The Octagon (1980)

Highly Overrated But Still Good

Good concept, poorly executed.

Awesome Movie

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The Octagon's premise is simple. Chuck Norris vs Ninjas. That's really about it. Norris is Scott James, a man haunted by memories of his growing up and rivalry with his former martial art brother Seikura, who now heads a Ninja training camp and is teaching international terrorists the ways of the Ninja. James must stop the organization and face off, once and for all, with his former brother.There's little in the way of story, and sadly the film takes it's time in getting to the point where Norris finally takes out the Ninja trash. Like a lot of his movies, the lack of much plot means the film moves pretty slowly between the action. When the action does kick in, it's quite impressive. The real standout though is Norris infiltrating the Ninja base in the film's climax. It's classic Norris.The cast are okay. Lee Van Cleef and Richard Norton pop up in small roles, Richard Norton actually has a few different roles here.I would have rated it an 8 out of 10 if there was a bit more action in the middle half of the film. For the most part, only Chuck Norris and ninja fans will get the most out of THE OCTAGON (1980).Overall worth watching..7 out of 10

It's true that it may not appeal to martial arts movie lovers across the board because it actually has quite an involved, twisty plot and is going to be too slowly paced for some. There's not much in the way of action until the big finish. Still, for an undemanding B action picture, this viewer found the production values to be reasonably good, and there are some fine performances among the supporting cast. What lends "The Octagon" a high amount of unintentional hilarity is Chuck's overdone internal dialogue, all done with an exaggerated echo effect.Chuck stars as Scott James, a former fighter with bad memories, particularly of growing up with a hostile adoptive brother, Seikura (Tadashi Yamashita), who as an adult is now running a training camp for terrorists. A beautiful young heiress, Justine (Karen Carlson), wants revenge against Seikura because her father was one of Seikura's victims, and tries to hire Scott for her purposes. Scott isn't too happy that somebody would try to use him, and doesn't particularly want to get involved, but eventually realizes that he must.This is boosted to a degree by the engaging presence of Lee Van Cleef, who's a gas as an anti-terrorism expert / old friend of Scott's. Art Hindle ("Black Christmas" '74, "Invasion of the Body Snatchers" '78) co-stars as Scott's buddy A.J., who makes a mistake in getting interested in a cause and gets in over his head. Sexy Carol Bagdasarian, daughter of composer / songwriter / actor Ross B., plays Aura, a terrorist-in-training who experiences a change of heart. Kim Lankford ("Malibu Beach") is likable during her brief screen time. B movie legend Richard Norton makes his film debut in two credited roles and several uncredited ones as faceless ninjas. (He's joked that he must have died a total of eight times in this movie.) And keep an eye out for people such as Brian Libby (whose next screen role was as Chuck's psycho nemesis in "Silent Rage"), Jack Carter, Ernie Hudson, Chuck's son Mike who plays Scott as a teenager, and an uncredited Tracey Walter.Good production design (by James L. Schoppe), cinematography (by Michel Hugo), and music (by Dick Halligan) help to make this a decent if unexceptional bit of entertainment. Chuck, as always, fares much better when kicking ass than when simply acting, but he still makes for a formidable hero. And the snarling Yamashita is a worthy bad guy. Some viewers may be amused to note how brutal the violence is at times.Overall, this is fun enough to watch.Seven out of 10.

Scott James (Chuck) is a man who looks spiffy on the outside (he wears a pretty sweet tuxedo) but seems to have a lot of turmoil on the inside. Not only is he constantly flashing back to his childhood and his initial Martial Arts training (the young Scott is played by Mike Norris), but the voices in his head are overpowering and seem to tell him important things. All this is going to come in handy when Scott James faces off against perhaps the ultimate foe: terrorist ninjas. Yes, terrorist ninjas. While protecting a woman named Justine (Carlson) from said TerNin's - which he does with the help of mentor McCarn (Van Cleef) - he realizes the true depth of what he's up against. The nefarious group trains in an octagon-shaped facility, and their organization is named...The Octagon. Will Scott James triumph over these squares? Find out today! While The Octagon contains no cage fighting, or Punchfighting of any kind, it is in fact a reasonable Chuck movie. It's not bad, but it's not great either. By today's standards, the pace might be too slow for some viewers, and at 104 minutes it's certainly on the long side. But what else would you expect from director Karson, who later was responsible for Van Damme dud Black Eagle (1988)? But the cast perhaps makes up for it. Besides the aforementioned Norrises, and of course the legendary Lee Van Cleef, we have Tadashi Yamashita of Sword of Heaven (1985) fame, whose hair steals his own performance out from under him. The great Gerald Okamura has a brief role as a member of The Octagon, as does John Fujioka, and John Barrett does stunts as well as a small role. There's even a young Ernie Hudson on board as a fighter. As is usual for a Chuck movie, Aaron Norris was stunt coordinator, and besides doing stunts, Richard Norton has a nice appearance as a baddie who gets in a fight with Chuck.Norton's hair and mustache combo look awesome, and his blonde bowl haircut is so bright, it actually lights an entire dark scene all on its own. But back to Chuck, this movie definitely belongs to the era in his acting career where his performances were noticeably, obviously wooden. Or, WoodChuck for short. But beyond the fact that this is a WoodChuck movie, at least you can hear his thoughts, which is enlightening. There's a passing mention that Scott James was a Vietnam vet, and the baddies' training camp is seems like a dry run for the later American Ninja (1985) - which would also reunite Norton, Yamashita and Fujioka.

I learned early on (when I saw BREAKER! BREAKER! at a local drive-in) that one of the premier point-fighters in tournament karate was not going to be confused with the likes of Charlton Heston or Lawrence Olivier. Without Bruce Lee to guide him (as he had in WAY OF THE DRAGON, wherein Norris pretty much played himself as an international hatchet man flown in for that spectacular duel in the Roman Coliseum), Norris seemed ill at ease. His performance in GOOD GUYS WEAR BLACK wasn't much better- but he finally seemed a little less stilted in A FORCE OF ONE. (Bill Wallace, the real-life middleweight full contact karate champion, played a coked-out psychotic whose deer-caught-in-the-headlights stare suited his role. The hand-to-hand combat in and out of the ring helped make A FORCE OF ONE worth seeing.) Without a doubt, THE OCTAGON is Norris's showpiece: boasting more action (and less acting) than any of his other films, it's the perfect vehicle for the man and is still, after all these years, worth a look.