Phantom Boy (2016)

good back-story, and good acting

It’s sentimental, ridiculously long and only occasionally funny

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

In respect to the country of origin -- and this review was not planned in advance -- I want to talk about the existential nature of animated movies.In the modern age, clear trends are in place. In Japan, which has become the home base for an entire universe of animation (known as anime) we have a wide variety of animation styles all of which have one thing in common -- depth. Japanese anime is the closest thing I have found to a true alternate universe. Ten minutes in a good Japanese anime, you begin to see the characters as almost real and their reality becomes your reality. Japanese anime is an extraordinary experience.Western animation (leaving aside the superhero films, which are unique in their own way and follow their own rules) is best exemplified by the work of the Disney studio, Pixar and the occasionally brilliant independent project such as for example the mind-boggling LITTLE PRINCE 2015.What western animation offers, beyond a great story, is a zeal to express the characters to a degree not possible in live action. It is as if, in western animation, characters are "injected" with more personality than could be possible in real life. The number of major awards currently going to "voice actors" in the west reflects this trend.Which brings to Phantom Boy.The story is odd. It is essentially a paranormal tale based on the notion of Astral Travel. (You can get a crash course in this by watching the new Dr. Strange).The paranormal tale is mixed with a typical crime story -- cops and robbers being much more popular in France than in other cultures -- and the whole thing is served up to the viewer in a very unique and stilted animation style.And now we get to the crux of the review.Watching Phantom Boy, I could not help but notice that (with the sole exception of the character of the baby sister) not one character in the film had the "oversized" personality we have come to associate with animation. In fact, most of the characters had either "toned down" personalities (the cop and the boy) or, worse, "unpleasant" personalities, ie, characters who were not much fun to watch or listen to (the arch-villain and even his dog).(And yes, I speak French, so I did not miss any nuance in the dialog).Which raises the question, if you are going to negate the very quality that makes animation fun in the first place, why use it at all? My review -- and fans of the producers will not agree I know -- is that this film is more irritating than entertaining because of the fact that most of the characters (except the little sister) are either dull as toast or deliberately written as annoying. The story would have been more interesting as live action, all things considered.The ending is sweet and that is the nicest thing I can say about the film.Not recommended.

From the directors of 'A Cat in Paris', but this film set in New York City that narrates the story of a boy with an extraordinary power. If you had liked that film, you probably would like it as well, but a little lesser. Except this is not about the art of theft, but a cop trying to catch a most dangerous criminal. It is so weird to see the New York turned into kind of a province of France as everybody in this speak French, but expected it as it's a French film.A very interesting storyline. The characters were well designed and developed. But most of the film was focused on the boy, the cop and the main villain with a dog's perspective. There's a little part of a reporter as well. So I think it should have been called 'A Dog in New York', but the dog is on the wrong side where the most of the story was narrated from. The theme was not fresh, but the way they used to tell the tale makes all the difference. I mean you can compare it to 'If I Stay' kind of plenty of other films. Except it turned into a crime-thriller.A young boy named Leo, who is hospitalised for the serious illness, has a special power to leave his body and take an invisible form, and come back again safely within some time frame. On the other side an honest cop trying to hunt down a criminal who is threatening the peace of the city gets a backlash after met with an accident. Now the cop and the boy join the hands to thwart the villain's latest attempt to bring disruption. The mission was not planned well, so how they fight the crime and its result brings to an end to the film."I'm not hungry. It's a shame because my dad's pasta is the best in the world."This is a PG film, that means it's aimed for all the ages. But particularly for the grown ups, there's nothing much to enjoy other than cool presentation. That does not mean for all the grown ups. The sketches and the animation technics were same as the previous film. They tried to reach bigger audience worldwide from the success of their previous film, but seems not achieved that goal. As the film had many great features like the characters and the story, they have fallen short to surpass as an overall film. Even anytime I would pick 'A Cat in Paris' over this, but that does not make this one's a bad film.It kind of looks like the supernatural version of 'Eye in the Sky'. I'm not talking about the actual film, but the concept of drones to watch over the criminal activity. In here the boy acts as the main communication device. He who one day wants to be a cop, helps to solve the crime. I think the end should have been a little better. Especially from the boy's perspective about how his tale ends were very intentional. Perhaps a bit of emotions at the end would have given a better result.I advertise the 2D animations too much on my blog whenever I review them, because they are rapidly fading away art. So my big thanks to those production houses and the filmmakers who still believe in it. If you are an animation film fan, you will enjoy it, no matter you loved it or not at the end. In a simple way to say, it is a fine film for the families with kids aged ten or under. It might look like a typical detective film, but entertaining with a few good moments. So check it out if you get a chance to access it.7/10

I went to see this at the 2016 New French Cinema Festival at the Music Box Theatre in Chicago. I thought it would be interesting. It was much better than I had imagined. It's set in a contemporary animated version of New York City. Well, recent-past contemporary. There was a billboard advertising "Wicked" very much in evidence.It's about an 11 year old boy named Leo who is ill with an unspecified disease. He ends up for a long stay at a Manhattan hospital. He discovers that, since he got sick, his spirit can leave is body and fly around. He can see and hear what's happening in distant places. In one very brief scene, we see Leo's spirit relaxing in the torch of the Statue of Liberty, looking toward the south end of Manhattan and the Brooklyn Bridge. Nicely drawn.Meanwhile, a criminal mastermind, with the requisite henchmen and a bitey small dog, has gotten his hands on malware that can destroy the internet-of-things. He starts with a citywide (or at least Manhattan-wide) demonstration of his potential power to shake down the mayor for a gigantic amount of money.In the hospital, Leo meets a maverick cop with a broken leg. He admires cops, and lets the cop in on his secret talent. Audrey Tatou voices Mary, a journalist friend of the cop, who will play a big rôle in the action that unfolds.So, the overall film is sort of like a comic featuring a supervillain. But it's not so 2-dimensional. Leo's parents are worried sick as to whether he is going to pull thru or not (which his spirit can eavesdrop on when they think he's not around). Their tenderness and support is nicely nuanced. And Leo also has a baby sister, perhaps 4 or 5, who really cares about her big brother.Likewise, the cop and the journalist have an interesting love-hate friendship that morphs into something more.It's also very funny. When at the beginning, Mary runs into the cop (before his broken leg)in a grocery store, she looks at his his market basket of selections and says "pizza and chips?! What are you trying to do, commit dietary suicide?" A good film for adults, and for some kids. It has things for both. There is lots of animation out there, but not so much that really catches my attention. But a subtitles-only release at this point, which leaves out younger kids.As I write this, the US box office after being open 1 week, is about $4300 (one screen). If it won't bother you too much to hear supposedly tough-skinned New Yorkers speaking French, then, by all means see it.

Phantom Boy is a real cool title for this cartoon directed by the duet Jean-Loup Felicioli and Alain Gagnol, who directed the happily surprising Une Vie De Chat in which we could recognize references and fast action from American classic movies (Night Of The Hunter and others).In Phantom Boy, we recognize references to french popular cinema, from Fantomas to Le Passe-Muraille. And this story of a sick kid is over- charged with emotion, he is fighting against illness by fighting against a dangerous future and totally insane master of the world, and we unfortunately do have some very sad examples in the world.So thank you to the directors for their very courageous Phantom Boy, the young kids who saw this movie learned a lot about Life and they just can't wait for their next movie. These kids recognized some scenes and characters from Une Vie De Chat, they are real young movie lovers.Last remark : Phantom Boy is another great french inventive movie with no review on IMDb. So sad.