The Road (1982)

I like the storyline of this show,it attract me so much

Dreadfully Boring

A clunky actioner with a handful of cool moments.

The movie really just wants to entertain people.

The review of the movie caught my attention. The cast the story the social life and Kurds social structure the women how they were treated, honor and revenge all these elements disclosed in the movie in such phenomenal way.What touched me is when Mehmet came over to get his wife back admitting his mistake the scene where the kids watching.. or where Zene screaming her husband name to not leaving in mountain stranded for the beast and Seyit when he was carrying his wife slapping her to wake up. I give 3 thumb up.I realized how important to look to my life in different perspective.Mehmet "Halil Ergun and Tarik Akan" Seyit were the perfect husband in their own way.. I will look for their work from now on

I have seen this movie three times so far with intervals of a few years and got amazed more every time. I am Turkish and I was a teenager during the time period portrayed in the movie. I can say with great confidence that those days were presented with a great accuracy in many ways. It gives me an opportunity to evaluate the events of that period. The director (Serif Goren not Yilmaz Guney because Yilmaz Guney was a fugitive during the time the movie was shot) does a great job capturing the mosaic of Turkish culture during the trips of the 5 prisoners on leave for a week. The trip starts from Istanbul - from north-west and ends in the south-east. Editing job was not so great but it still kept the continuity of the story. On the other hand dubbing was terrible - perhaps the only bad thing about the movie - still you have to be a native Turkish speaker to see this flaw. I think the biggest contribution of Yilmaz Guney to this film was writing the major part of the script and producing this great film. A few facts: Yilmaz Guney was a fugitive who shot a judge during his trial. So, He was not a political prisoner. He wasn't a great actor but he was a good screen writer. There is not a city called Kurdistan in Turkey there never was. The people shown in the movie are Turkish citizens. People of Turkey are not just Kurds and non-Kurds there are tens of other ethnicities live in Turkey and they make the Turkish nation as a whole. It's amazing to see some people are still judging a whole nation by just seeing a movie.And one goof: The guy in the ferry was drinking RAKI - the famous Turkish liquor- however during dubbing it was referred to as brandy.

Despite a couple loose ends, this film is so well made and the story so compelling and powerful that it must be considered a masterpiece. This is especially true considering that it was made in one of the most difficult times in Turkish history to make a movie of any sort, especially one with such strong social and political commentary.The story is a powerful and fascinating tale of several prisoners on temporary leave from a prison, and the crucial events that they face. Tragedy and sadness are prevalent, despite the fact that each character's leave has a very different outcome, and the film excellently and compellingly explores how the characters must face their difficult circumstances. It addresses a wide range of forces, political, social, familial, that impact the lives of the characters, and comments on all of these. The film's exploration of these issues ranges from blunt and harsh, to subtle and satirical and the actors are simply fabulous.The result is a compelling, extremely moving, and thought-provoking film. However, people who watch it should avoid using it as a guide for what Turkey is like today, especially in certain aspects. They must remember that this film is over 20 years old and was made at one of the darkest periods in Turkish history.

I am completing a thesis on Turkish cinema. I have seen many Turkish films, and I think this is definitely one of the five best and certainly the best one of its' era though the underrated "Polizei" which "Yol"'s co-director Serif Goren helmed is right up there. "Yol" is amazing for many reasons. I have heard some amazing Hollywood back stories of how films like "MASH" and "Apocalypse Now" were hellish shoots. But, none of them matches what the filmmakers did on this project. "Yol" was secretly filmed, and the entire cast, which included box office icon Tarik Akan risked being blacklisted. The film was subsequently banned in Turkey until 1992, and it was not shown theatrically there until 1999. It is a scathing indictment of political and social oppression in Turkey in the early 1980s. Symbolism is used throughout the film, with birds representing freedom, horses representing virtue, and women representing oppression. Many Westerneners have labeled Yilmaz Guney, Turkey's best known director who envisioned "Yol" from his prison and then while in exile, a champion of feminist ideals. But, if one sees some of his earlier film like "Canli Hedef/Live Target" they might be in for a surprise (that film features an off-camera rape of a 10-year old girl). I like Guney's films but I agree with Serif Goren's assessment that his contributions to "Yol" were completely overlooked. Goren proved to be a capable director in his own right, and his film "10 Kadin/10 Women" is perhaps the essential film for expressing ideals which are sympathetic to feminism- a movement that I sympathize with in terms of Turkey, but am neutral towards in the West. "Yol" also deals with Kurdish suppression. One of the more poignant moments in the film comes when Halil Ergun's character comes to back to his hometown Diyarbakir (in Eastern Turkey) on the train during his prison leave. He comments how strange it is to be back home. The central theme of the film is that the oppressive elements of prison life are evident just as much on the outside. Personally, I think Turkey has made significant progress in recent years. It is a shame that except for Michael Moore, Barbara Kopple, and Tim Robbins, very few American film makers take these kinds of risks that Guney and Goren did with "Yol." In my view, the more recent Turkish film "Distant" has surpassed "Yol" as the best Turkish film ever made, but this is still a magnificent artistic achievement which can be merited as a classic in terms of international cinema.