The Savages (2007)

Good start, but then it gets ruined

Blistering performances.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

An old-fashioned movie made with new-fashioned finesse.

With Laura Linney and Philip Seymour Hoffman leading, a movie is guaranteed to have some real exceptional acting in it. Such is the case with "The Savages," a quiet drama about two siblings who have to face their father's rapidly deteriorating health.The movie handles various themes, the foremost being human fragility at different parts of one's life. Fragility is also present in both the main characters' struggle to be writers and create a legacy."The Savages" has a well maintained story that has an easily accessible thematic fabric to it, even if it can be called gloomy, even hopeless at times. The film did feel a tad too safe and familiar though, not really taking the kinds of risks that could have made it something truly special.

Tamara Jenkins' breakthrough indie drama-comedy THE SAVAGES, surprisingly captured 2 Oscar nominations back in 2008 , one for the unmistakably excellent Laura Linney and a BEST ORIGINAL SCREENPLAY nomination for herself, so freshly coined as an Oscar nominee and subsequently granted the membership of the academy , allegedly her next project should be on the horizon at any time, nevertheless, as a telling manifest of the shameful situation of female directors in the movie industry, 8 years has passed, we still have no news of Tamara's follow-up to her excellent work, a life-affirming dissection of the worst-case scenario for (almost) every grown-up - how to fulfil our responsibility, when we must become the caretaker of our aging parents during their last days. Linney and the late Hoffman are siblings Wendy and Jon Savage, she is an amateur playwright and he is a college professor, so both are intellectuals and unmarried, reaching 40, Wendy is still stuck in a dead-end extramarital affair with Larry (Friedman), a 52-year-old married man, who is jollily content with the status quo. Jon, her elder brother 3 years senior, on the other hand, is ending a three-year relationship with her Polish lover Kasia (Seymour), whose visa is about to expire and he has no intention to marry her. If one is solely reading those background information on paper, both Wendy and Jon are not personable characters. Besides, they are not so close to their father Lenny (Bosco, in his fine but irritating persona as a curmudgeon), who is not protected by Common Law Marriage after his long-time girlfriend died and himself is afflicted with dementia and an ailing health, so now it is now the siblings to take care of their deteriorating father. Neither or them can afford to attend to Lenny by themselves, thus some grating words like assisted living, nursing home or rehabilitation centre are dropping by as default, but Lenny is not exactly a mellow old geezer, the film opens with his stomach-churning fecal revenge as one might expect in a slasher horror, the parent-child rapport is never the aim to be soppily achieved by Jenkins' sincerely matter-of-fact script. More importantly, under the dysfunctional family troupe, the storyline steadily builds a re-connection between the two siblings, from the unspoken competition for grants, the guilt-shifting mind-game, to a tacit feeling when Lenny eventually drops dead peacefully, this is what is happening everyday to ordinary people, no "how could this happen to me!" overcompensating drama or "I can't believe it!" emotional wreck, Jenkins is act of genius in singling out the golden touches out of a real-life scenario, and the unexpectedly rosy ending brings about so much hope using just a little gesture, one single scene, to cogently affirm her talent in theatrics. It is no wonder that both Philip Seymour Hoffman and Laura Linney represent the elite of their peers in Hollywood, together, they are so harmonious with each other's presence while their differences in personality are potently exhibited through their interactions: he is pedantic, aloof but sensible, she is more emotional, ambivalent in her life orbit, and a tad naive, both tainted with some snobbishness from their sophisticated literature background. Their dialogues are spontaneous but scintillating with bons mots and when there are no words needed, the coordination between them can be equally enjoyable to behold. As my said statement, they are not quite likable at first glance, but our judgement will evolve with the story development, when we cruise into the coda, we can all more or less identify ourselves in them, these are two sterling performance equipped with blood and flesh, but as always, LEADING ACTOR race is so packed in 2007, only Linney pounces into my Top 10 LEADING ACTRESS chart, also it is a cruel reminder for me, another superb Hoffman's performance has been crossed out from my watch-list. Finally, I must hail unyieldingly for this under-appreciated indie fare, it enlightens us enormously in how to be a good person, a good son/daughter, and how to correctly face our filial responsibility without being overwhelmed by our own senses of guilt and fear, also hope soon there will be some scoop of Tamara Jenkins' next project, an eight-year gap has already been criminally too long.

I thoroughly enjoyed this film. It hit a bit close at times,but manages to touch on several issues that most will face or have faced,be us the parent or the offspring. It does so with humor,dignity and grace. It never overwhelms with any one particular aspect,and could be seen by some as a glossing over. This would be too harsh of an evaluation. It simply conveys an overall feeling of the despair and regret while making clear all things are of the natural order,and it is simply what must pass.For all of us. Enjoy the movie. It is well acted.Thoughtfully written.If laughing at times makes it funny,then it is funny. If crying at times makes it sad,then it is sad.

The Savages is a very nuance and quiet little film about the journey of two siblings in taking care of their father. It is very well-made, with great cinematography and use of lighting, and the music score is very limited and quiet and only used in poignant scenes. It is very much a character film and study. Both Laura Linney and Philip Seymour Hoffman have great chemistry and deliver two great performances representing their flawed characters. I am surprised at the label as a comedy though. I did think it had a few moments of subtle humor but I wouldn't call it a dramedy at all, and for those expecting an indie film that balanced both drama and comedy in a Juno type of way will probably be disappointed. Instead, The Savages relies in the smooth direction, good writing, and great acting to deliver it's message.