Lamb (2016)

It's entirely possible that sending the audience out feeling lousy was intentional

an ambitious but ultimately ineffective debut endeavor.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

One of the most extraordinary films you will see this year. Take that as you want.

Ross Partridge directs and stars in "Lamb," a 2015 film following David Lamb (played by Ross Partridge), a man in his late forties who is quickly becoming aware of his disintegrating goodness. He encounters a girl named Tommie (played by Oona Lawrence). Though she's only eleven years old, David is aware that she is in danger of becoming just as defeated by life as he is. The two connect, and a friendship grows. In an effort to save Tommie from becoming just like him, David invites Tommie away from the city and into the country heartland he grew up in. What follows is a journey of self- discovery for both David and Tommie, culminating in an emotional bond that neither of them could have predicted.The main character's choice to befriend an eleven year old girl is at the center of the film's controversy. The film pays a price for having a protagonist who crosses social sanctioned boundaries in trying to do the right thing, scaring off potential viewers. Partridge was very aware of this controversy, and the ethics of their relationship is one of the continuing topics within the film: Is David going to get in trouble for his behavior? Does he deserve to get in trouble? For the sake of not trying to force my perception of their relationship, I won't try too hard to persuade you one way or another. It is important, however, to note that while Tommie and David are constantly thrown into circumstances that force them to confront the delicacy of their situation, their relationship never approaches a sexual nature. You needn't worry about David peeking at Tommie in the bathroom, or anything similar.Ross Partridge and Oona Lawrence embody their characters so naturally. What they do here should barely be called acting. More like being. Partridge is given the complex task of having to convey deep confusion to the audience, but confidence when he's with his costar. Fortunately, he's able to pull this off and articulate David's personal journey at every stage with perfection. Despite her young age, Lawrence demonstrates remarkable acting in such a demanding role, conveying innocence and intelligence simultaneously. More impressive than the acting ability of either individual is the chemistry between the two leads. They aren't the only actors in the film, but still carry the film mostly between the two of them. Fortunately, they carry it just fine.One element of the film that really surprised me was the cinematography, specifically the number of landscape shots. Even images of the city, which is supposed to represent a metaphorical prison for both characters, look tranquil. This form is consistent throughout the film as the background changes to hotel lobbies to the roadside to the country. These landscape shots were amplified by the music underscoring each scene.The recurring piano score endowed the film with a sort of innocence, a hopefulness that neither of the protagonists have a surplus of. It's especially helpful early on as Tommie and David's relationship starts to bud. Probably the single best tool the film used to alleviate the uncertainty we feel toward David at the beginning.Assuming he'd prefer viewers to not be drowned by David's unconventional behavior, I'd suggest to Partridge that he give increased cognizance of Tommie's sad home life to David. The easiest argument against David having ill intentions is that he was trying to save Tommie from wasting away in neglect, and even an unconventional intervention is better than no intervention at all. While we see that David is aware of Tommie's situation, further enunciating that Tommie would be worse off without him would make his actions much more understandable. This would have been much more helpful, not to mention economic, than David or Tommie intermittently commenting, "This is weird. He, he." Lamb is bold in a way many films claim to be but seldom are. Not everyone is going to accept Partridge's direction, which is understandable. Lamb may be aggressive in how it breaks social norms, but in the wake of Partridge's loud experiment is a delicately crafted film. The liberation afforded to this movie allows for a very honest exploration of good intentions, redemption, and the nature of love, in the process creating a relationship that manages to be both powerful and tender. I'm not sure I've seen anything like it anywhere else in the film world. The closest I can think of would be Leon: The Professional. One thing is for sure, much like David and Tommie are changed by their adventure, you will never be the same after watching this film.

Wow! How can one even begin to describe or rate this movie? It's like watching a train wreck but you just can't look away.Both Ross Partridge and Oona Laurence are terrific in their starring roles here. Partridge also directed and wrote the screenplay, based on the novel by Bonnie Nadzam. Partridge portrays the very strange 47-year- old David Lamb, who's in the throes of a divorce, his father has just passed away, and he's been asked by his boss to take some time off to get himself together. Also, he's in the midst of an office romance with a woman (Jess Weixler), who seems to care very much for him, but he's only capable of wanting a sexual dalliance at this point. David is also a rather vile manipulator and prevaricator, which he uses to gets what he wants.Laurence is simply amazing as the 11-year-old Tommie, who spends most of her time on the streets with her so-called friends, and who comes from a most neglectful and miserable home life. After watching her performance in this film, I can't see how Laurence cannot have the brightest future on the silver screen.Thus, when David and Tommie cross paths in a strip mall parking lot, it will mark the beginning of a most creepy and bizarre "bonding' between the two that will culminate in David taking Tommie on a several day's trip to his late father's isolated cabin. Although Tommie will get to experience things she never has before, she's manipulated every step of the way by David. Through his subtle promptings, he will convince her not to notify her mother where she's gone. Although there are no overt sexual advances on his part, David ends up placing Tommie in emotional situations no 11-year-old should be. Things will just get creepier and more bizarre as the movie progresses, but as mentioned, I was just totally engrossed, as painful as it was to witness.Overall, this was a most unsettling film, to say the least, with terrific performances from Partridge and Laurence, and with its most gut wrenching ending its impact will stay with me for some time to come.

LAMB is set in the Midwest and its conventions. A middle aged man, beset by adult challenges including the death of a parent, work and crumbling relationships, encounters a young girl whose home has provided no identity or value. The two go on a road trip deeper into the heart of the country and into unexpected inner places. LAMB is risky and challenging exploration of love, our need for it, the unusual places where we find it and the sacrifices it calls for. Oona Laurence as the young girl is superb and deserves consideration for a Best Actress award. The cinematography is evocative. Ross Partridge is to be commended for his integrity, courage and skill in bringing this story to the screen.

I have read your reviews and agree but yet not one of you even mentioned the scene where he is having sex with the girlfriend and the girl looks in the window, he sees her and keeps having sex while looking at her watching. That is the main factor that tells me what his motives were along with the other number of scenes you all mentioned. I mean, Who does that? Only a molester would not stop having sex and continue on while looking at a little girl. Very sick. This movie is twisted and truly makes me wonder whether the actor Ross relates to a child molester, I mean who would want to do a roll like this? Very sick and makes me sick.