All We Had (2016)

Self-important, over-dramatic, uninspired.

Perfectly adorable

Good concept, poorly executed.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Well, I haven't read the novel...yet. I just watched the movie as I always do, patiently, and I can tell you the acting was great, really top notch from everyone. I don't care how many movies shared a similar plot, I can tell you for sure this one was done right. It's true it's a bit slow at times, but it's understandable. A movie for people who can still feel with their heart, not with stupid super-heroes, not with cgi or something which nowadays appear way too often in movies. For an indie debut movie, excellent.

Rita (Katie Holmes) is a poor judge of character. She cares for her 14 year old daughter Ruthie (Stefania LaVie Owen) as they live on the road out of their dying car. Circumstances make it easy for them to stay in one place for a while, as she makes he life more complicated than it needs be and not trusting those who would help her. Eve Lindley plays a sympathetic cross dresser waitress who befriends Ruthie.The film is a basic drama about life and the folks who live at the bottom. Well directed. Well acted. Slightly emotional, but not a heavy tear-jerker.Guide: F-word. Sex. No nudity.

Katie Holmes, as Rita, and Stefania Owen, as Ruthie, are both excellent in their starring roles here as mother and daughter respectively. with Holmes making her feature film directorial debut as well. This is a dark and gritty drama, at times difficult to watch, as Rita proves to be just an awful mother in so many ways, as she drags Ruthie from town to town, ending one bad relationship with a man only to move onto the next one. Their odyssey comes to at least a temporary halt when Rita's car breaks down and they're forced to establish some roots in a town along the way.There's really a top notch cast here with Luke Wilson, Richard Kind, Eve Lindley, and Siobhan Fallon all enhancing the film in supporting roles. To note, there's raw and explicit language throughout the movie and some suggestive sexual scenes as well. Overall, one's rating of this film may hinge on how much the viewer can accept a mother's actions and behavior as part of a dramatic storyline and put one's "judgmental hats" aside. For me, the strong acting, the intensity of the plot elements, and finally the uplifting final parts of the movie made it a fairly decent indie watch.

Trigger Warning(s): Tooth Extraction | TransphobiaReview (with Spoilers)Noted Actor(s)Ruthie (Stefania LaVie Owen) | Marty (Richard Kind) | Rita (Katie Holmes) | Peter Pam (Eve Lindley)StorylineAll Rita wanted was for her daughter Ruthie to have a better life than she did. Problem is, Rita doesn't have anything to her name besides a car and a long string of bad relationships. Yet, things maybe looking up. After trying to dine and dash she meets a forgiving man named Marty who gives her a job and from there things were kind of looking up. Though with Rita's history of men, and some already sniffing around her skirt, who knows if her bad pattern will persist or if she will finally do right by Ruthie.HighlightsPeter PamThe relationship between Peter Pam (a name I'm not sure is the character's assigned named and chosen name, or what) and Ruthie, as well as her relationship with Marty, I felt was so precious. To the point, you almost wished this movie was about her struggle with being trans, desiring to go to New York, but being ever so fearful about making it.CriticismGood Stories With Weak DevelopmentIf you look at each individual character, there is an interesting story to tell. With Rita, you have a woman who grew up in the foster system who is probably in no way prepared to be a mother, yet she is trying her best. Of course, her best sometimes may not seem good enough, and she is probably doing more damage to Ruthie than she ever intended, since stability is not part of their lives, but she is trying. Then, switching to Ruthie, she has this mom that has given her a nomad life. One in which she has to steal to survive since her mom rarely has more than a few dollars in her pocket, from doing who knows what. Yet, this isn't the life she wants. She wants to go to school, maybe meet a cute guy and get to know him, friends! But someone has to take care of her mom. She has no one else. A statement which applies both ways.Then with Marty and Peter Pam you have the trans thing and him sticking up for her, and even the characters who aren't necessarily noteworthy, since they don't leave a strong impression, they could have had their stories beefed up to really mean something. That is, rather than this movie, assumingly, trying to make sure every character from its book source being noted and us getting a watered down version of the character.Overall: Mixed (Home Viewing)Like many an ensemble picture, with the film making it seem everyone could be the star, no one gets focused on, nor really developed enough, to have a quality performance. Which isn't to say the characters don't grow and change throughout the film, it is just the focus is so split that you don't get to witness and feel the full emotional weight of it. But, despite saying that, it is always nice to see more trans characters. Lavie Owen seems like she can have a decent career ahead of her and I'm leaving it at that.