Black Beauty (1971)

everything you have heard about this movie is true.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

By the time the dramatic fireworks start popping off, each one feels earned.

English author Anna Sewell's 1877 children's book is more-or-less faithfully brought to the screen in this handsome 1971 adaptation starring Mark Lester, a hot property at the time following the success of "Oliver!" Awestruck youngster is incredibly attached to a male colt he names Black Beauty, but when his widower-father's farm is sold, the horse is inexplicably included in the deal (a detail which remains perplexing). Beginning with the tender birthing of a foal, director James Hill takes us to a frenzied hunt in the countryside wherein one rider (a glowering horse-hater) blames his horse for falling over on him and has the animal shot. This episode is followed by another in a similar vein, with the same hot-headed villain smacking Black Beauty for crossing his path on a private road. When the boy's farm is eventually sold, guess who the buyer is? One can easily become exasperated by the rote, formulaic storytelling, populated by too few genuine characters, though perhaps horse-lovers and kids won't mind as much. The cinematography by Chris Menges feasts on footage of stallions leaping, jumping, diving--sometimes in slow motion. It certainly looks good, even if the tale is just junior-league soap opera. ** from ****

This is a movie that can be looked at one of two ways. You can look at it as an adaptation of Anna Sewell's classic novel, or you can look at it as a story about a bunch of people who all happen to own the same horse. I'll do both.As an adaptation of the novel this movie disappoints terribly. The plot bears almost no relation to the original story. Classic characters like John Manly, Reuben Smith, and Jerry Barker are cut out completely. New characters are often shallow and one-dimensional. Ginger, one of the most important horses in the story, acting as a foil for Black Beauty and with her own heart-wrenching story is turned into a gelding, given about three seconds of screen time and has no involvement in the actual story. The plot, particularly the ways in which Beauty passes from owner to owner, often seems contrived. On more than one occasion Beauty is simply standing around in the middle of nowhere and someone comes along and finds him. Other times he performs some heroic deed which would merit his owners deciding to keep him forever and the next thing we know he's being sold again. While the novel deeply explores the society of the time and the effects of that society (for better or for worse) on both the humans and the animals this movie disregards that aspect entirely. It portrays some rather stereotypical views. Worse, some of the bad guys are just that: bad guys with no depth or personality. Take for instance the young squire who is cruel for no reason and loves to hurt horses just for the fun of it.As a movie with complete disregard to the book it isn't half bad. The story as it is presented here is not about the horse; it is about all the different people who own the horse. Beauty isn't a character so much as he is a plot device. If you don't mind the focus shifting from animal to human it is an enjoyable sequence of stories. I stand by what I said earlier about many of the characters being one-dimensional, but when the entire cast is reviewed as a whole it displays a wide range of personalities and backgrounds. There is a good balance between kind and cruel owners. Pacing was fairly good. The movie had a nice balance with enough action but not too much. Cinematography was very nice. Many of the shots of the countryside were beautifully done (if occasionally somewhat overdone). Most of the stories were fairly standard plots (a decent farmer at the mercy of a heartless bank, young lovers forbidden from meeting) but some, such as the circus family were rather creative and even the recycled plots were well done. Acting was good overall.My conclusion: A good animal and people story, but if you want something closer to the source watch the 1994 version.

1st watched 11/26/2004 - 2 out of 10(Dir-James Hill): Lazy telling of celebrated novel about the adventures of an almost completely black horse. The adventures are huge, but they are played out very un-magnificently with some scenes being so bad that the movie's almost worthy of turkey status especially during a couple silly love scenes. It all works out in the end with the horse coming back to his starting location with his grown-up original owner but the only good thing this movie does is make you feel bad for the horse. The problem is that at points in this movie even he looks bewildered and fatigued at being a part of this slow-moving fiasco.

This internationally-produced version of the oft-filmed Anna Sewell classic about the adventures and misadventures of a horse that is seperated from its original owners is the best of several films based on the timeless tale. Mark Lester stars as the young boy who longs to be reunited with his beloved horse. The film rarely strays from its source, and I believe this is superior to the 1994 remake.