiences outside of smelling of their own farts we could of had a semi descent watchable movie, but alas we have this instead. People Do NOT forget traumatic experiences, they are burned into your very soul, when your whole life is based on one you ooze it out of your every pore.

Thomas Dekker's new delightfully creepy psychological thriller, Jack Goes Home, is an intriguing dive into a young man's overwhelming grief. It was a favorite at the 2016 SXSW and was released October 14, 2016, to theaters, and on Video On Demand and iTunes. Don't miss this one.Dekker has learned his craft well and mastered the art of storytelling. Watching this film is like crossing a stream and trying to keep your feet dry by stepping on the rocks. When you get to the rapids, it's impossible to keep from getting swallowed whole and being completely immersed in the horror in Jack's mind. You lose track of which way is up, and what is real and what is not.As the film begins, Jack Thurlowe (Rory Culkin) is at work. He seems normal, if a bit eccentric and acerbic, and we find he and his fiancée are expecting a child. After his parents are involved in a horrific car accident, Jack is forced to return to his childhood home. Being there stirs up memories, real or imaged, in Jack's mind.Jack's mother, Teresa—played impeccably by Lin Shaye, queen of the horror genre— vacillates between nurturing and terrorizing. I found myself wondering how much of his mother was real and how much a projection of Jack. And what really happened up in that creepy attic.The one thing that seems real throughout the story is Jack's best friend, Shanda (Daveigh Chase), a large rock for Jack to cling to when the turbulence in his mind threatens to overcome him.Dekker shows a keen ability to get his actors to create believable characters in an horrifying story. Culkin was mesmerizing as Jack, sometimes vulnerable, sometimes stoic, sometimes chaotic. His life-long career as an actor—he's been acting since he was three—shows in the maturity he brought to this role. When the director needed her to oscillate between a loving, caring mother and a vicious, vindictive villain, Shaye was able to do this with ease. Chase captured well the concern of a friend trying to hold Jack in the real world throughout his rejections and violent attacks. Louis Hunter gave a sinister quality to the horny boy next door, Duncan, making me question his motivations.Jack's demons were reminiscent of the ones in The Babadook (Jennifer Kent, 2014), Tale of Two Sisters (Kim Jee-woon, 2004), and Mysterious Skin (Gregg Araki, 2004). The element of a traumatized mind trying to make sense of nightmarish events is there in all of these.The lovely and peaceful setting in Kingston, New York, provided a stark contrast to the turmoil in Jack's mind. The outdoor cinematography, by Austin F. Schmidt, was very impactful—making Jack look small and insignificant as he enters the enormous family home, and later, at the funeral. The score, by Ceiri Torjessun, added ample creepiness and tension—even the soft, lyrical numbers had edgy undertones. It's available on iTunes.Dekker invested a lot of himself in this story. He, too, was a victim of child abuse, and has had to deal with the grief of losing his own father as a young man. Life experiences like these help a writer find real emotions to portray. I recognized my own reactions to people around me trying to make sure I was all right after the death of my husband—their awkwardness, my reassurances, were all there in Jack's interactions with the people he encounters.I'm very impressed with Thomas Dekker. Like Culkin, he's been acting since he was a young child. He's worked with the likes of John Carpenter (Village of the Damned, 1995), Gregg Araki (Kaboom, 2010) and Robert Hall (Fear Clinic, 2015), all of whose influences are seen in Jack Goes Home. Dekker wrote and directed his first film, Whore (2008), at the tender age of nineteen and has also released two music albums.Jack Goes Home was produced by Yale Productions and SSS Entertainment in association with Isle Empire Pictures, and distributed in the US by Momentum Pictures.Dekker and Culkin worked together again this year on Welcome to Willits (Trevor and Tim Ryan), which will be out in 2017. It's nice to see these young men continuing to create creepy horror films.

The downward spiral into madness Jack Goes Home tries to imbue falls short. What's left is a disjointed film wondering what it wants to be.While I do agree we get to see a different side of Lin Shaye from what we see in the Insidious chapters, I felt her performance to be over the top and wrought with cliché moments à la Mommie Dearest. Rory Culkin gets everything thrown at him including the kitchen sink, yet never deviates from the mouth agape, detached look expression he sports throughout the film. His acting skills are far superior to what we see play out during the movie.Natasha Lyonne makes a cameo appearance at a receptionist desk. It makes you wonder if she said her four lines as a favor to Dekker. Fortunately for Lyonne, she can make a desk look good. It's unfortunate for us that we only get a glimpse of her.On a positive note, there were a few creepy scenes any horror fan would enjoy. And it was also a beautifully shot film. There was enough glimmer of hope buried within Jack Goes Home to make me interested in Thomas Dekker's next move as a director and film writer.