Castaway (1987)
Middle-aged Gerald Kingsland advertises in a London paper for a female companion to spend a year with him on a desert island. The young Lucy Irving takes a chance on contacting him and after a couple of meetings they decide to go ahead. Once on the island things prove a lot less idyllic than in the movies, and gradually it becomes clear that it is Lucy who has the desire and the strength to try and see the year through.
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This Movie Can Only Be Described With One Word.
That was an excellent one.
Amateur movie with Big budget
Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
Island travelogue and would-be 'uninhibited' male-female relations get sprinkled with psychosexual melodrama here, as only filmmaker Nicolas Roeg could present it. An older Londoner (Oliver Reed) advertises for a female companion to spend a year with him on a deserted island; Amanda Donohoe answers--she's the kind of gal who whips off all her clothes the minute the boat docks. Based on Lucy Irvine's book, one gets the sense this plot could be more a fantasy for women than for men--after all, the headstrong lady seems to call most of the shots, while Reed does the deep contemplating (with most of his clothes on!). The initial set up of the story is fun, but once the couple gets to the island, the script becomes non-existent. Director Nicolas Roeg isn't interested in lush, romantic tiptoeing through the flora and fauna (and he probably didn't see "The Blue Lagoon" anyway), yet one cannot help but imagining these two as older Blue Lagooners for a more cynical age, caught up in a messy combination between that scenario and the more political "Swept Away". Alas, this "Castaway" seems made up of leftover parts. *1/2 from ****
Nick Roeg did something which I am sure is way above most viewers' heads. A man decides to spend a year away from the madding crowd (who doesn't want to?) and takes a woman with him. So far, so good. But the man is so far removed from reality that he does not prepare properly, ignores warnings (they do not come at him as his normal world would deliver them: you should not, danger, etc. - friendly advice he sloughs off as inferior) and nearly starves to death. BUT, here's the interesting part, in his own mind he sees it all as idyllic and wants to continue. He creates his own fantasy i his head and lives there, while in truth he and the woman are starving to death. Anorexia anyone? If you know someone who believes in their own reality, make them watch this movie as psychotherapy. Will they survive? Watch and find out.
After Walkabout this is Nic Roeg's most beautiful film. Stunning photography by Harvey Harrison complements the story of two loners who set out to live on a deserted Pacific island for a whole year. Oliver Reed and Amanda Donohoe are both excellent as the two frustrated Britons who don't exactly enjoy their year together.
What a shame that the star of "Women in Love" and "Oliver" should end his days with such trash as this and "House of Usher". He overacts all through the movie. Of course, the plot is somewhat ridiculous but is every man's nightmare, "What if you were castaway on a desert island (by your own choice) with a beautiful woman who wouldn't let you near her?" She's a complete tease but is not portrayed as the villainess she actually is. She makes me, a woman, ashamed of my sex. He is usually the gentleman, but despite the writing, Oliver shows the desperation of the man who really got screwed (and didn't). Can't waste any more time on this trivia. Oh, yes, I own the movie in case anyone wants it.