Deadly Virtues: Love. Honour. Obey. (2014)

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Close shines in drama with strong language, adult themes.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

The biggest weakness here is that the story doesn't seem to have much of a point. In one way, it's kind of a standard home invasion movie. It opens with a man entering a couple's home, tying the husband up and throwing him in the bathtub, and then torturing and humiliating him throughout the weekend that follows. As for the wife? Well, she gets tied up and there's some eroticism involved in his plans for her - a lot of touching, leading to fear and humiliation, but not much more. Really, the intruder's plan for the wife isn't made all that clear. Essentially, the intruder seems to want to play house with her, for lack of any better way of putting it. So, what was the point to this? Was there a point? I honestly finished this not being sure about the answer to either question.Admittedly, the story has an uneasy attraction for the viewer. It's almost voyeuristic in a lot of uncomfortable ways. As the movie progresses we learn a lot about Alison and Tom (the unfortunate couple) but very little about Aaron - the intruder - until the last scene of the movie, which at least explains how he managed to break into their house, and shows him to be compulsive in his behaviour. Alison and Tom are revealed to be an unhappy couple with a lot of problems in their marriage. Aaron's motivation - aside from being one sick puppy - is never really made clear. (And maybe it's just that he is one sick puppy.)It's not a bad movie. It actually succeeds in being a movie that both repels the viewer and attracts the viewer often at the same time. But it isn't a great movie, either. And if you can't handle a few scenes of torture (that are never particularly graphic, but that are nevertheless made very clear) then you should probably avoid this like the plague. (6/10)

Deadly Virtues: Love.Honour.Obey. With a title like that I should have see it coming. But nevertheless I still watched the movie. My bad though, because honestly there are tons of better movies then this one. It starts promising, where you have the feeling it might become a good thriller, but piece by piece as the story unfolds you realize you're going nowhere with this story. It's just an unrealistic and quite boring movie. The actors are not that bad, neither are they future Oscar winners, but with a story like that you can't just have a good movie. It's just impossible. I think they tries to create some sexual tension, but it's just a failure. The end is also a completely letdown. Too ridiculous for words in fact. I wished I didn't waste my time with this one.

Ate De Jong brings Mark Rogers' story of fetish, and horror to life in dark, visceral , sometimes uncomfortable intensity. Normally I pass on films that I consider torture porn, or at least I bail on the film once I get that impression. I am glad that I did not check out on "Deadly Virtues" because it is definitely a tight, methodical nightmare that pushes one to experience that taboo in the horror genre, the eroticism of sexual nightmares. Much like "Straw Dogs (the remake)", this movie goes into those areas and exploits those darker subjects. "Deadly Virtues" doesn't completely nail it, there are moments that play out almost like cliché of the erotic horror subgenre. At times the energy falters, and certain moments that could have really pushed the horror over the edge are only mediocre. That being said, the characters are developed more than you usually see in these sorts of stories, the subtext is deep and dark, and the acting is captivating enough to cause you to built a very intense connection with the characters. Plus the ending is one that I didn't quite see coming, made me angry until the ending finally played out- an ending that is well worth setting through the sexual overture that runs through "Deadly Virtues", and that sense of discomfort in seeing some of the scenes play out. Overall, "Deadly Virtues" is worth watching on so many levels. I enjoyed being pushed into less comfortable forays of "what is horror" and "what is erotic". Rogers story balances it nicely and De Jong brings it to scream wonderfully. The special effects are practical, even though they are limited and not a big focal point of the movie. The real focal point of "Deadly Virtues" comes from actually watching the film, experiencing this situation through the eyes of these tragic characters, and that ending. This is one of the better, more elevated torture-porn, exploitation, and modern cult films I have seen in a while.

great little thriller, the best of the psychological home invasion genre. great acting especially from the two leads, Aaron and Alison, and an interesting examination of love and monogamy, definitely worth a watch. would make a good companion piece with Gone Girl in a double bill designed to break up relationships lol.Where Knock Knock attempted a similar thing but failed (especially in the last 15 mins) this film succeeds and is consistent in its themes and ending in a way that knock knock struggled with.**spoilers ahead**It starts off with a home invasion where our "villain" ties the protagonist and her husband up in beautiful Japanese bondage knots, and slowly over the course of a weekend subjects them both to extreme torment. But where other home invaders are intent on physical or sexual carnage, Aaron has set his sights on the inner cracks of their relationship, and through a bit of torture and psychological manipulation he slowly tries to break it down.