The Majestic (2001)

Surprisingly incoherent and boring

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

After playing with our expectations, this turns out to be a very different sort of film.

Jim Carrey did a fantastic and believable job in his dramatic role as screenwriter Peter Appleton in this touching patriotic movie. I love this movie and have watched it many times, often inviting friends to watch it. Invariably, they are also delighted and overwhelmed by Carrey's acting and that of the artfully performing supporting cast. I am disappointed that the reviews at the time of the movie came out were quite good but the box office earnings was poor. Perhaps the public did not believe that Jim Carrey could perform a movie role without being silly, comedic or vulgar. But he can, and he should have gotten much more recognition from Hollywood for his superb acting in this deserving cinematic effort without his usual tactics. I believe he did an Oscar performance. Jim, if you ever read this, please do more dramatic roles like this. Don't cheat the public from your talent and ability, which is to make us believe, make us enter into your world as we did in the world of Peter Appleton and Lawson, California.

"The Majestic" is a throw-back to fantasy films of a by-gone era, such as those directed by Frank Capra and Henry Koster. Not only is the storyline itself similar to Hollywood fantasies of the late 1940's and 1950's, several scenes ring of old movies. Townspeople often gather in front of the main character and his girl. In some sense, the film is like a film within a film, in which the people of the small town are like the audience and the characters like those on stage. "The Majestic" is an inadvertent realization of "the world is a stage", but unfortunately, as things play out, the central theme is applied like a bull-dozer. Only in a few scenes do we see the character exhibiting blood, sweat and tears, at the beginning and near the end. For much of the middle, he's almost too happy, things working out too well. There's an old adage of storytelling which says only trouble is interesting. Unfortunately, the trouble takes a back seat to the elation.The premise could have been concocted straight out of a Frank Capra screen concept. A b-movie screenwriter in 1950's Hollywood, Peter Appleton (Jim Carrey), is accused of secretly harboring communist sensibilities and therefore could be spying for the USSR. His career in film is essentially at an end, and he's being summoned to Washington to testify in front of the House Un-American Activities Committee. He then takes a trip with his only friend, a little stuffed monkey, up the California coast where he gets into a horrible accident on a bridge. He's washed up on the beach like a crew member of a ship lost at sea. An old man discovers him and helps him to the nearest town, an unassuming small town on the California coast called Lawson which rings similarly to Bedford Falls of "It's a Wonderful Life". Appleton suffers from amnesia and doesn't who he is. He sees pictures in the town windows of local young men who fell overseas fighting in the Second World War.He happens into a local coffee shop where another elderly gentleman, Harry Trimble (Martin Landau), recognizes him. He's convinced it's his son, Luke Trimble, who went missing-in-action during the war. The local towns folk then reacquaint themselves with who they believe is their long lost soldier, one of the few who has returned. They decide to hold a large celebration in his honor. He even meets Adele Stanton (Laurie Holden) who had been Luke's fiancé. She is absolutely drop-dead gorgeous and yet for nearly a decade she's not hooked up with any other men, which is one of the many problems with the storyline.Since the town believes he's a hero, he goes along, even though some aspects don't seem right. Although he can't remember, there is a sense that Appleton knows that things aren't they way they should be, which is the best aspect of Carrey's performance. Trimble takes him home and shortly thereafter proposes they re-open the local movie theater which has laid dormant since the war. Of course the name of the theater is "The Majestic", and it gives Appleton, now Luke Trimble, a new sense of purpose and direction. At the same time, the FBI has decided that Appleton must be a communist spy since his disappearance from Los Angeles.The central problem with this film is that it lacks balance. The joy and elation of the townspeople enjoying the return of their long-lost hero goes on for about as long as an endless dance sequence from a musical. Almost no one in the town questions that Luke Trimble is a war casualty and has returned in the flesh. I was expecting to see more doubt among some of the townspeople. I also wanted to see the darker sides of both characters, Appleton and Trimble, but both seem too perfect. Maybe a curse word from Appleton which would never have been on the lips of Trimble, or visa-versa. Only one towns-person is not happy to see Luke Trimble but not because he doubts it's really him but because he was a rival before the start of the war. It was also difficult to buy the idea that Adele Stanton was not with another man, and that when she started spending time with him, she thought something was wrong. It would have made more sense if she was with someone else and then flabbergasted concerning Luke's return.The script really needed several more rewrites with added confrontations between Carrey and doubters. Only one character reveals late in the film that he knew Trimble wasn't Trimble. Aside from him, the joy of most of the town upon celebrating the return of Luke was just a bit too saccharine and forced. When they begin to renovate the movie theater, the entire town pitches in to help. I half-expected them to start singing Kumabya. It reminded me of those old Bing Crosby movies where the cast is trying to "solve a problem" and everyone decides the solution is "Hey fellas! Let's put on a show!" Again I expecting a bit more blood regarding his return similar to the story of Martin Guerre, a returned war hero who turns out to be an impostor. Only when the FBI catch up with him is there some meat to the story again, but this occurrence is about 80% through the film. The film was 75% in the bliss department and only 25% in the trouble department with too many additives and preservatives. If trouble is what makes a story interesting, "The Majestic" needed to reverse the numbers. By film's end, Appleton/Trimble had not gone through hell and back to make me feel like he's really been through something which significantly causes him to change. In "It's a Wonderful Life", George Bailey goes through hell to get back to heaven. With Appleton/Trimble, it was more like a short-cut.

So few movies tell a story we can relate to in way we have never seen. The Majestic tells the story of the post war era where the country had to rebuild after having lost many lives and spent many resources. In a small town where many of their sons were killed in the war one special one apparently returns. There are many of the baby boomers who can say they remember these story's and heard of the losses of their families. If you ever travel thru small towns in the mid west you will see the history of this. The markers, the graves, the remembrance of it all. The entire cast is amazing, well suited for every part and the ensemble pulls the whole show together. Jim Carey, Martin Landau pull you into the a world, a town, a people, a family. It is a gentle story, about the hearts and hopes of people. It is kindly told, the way a parent tells a bedtime story to a child. Slow, simple with great meaning. Perhaps this is why I really like it so much. It warms my heart, gives me hope and makes me realize that the really important things in our lives are each other. It reminds me of my Grandfather telling me a story. There is wonder, honesty, entertainment and a moral. This is on my 'Must See' list but going in you have to know what it is to appreciate it.

OK this isn't exactly the most original idea ever and the whole thing feels a bit like an extended 'Twilight Zone' episode (one of the more sensible ones), but this truly is a beautiful film with the kind of performances that are guaranteed to make you smile. A simple tale set in the 50's, a young man is accused of being a Communist and his life is turned upside down. One night he gets slightly drunk and drives his car off a bridge accidentally and ends up almost drowning. He gets washed up on the shores of a small town where he is believed to be a WWII soldier killed years before.This is complete and utter American pie through n through and I mean that in the best way possible. Generally things like this can be quite sickening with all the Stars n Stripes patriotism and this does have that, truth be told this actually has more treacly gooey hanky moments than you can shake a stick at. There is also the element of the all American Communist witch hunts which is the whole plot beneath the surface. Its only kinda touched on really but its played out in a typically heroic way for the main character in the end. You think he will submit to the government, a government of so called democracy, but he fights for truth and justice and the American way. Yes the finale is a bit too vomit inducing for us non Americans. What works for me is the pure visual spectacle of the film with the typically quaint white building built US town set amongst the glorious Californian woodlands on the pacific coast. In short this film looks stunning, its made to look extremely whimsical of course but it works. The era makes this work even better as the sight of old classic US cars cruising around, small diners, the smart fashions, jazz/big band music etc...give the film a very homely taste that I think anyone (more so adults probably) can enjoy.The cast is another reason to like this film, how can you not enjoy seeing Martin Landau in a brilliantly moving role. I loved 'Ed Wood' and this yet another portrayal of angst and heartbreak but even stronger than before. Gerry Black also gives us a lovely performance for the old caretaker of the Majestic, his gravelly raspy voice draws you in whilst his cheeky grin is heartwarming. James Whitmore has a small role but he sure fits in well, performance is perfect as is his costume and character design, looks good with the pipe. To be honest all the main roles are played well by a host of solid actors, many I have seen before and merely know by face, reliable character actors.Then we have Mr Carrey, to be honest a brave move as before this he was known only for his comedies. This doesn't mean he was the right choice of course, in my opinion he can't quite handle the kind of serious emotion involved here (at least at this period in his career) and you can see it. A case of being type cast for over the top crazy ass characters or idiots, due to this you keep half expecting him to do something or say something daft. Carrey never really looks too comfortable in this film surrounded by proper quality character actors, he was yet to break away from his over acting lunacy.A charming nostalgic film that manages to homage the golden age of small town 50's America and the classic (and much missed) age of big regal looking cinemas, but is also a stirring tribute to the fallen of WWII. It is extremely clichéd and cheesy, love it or hate it I doubt there will be any middle ground here. It really does pull all the obligatory heart strings to get you choked up, every old trick in the mushy book, but damn it...it works!7/10