Oddball (2015)

People are voting emotionally.

Good idea lost in the noise

Good concept, poorly executed.

One of the best movies of the year! Incredible from the beginning to the end.

This is a great little film! I wasn't sure what to expect before I saw it but it turned out to be quite the very pleasant surprise. The acting was good, with apparently really well-known Australian actors who would equal "A-Lister's" in the United States. I particularly enjoyed the performance of the young actress Coco Jack Gillies--she was really good for such a young performer.I will show this film to my children as soon as I can. I think they will easily be able to grasp the idea that some things are worth fighting/sacrificing for. This film has something for everyone... kids and animals with a sweet story keeps the kids entertained and the adult issues plus the animal drama keeps the adults engaged. I highly recommend this film to anyone wanting to see a great family film. Deals with loss, divorce (indirectly), forgiveness, honor, etc. Just a really nice film!

This movie will remind you of the old classic Disney movies like "Old Yeller". It is entertaining and fun for the whole family. (Why anyone reviewing this movie would get hung up on a political angle is beyond me!) In order for there to be a plot there has to be a challenge, and no surprise, it's the establishment! The point is, it's a feel good movie, based on a true story with an outside the box concept, not a political statement. The characters are strong and interesting and deeper than expected. There is something for everyone in this movie. If you get the DVD, the extras are very much worth watching! Hopefully a US version will be released soon! There are many Maremma owners in the US frothing at the chance to see this great movie! Hopefully the producers will see that and either release a theatrical version or at least a US region DVD version.

Oddball is a confused political critique disguised as a mediocre Australian family film. It opens with spectacular overhead shots that sweep over the water and the cliff faces. But if it were not for the high production values and the quality of the cast, this would have been a direct to video film. The only interesting aspect of Stuart McDonald's film is its awkward transition between two conflicting political messages. Oddball is primarily driven by a left-leaning environmental green message about protecting endangered animals and remaining highly critical of bureaucracy, red tape and American intervention. Simultaneously, the film is old fashioned in dramatising the techniques of environmental preservation and the way it mirrors American movies should be deemed politically conservative, with the retention of the family unit a chief concern of the narrative and its characters.The film is based on the real story of Allan 'Swampy' Marsh, who saved a colony of endangered fairy penguins by protecting them with a Maremma Sheepdog. In the film, Allan is played by Shane Jacobson (Kenny), who has lost is wife but is happily working as a chicken farmer in Warrnambool, a Victorian coastal town. His daughter Emily (Sarah Snook) is working as a conservationist and must preserve up to ten penguins or else their sanctuary will be lost. Emily is not only a single mother to Olivia (Coco Jack Gillies), but also dating Bradley Slater (Alan Tudyk), an American who becomes involved in a development plan that could overtake the penguin habitat. Simultaneously, Allan and his granddaughter are worried about losing their dog Oddball, who is in the eye of the local dog catcher (Frank Woodley), after he is deemed by the local council to be on his last warning if he causes anymore disruptions in the town. Allan and Olivia realise Oddball still has one useful purpose: he is able to protect the penguins from the foxes at night but they decide to keep this a secret from Emily, who doesn't want any further interference.Oddball's major thematic goal is about challenging the establishment. In the film, the rulings of local government, laws and enterprise threaten to dissolve the Australian family by creating a domino effect over multiple aspects of society. The loss of Oddball, the free spirit and a symbol of a rural-style of protection, would mean losing the sanctuary and consequently Emily, who warns her father its one of the few things keeping her within the town. Meanwhile, her partner Bradley isn't an outright villain but characterised unsympathetically as an ugly caricature of shallow, consumerist American culture, who tries winning Olivia's love with expensive gifts. By accidentally disrupting the penguin's home with an overlapping development plan, he represents how modernity and business trample contemporary green values and families. His suggestion that Emily and her daughter move to New York, which is met with reluctance, typifies the film's strange antagonism to modern life in favour of traditional values and small town favouritism. Despite keeping his granddaughter away from school an alarming number of times, Allan personifies traditionalism. This simple chicken farmer is best summarised by a scene in which he gate crashes Bradley's date with Emily in a fine dining restraurant, dramatising his resistance to modern life and the upper class. While content to share thematic parallels to Paul Thomas Anderson's There Will Be Blood (2007), like the resistance to modernity and land ownership,Oddball's contradicting political trajectory is typified by awkwardly juggling these dual political goals: a contemporary green and progressive message about the environment, on top of a conservative view of retaining the family unit by dismissing exciting new life experiences, such as travelling and re-establishment.These political and social aims were perhaps lost on the small children at the screening, some of whom grew visibly restless. The political ambitions aren't matched by lasting comedy because it's simply not as funny as one would hope and arguably too talkative for young children. Despite incorporating slapstick humour, a middling family drama, a minor mystery and those arching political goals, it's overly predictable and lightweight. Its greatest crime is throwing the potential of its cast into the wind. Shane Jacobson's Allan is not a fully realised character but a half-written comedy sketch that supplies the occasionally light quip or humorous remark and Sarah Snook's role doesn't stretch her talents as far as we have seen recently. Ultimately, it's the underdeveloped side roles which are most disappointing. Woodley is a hilarious comedian whose comic touch is never used and Debra Mailman doesn't feature anywhere near enough in her meager role as the town's mayor. The character Bradley Slater is a painfully obvious and grating caricature, whose relationship arc is clumsily resolved in the film's closing moments. While determined to tear down the establishment in favour of contemporary ideas and progress values, Oddball mirrors the shape of the Australian film industry itself. Its modern political trajectory is contained by conservative ideological goals that subdue its progressive aims. Along with its predictable, forgettable narrative and its failure to settle on one particular style, the adults in the audience had the right to be as fidgety as the kids.

Destined to become an Australian Classic, 'Oddball' is a very enjoyable family friendly flick which says much about the local film industry and audiences. When a good yarn is well produced and marketed, people will go out and see Australian movies. Whilst not perfect, 'Oddball' is a genre pic - the kids movie that the whole family can watch; with cute animals, a wide eyed and intelligent child, a quirky and memorable leading man and a good versus evil motif. What's not to love? For me, the drawbacks were the casting/writing of an American in a major role. Surely this was not for funding reasons! The actor cast is not even a big name. It could have been written for a corporate Australian type; and there are dozens of great local actors to cast here, even if Alan Tudyk is a competent performer for both the comedic and dramatic moments. He has zero chemistry with the current superstar of Aussie cinema the omnipotent Sarah Snook. This actress is the next Cate Blanchett. World domination awaits her. With already a number of lead and supporting roles under her belt, Sarah has shown why she is the next big thing. This seems an odd choice, pardon the pun, with her career trajectory,but as it will turn out to be one of the biggest box office hits this year, perhaps there was strategy from her and her agents to take this role. The child actor playing her daughter is great, and Shane Jacobson once again ('Kenny') creates an unforgettable screen character. He shows a great ability to straddle both humour and gravitas, often from moment to moment. He is becoming a national treasure. Deb Mailman gets to do very little, but doubles up with narration; and Richard Davies ('Offspring') shows why he deserves more screen time and more work. The hilarious Frank Woodley goes somewhat against type and is terrific. But the obvious stars of the movie are the animals. They are just delightful, although it was not seamless when dog and penguin were spliced into one frame - not quite, for these eyes, anyway. With a movie like 'Oddball' its ending was always going to play out as it did, but there was a lot of fun and tension getting there. It has a very sweet heart to it this film, and I recommend it on that basis.