Tanna (2016)

A very feeble attempt at affirmatie action

The film makes a home in your brain and the only cure is to see it again.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

The fact that the little known Australian backed film Tanna was nominated this year at the Academy Awards in the Best Foreign Language category is quite the feat.A film that barely saw recognition when it was released in Australian cinemas early last year, Tanna all of a sudden found itself competing on the world's biggest cinematic stage and it's lovely to see such a low key Australian effort make it to the Dolby Theatre, even if Martin Butler and Bentley Dean's film isn't the sum of its parts.Before delving into Tanna the film, it's worth noting that the very fact that this movie exists and the background behind it makes it a film worth talking about, if not a film you'll be recommending to many people come the closing credits.An Australian/Vanuatu co-production that's filmed entirely in one of the local islands native dialects and stars villagers of the country who are not only non-professional's, but also actors who'd never seen a camera let alone a motion picture, directors Martin Butler and Bentley Dean went too great lengths to bring this true story to life.Like a real life stripped backed Romeo and Juliet, Tanna tells the story of lovebirds Dain and Wawa as they fight to be together against the rules of their tribe and people and are outcast, left to traverse the naturally beautiful landscape of their surrounds.It's within this that Butler and Dean deliver some truly stunning cinematography and bring about naturalistic performances from their learning on the job cast, these elements combine and work together wonderfully with acclaimed composer Antony Partos's score and Gladiator songstress Lisa Gerrard's vocals and it gives Tanna a much needed boost when its less successful combinations come to the forefront.For such a unique motion picture it's a real shame Tanna's central story feels so generic and unengaging, we never feel a connection to Dain and Wawa, partly due to skin deep performances but largely due to the delivery of stilted dialogue and a fact that the actual story itself isn't that original.You can't help but escape the feeling that such a one-off piece of work would've benefited from taking more risks with its narrative and while it can't be an easy task for foreign filmmakers to work in the conditions that Tanna set itself up for, there's never an excuse for a film of this ilk to delve into boredom inducing lulls or such forceful script work, no matter the language.Final Say – Full credit to the Australian film industry for getting behind such a grand vision and what a fantastic cue for such a low-key Australian event to find itself a whole new audience on the biggest stage in Hollywood but while Tanna is a pretty and well intentioned tale of forbidden romance in a totally majestical setting, there's nothing that special about the story it tells or how it tells it, making Tanna a disappointing but a never less than curious affair.2 1/2 angry volcano's out of 5

the poetry of image. the simplicity of story. the new version of Romeo and Juliet tragedy. the tradition, war and need of piece. spectacular for the wise, admirable manner to remind old truths. for the science to explore habits, places, vulnerabilities and the essence of life from a small community looking for save its fundamental values. a fragile, delicate, profound impressive story. about the life. about love. about fights and gods and rules and need to conquer the peace. a poem more than a film. touching in deep sense. because, in fact, it is a film for memory.

Interesting directing, watchable cinematography and natural habitat...How could they capture all the movie? All characters are non-actor or actress but they are very grateful. Climate, local people, real characters, amazing volcano scenes, shortly cast overcame all of the different problems, victoriously. In my opinion, movie' all the say is "alleged" uncivilized society must had be wild. On the contrary, movie's every second said that they are more civilized against us. I love meeting scenes.

I was lucky enough to see this amazing movie in Vanuatu in March. I am frustrated that this movie is not widely available in the US and you can not buy the DVD here. This movie is beautiful. You are transported to another culture dealing with the universal issues of love, family and community norms. What is even more amazing is the actors are not trained actors but villagers. They do an excellent job.The movie is visually stunning. Shot in Vanuatu on location with an active volcano in the background adds to the emotion.Hope others in the US get the opportunity to see this.