Wolves (2016)

You won't be disappointed!

People are voting emotionally.

Simple and well acted, it has tension enough to knot the stomach.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I was not certain as to what I was about to watch, but I am pleased with having done so. Why such a positive rating? I enjoyed not only the script, but the acting.Taylor John Smith is excellent as a young and budding actor. His facial expressions are extraordinary, projecting extreme joy to extreme hurt and angst. Of course, the end was predictable. I mean, how could it have ended any other way?The family challenges, obstacles and dynamics are far more common in America today than some might want or hope to believe. In fact, I surmise that similar family "quakes" have occurred in every generation and will continue well into the future.

I though this would be the typical sports movie with excitement and a talent story (we tend to enjoy those). But it's a B movie or a TV film movie. It's very predictable from the beginning. The acting is very bad. The filming is bad. There is just no story to tell. Don't waste your time.

I've coached the game at every level. This is what I saw. The only accurate bball scene in the movie is the star actor's/player's shooting form. Defensive movement/agility skills are hard to develop and a sign of having played the game; they looked poorly, acting-staged. Everything else was just misrepresentation, and bad misrepresentation at that. Most notably the confrontation scenes on the playground; in practice and of course in the game. Isolated and small incidents do take place, but statistically would represent less than 1% of such games played. The confrontational language & behaviors of parents and coaches were just as unrealistic. Coaching to instill "rage", sorry, but the best players develop "control" of their emotions. Yes, isolated examples are out there as there are in anything, so what. They are not defining? Scouts don't show up advertising themselves; they try to blend anonymously.

Greetings again from the darkness. Anthony is a good kid with a bright future. He's a star basketball player and a bright student, and has a loyal girlfriend and seemingly normal home life. It comes as no surprise that most of those elements either aren't as smooth as they seem, or are more complex than on the surface.Writer/director Bart Freundlich (known for his 1997 debut feature The Myth of Fingerprints, and for being married to Julianne Moore) slowly unveils the cracks in Anthony's (Taylor John Smith) façade. His college professor dad (the always great Michael Shannon) is a drunk, abusive man with a short fuse and severe gambling addiction. He's the kind of guy who is always working on his great American novel, while juggling gambling debts and throwing down quiet jealousy of his son. His mother (Carla Gugino) has good intentions and clearly wants the best for her son, but she's just not capable of standing up to the menace. It plays like a Maslow's hierarchy of crappy parenting.There are plenty of clichés that we've seen in many movies, but it's a pleasure to see so much real basketball being played. Anthony has a sweet jump shot and a sweet girlfriend named Victoria (Zazie Beetz), and the interpersonal relationships all have nuances that come across as real life. Even Uncle Charlie (Chris Bauer) seems torn about which family member most needs his protection. Emotional-physical-financial strains abound and it all seems to crash down on Anthony as he strives to earn a college scholarship by impressing the coaches from Cornell.As Anthony navigates the choppy waters towards independence, the film teases us with some sub-plots that could have been further explored. Anthony hits it off with an older, wiser street baller (John Douglas Thompson) who starts mentoring him. We also are given hope that Anthony's mom will actually do something for her son rather than regretting what she hasn't done. Lastly there is a quick tease as to an alternative past that would make some sense – though whether that's real or imagined is left up to the viewer's perspective.The film ultimately plays like a Disney film that utilizes an inordinate number of "F-words", and it even reminds a bit of the Paul Giamatti movie Win Win. It's the acting and the periodic sequences of real emotion that allow us to remain interested in the characters right up until the end … even if our hopes differ from one of Anthony's own parents.