April Story (1998)

Disturbing yet enthralling

In truth, there is barely enough story here to make a film.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

This movie felt like something unfinished. It surely deserved to be developed into something bigger. But what's there is fascinating, sweet, and somewhat unique. The way it portrays the first days of college for a girl who's alone in a big unknown city, with unfriendly and opportunist people, is just awesome. I really felt sorry for this cheerful, shy and friendly girl who couldn't manage to get a decent social relationship in this new environment. The lead actress was really good and always had that "sweet and awkward" aura that's just perfect for the character. Some great scenes in this movie, but who's familiar with the work of Shunji Iwai shouldn't be surprised about that: this guy can pull off memorable stuff.

On first viewing I was reminded how Japanese people often use language not to communicate in words but to hint at deeper ulterior meanings. For example, when Uzuki asks how late the bookstore is open, what she is really asking is, "What are the chances I'll be able to see today the man I am in love with?" I felt that this movie was a lot like literature in that we had the opportunity to fill in a lot of details with our imaginations. With this in mind, the second viewing was a remarkable experience. Check out the group of people for whom the moving van has to reverse for. Here we have what will ultimately be (off screen and after the credits) the happy ending, but we see it implied at the beginning of the movie.The name Mushashino itself (as in both the university and bookstore): It refers to the wide plains upon which Tokyo has been built. Even more than a thousand years ago, in what some say is the world's first novel, "The Tale of Genji," Mushashino was considered a poetic place of exile and romantic yearning.That jarring samurai movie may have been well-chosen as well for its symbolic ramifications. It was about Oda Nobunaga, who was the first person to come close to achieving a unification of Japan until he was assassinated by Mitsuhide Akechi: A story of ambush and treachery, just as what was going on with the creep making moves on Uzuki in the movie theater. But in the samurai movie Oda Nobunaga, through trickery of his own, survived that ambush, as did Uzuki. Her fleeing brings to mind Ieyasu who, in the historical time depicted, rapidly fled that dangerous situation with the assistance of the ninja Hattori Hanzo. So we can even make this part of "April Story" into a kind of ninja movie if we wish, with the protagonist successfully fleeing danger and later establishing a grand unification (with her soon to be lover) of her own. Like the one passing in front of the moving van.Not only the movie theater creep was a threat to her fulfilling her chosen destiny but also the leader of the fly-fishing club who wanted to "catch" her. He even got the hook of a lure into her sweater. But what did he want with her after all? He wanted to use her: "If you get one other person to join our club this reel is yours for free."Here in the U.S. young lovers have been known to write or carve their initials within the outline of a heart. In Japan they write their names vertically under an umbrella, on either side of the "handle." And the color of the umbrella she chose: the Japanese character for crimson can be synonymous for passion.I found that the movie resonates deeply if we apply some attention and imagination.What a pleasure it is to watch it, and the amazing performance of Takako Matsu who expressed so much and so deeply with so few external manifestations. By the way, if anyone wondered about the location, she rides her bicycle over a blue pedestrian bridge that had written on it that it was in Kunitachi in the western part of Tokyo next to Tachikawa.

For those who can remember or those who have yet to discover, the first few weeks at college away from home can be the most unsettling, scary, and challenging time of our life, yet few films have chosen to dramatize this commonly shared experience, preferring instead to dwell on outrageous varieties of anti-social behavior. In April Story, a 1998 film, Shunji Iwai continues his sensitive interpretations of the difficulties young people face in stepping gingerly into the adult world. This 68-minute film has little plot and no big events, only the small struggles of daily life that are filled with the subtle meanings that help us grow.Set amidst the blossoming of the spring flowers in Japan that signal the start of the new Japanese school year, April Story, aided by a solo piano and the beautiful cinematography of Shinoda Noboru, has a calming and meditative effect. For the shy and innocent Uzuki Noreno (Takako Matsu), however, coming to Musashino University in Tokyo from rural Hokkaido may be the psychological equivalent of landing on the moon. In the first week alone, she faces the not too delicate questioning of fellow students about her background and why she came to college, the loneliness of being away from home for the first time, and the confusing time of signing up for classes and studying such strange topics as Investment in the Japanese Economy and Cultural Anthropology.Although withdrawn, Uzuki is adventurous enough to join a Fly-Fishing Club at the urging of her only friend Saeko Sano (Rumi), but is embarrassed when she confuses one Brad Pitt movie for another in a discussion with the group leader. One of the loveliest scenes takes place when the newly recruited club members stand in an open field and cast their fishing rods rhythmically into the air. Uzuki's exploration of her surroundings brings daily trips to the local bookstore (where she is intrigued by a bushy-haired young clerk), an encounter with a harassing gentleman in a movie theater, and the inviting sounds of a street band. Fearfully, she reaches out to her neighbors but achieves little result. It is only late in the film that the real reason for her attending this particular university emerges and in a heavy spring rain that paints the city with a refreshing glow, the magic of first love begins to unfold.

To describe this film as gentle is quite an understatement. It is slightly more interesting (and similar to) a home movie of a girl who moves to the city to attend Uni.Meandering, totally lacking in drama or interest. Clearly, I cannot recommend this film.