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The Mad Magician

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The Mad Magician (1954)

May. 19,1954
|
6.5
| Horror Thriller Mystery
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Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.

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SpuffyWeb
1954/05/19

Sadly Over-hyped

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Hadrina
1954/05/20

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Roy Hart
1954/05/21

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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Sienna-Rose Mclaughlin
1954/05/22

The movie really just wants to entertain people.

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bigbaf
1954/05/23

This 1954 3D classic was meant as a follow up to "House of Wax" and except for not being in technicolor the opening scene is almost identical to the earlier film. Other reviewers have covered the details of the story but I just wanted to add that it recently became available in 3D on blu-ray! It's really the only way to watch this movie and I highly recommend it!

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Zbigniew_Krycsiwiki
1954/05/24

Magician uses elaborate props from his magic act to dole out revenge on those who have wronged him in his professional life. First is a disloyal partner. Next, a rival magician. Price later impersonates them, by using elaborate masks, keeping them "alive," and effectively leading a double life, to keep suspecting eyes away from him and his crimes.Price is his usual wonderful antihero (we want him to be avenged against the people who did him wrong, yet at the same time, his character becomes a ruthless killer, causing more harm than those who wronged him) He could play that character type better than anyone before or since.The screenplay is good, but unmemorable, save for a few scenes; The film is most let down by static monochrome photography. Mystery of the Wax Museum (from 1933) was in two-strip Technicolour; it was remade as House of Wax in 1953, and both had glorious colour photography. House of Wax was partly remade here, but this time, in static, slightly washed-out black-and-white. That is the biggest letdown here, and it makes this film the least of the three loosely-connected films.

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GL84
1954/05/25

Furious over his boss' repeated attempts to curtain his career, a famous trick maker finds he can utilize his craft to kill for the sake of his career, only doing so requires him to constantly repeat the act in order to stay away from his friend and the authorities on his trail.Essentially a remake of another film by the same star from the previous year with a new profession behind it that powers the revenge motif, there's not a whole lot with this one that really works. The fact that it's so similar with the exception of the profession change does little for this one, requiring it to introduce a few spectacular gags for the revenge aspect when doling out the deaths but beyond that we don't get anything hardly original in here. The 3D gags are lifted straight from the previous film, going around with masks on to commit his crimes is a plot-point from there as well and the romance angle is taken from there as well with just a few minor tweaks that would naturally come about due to the profession rather than anything else. The constant plot of him being under the bosses thumb is nothing more than a requirement to start the rampage and goes on way too long for what it should be, the bumbling authorities accidentally uncover the whole ploy through sheer accident without willfully doing anything to piece the puzzle together and moreso the comic relief couple are rather tired and irritating more than a positive force upon the movie. That said, it's still quite fun with a few good moments here and there, including a few spectacular tricks to be employed by the stage-show, the finale contains quite a bit of action with the brawl in the shop and as usual it's always fun to see Price get to do his thing every now and then where he just gets to monologue for a while spouting off the reasons for his revenge, the end result containing a rather twisted logic behind it all that sounds reasonable enough for the rampage to ensue and not come off like a hokey joke. While it's nowhere near the top of his career works and certainly not near the bottom rung either, there's just too much about it that doesn't work to say it does nothing more than be overall adequate.Today's Rating/PG: Violence.

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lorenellroy
1954/05/26

This is essentially a variation on House Of Wax ,in both the plot and the type of role played by the star of both movies ,Vincent Price.In both pictures he plays a talented artist who is sent toppling over the edge into insanity when his creations are usurped by other,less talented and less scrupulous people .In this movie he plays a designer of illusions for stage magicians who aspires to set out on a performing career himself only to be frustrated when another illusionist ,the Great Rinaldo (John Emery)insists that he honour his contract and give him first choice of any illusions he designs.Price is already ill disposed towards Rinaldi as his former wife is now a paramour of Rinaldi. He deploys his talents as an illusionist and as a brilliant mimic to avenge himself upon Rinaldi and others who thwart his plans for recognition as a performer and a designer.Price is pretty much the whole show here and gives a well judged star turn as a wronged man whose predicament earns audience sympathy.The rest of the cast are competent if colourless and the weight of the whole venture falls on Price who carries the burden with ease .Good solid B Movie melodrama , this is a crime movie rather than a horror picture and is enjoyable providing you don't expect a masterpiece .Shot in black and white it is low on gore and is best seen as melodrama and enjoyed for the presence of its star giving an idiosyncratic performance

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