Voice from the Stone (2017)

Lack of good storyline.

good back-story, and good acting

everything you have heard about this movie is true.

Although it has its amusing moments, in eneral the plot does not convince.

I don't know why the plot has to become so lame at the end. It starts with a very promising plot with lots of eerie and mystery clouding the characters. It looks like the director wanted to just wrap up the movie ASAP by not giving the right climax at the end. The ending is, Like your mom just burst inside your room when you were just about to have an orgasms. Very very disappointing ending.

Disappointing. Not a thriller, any suspense scenes have no payoff. It may be a subtle ghost story but too subtle for its own good. The movie is slow to develop, the ghostly elements are supposed to seep in as you're lost in the atmosphere, but it shifts focus unexpectedly and awkwardly. The scenery was nice, including Emilia Clarke, but the movie seemed like another opportunity for her to get naked to get more viewers. I wish she would stop resorting to this. She's cute and captivating, the only reason we watched the whole thing, but it wasn't worth it. Her character, supposedly an experienced child therapist, mildly arrogant, is actually pretty inept with children which had me losing sympathy for her. The leading actor, who was not terribly impressive as Celeborn in LOTR, not terribly impressive here either, had a perpetual forced scowl and a sullen brooding demeanor that got old, until they later attempt to do some sudden character development on him as the characters are changing, but its too little too late. There was too much of a distraught kid that keeps running away over and over ad nauseum, I guess his endless running away was a technique for taking the viewer through the scenic environment but it got irritating. There are two other characters on site that are mainly for ambiance and don't pan out into much. The mother's character wasn't very well developed either, but depending on how you look at the plot maybe it didn't need to be. So if you like spending time watching Emilia Clarke and other nice scenery and don't need a whole lot more, you might like this movie. It could be summed up as "nice isolated scenery, a kid keeps running away, and Emilia Clarke gets naked again". I wish the voice from the stone had whispered to us to skip it, or at least not expect too much. PS: I should probably give the movie a little more than 2 stars, but I got tired of seeing 10-star reviews saying "Ooooh its gothic!! and subtle!!! and subtly gothic!!". Firstly, there's a difference between "subtle" and "boring", and while it may have been gothicesque I never really felt much depth to it, a quiet corner of Hogwarts would've been better immersion.

Not a thriller/horror/mystery as it is billed, but a beautiful, luscious Gothic.Emilia is gorgeous and talented as always and the supporting cast does a very good job with their roles.Moody, atmospheric, lush period Gothic.If you engage and make it to the end, it will leave you thoughtful - as all the best gothics do.Daphne DuMaurier and the Bronte sisters would gobble it up!

Go see this movie for Emilia Clarke's wonderful performance and the haunting atmosphere. Clarke proves that beyond her Game of Thrones fame, she has the acting chops to continue with a great acting career after GOT ends. I loved the atmosphere in this film. However, had the script been stronger, and the direction tighter, the film would have been outstanding. It seems this film will either please or disappoint; it's that kind of film. The moody cinematography sets the tone under mostly overcast Tuscan skies as the young, British nurse Verena (Clarke) comes to the ancestral castle of the recently-widowed sculptor Klaus (played by the excellent but underrated actor Marton Csokas), and his troubled son Jakob, who "hears" his mother's voice in the stones of the house. As this was Eric Howell's directorial debut, I think more credit should be given to what he has achieved; however, where this film falters is the script writing and pacing - perhaps due to the director's lack of experience. That being said, this movie will not be everyone's cup of tea. The slow pacing is deliberate and is an important part of the story, creating mystery and suspense. The history of the house and its somewhat bizarre traditions on which it was built adds a lugubrious tone to the film. As the film builds to a dramatic crescendo, the clever play between reality and fantasy, the sensuality of stone and candlelight, unexpressed desires and dreams, leaves the viewer wondering where reality ends and fantasy begins. I found the last third of the movie very suspenseful. However, the script and direction falter when the movie takes on a more romantic and sensual tone between Verena and Klaus. It could have been more believable had that relationship been better developed in the script as well as reducing one or two scenes between Verena and Jakob. I really thought the love scene was beautifully, sensuously filmed using ab interplay between flesh and the sculptor making stone into flesh. Verena struggles to help Jakob speak after many months of silence and the viewer starts to question whether the story is only about Jakob's struggle, or Verena's, or Klaus' pain - or all three of these elements: is she meant to "cure" Jakob or is she meant to be cured? Too many films nowadays leave you with more answers than questions. I liked that this film does not provide clear answers, which adds to the mystery and moody, romantic feeling that are its hallmarks. Is the ending a figment of Verena's imagination? Will she succumb to the "voice in the stone" ? - or is the ending real ? The viewer is left to make that decision for themselves. As a final note, it is nice to see Marton Csokas play a different role than the usual villain/killer types he seems to be often typecast as: He is an untapped talent, in my opinion and I hope bigger and better roles await him. Csokas makes the most of his lean dialogue and is very believable as the somewhat remote but bitter, grief-stricken Klaus - struggling to understand his silent, traumatized son. I give this somewhat uneven film debut two thumbs up for the acting and atmosphere alone.