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Die Hard 2

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Die Hard 2 (1990)

July. 03,1990
|
7.1
|
R
| Action Thriller
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One year after his heroics in Los Angeles, John McClane is an off-duty cop who is the wrong guy in the wrong place at the wrong time. On a snowy Christmas Eve, as he waits for his wife's plane to land at Washington Dulles International Airport, terrorists take over the air traffic control system in a plot to free a South American army general and drug smuggler being flown into the US to face drug charges. It's now up to McClane to take on the terrorists, while coping with an inept airport police chief, an uncooperative anti-terrorist squad, and the life of his wife and everyone else trapped in planes circling overhead.

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Lovesusti
1990/07/03

The Worst Film Ever

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Titreenp
1990/07/04

SERIOUSLY. This is what the crap Hollywood still puts out?

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Beystiman
1990/07/05

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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Portia Hilton
1990/07/06

Blistering performances.

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celestialbaby23
1990/07/07

Who doesn't love the Die Hard Series! John McClain sure does love to piss off the bad guys and it makes for such amazingly great TV! Love the action, suspense, and of course the humor! Bruce Willis is awesome!

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MaximumMadness
1990/07/08

"Die Hard 2" is one of those sequels that is unfortunately just a little too in love with what came before to really stand on its own. You know what I'm talking about... movies like "Ghostbusters 2" or "Rush Hour 2" that simply coast by on repeating what worked in the original while doing little else to differentiate itself, other than changing the setting or upping the stakes a bit. Yes, after the neo- classic that was the original "Die Hard", it seems like the production team and director Renny Harlin were perhaps a bit frightened of the prospect of a follow-up, so they played it safe. And I can definitely understand that reasoning, and I don't necessarily even blame them for it. But still, it has to be said... the best moments of "Die Hard 2" are those few fleeting glimpses of originality that are occasionally injected into key sequences. The rest of it? Just a slightly inferior retread of what came before. Is it bad? No, not by any stretch. But it is a bit of a step backwards.A few years after saving the day at Nakatomi Paza, New York cop John McClane (Bruce Willis) is on his way to pick up his wife Holly (Bonnie Bedelia) at Washington Dulles International Airport on Christmas Eve. However, there's a game afoot, as a group of evil former Special Forces operatives headed by the vile Colonel Stuart (William Sadler) seize control of the airport in an attempt to free General Ramon Esperanza (Franco Nero)- a drug lord and dictator from the nation of Val Verde who is being transported to the US to be tried for his crimes. With the planes in the air held hostage, McClane must now battle his way through the airport in order to stop this deadly scheme and save the day- and his wife- once again.To give credit where it is due, the cast is uniformly excellent. Willis is as charming and charismatic as ever, and it's fun seeing him back in the role that helped define his super-stardom. Especially now with the added bonus of him being somewhat self-aware of just how ridiculous it is to be in this situation once again, which generates some good humor and informs the character. Bedalia is a ton of fun in her returning role as Holly, and it's a shame that she didn't continue to play the part in future installments. She helped ground John and make him feel like a real person. William Sadler is adequately menacing as our lead villain, and though he's no Hans Gruber, you'll definitely love to hate Colonel Stuart. There's also some really nice supporting roles, including a blink-and-you'll-miss-it pre-T2 Robert Patrick as one of Stuart's thugs and a really fun cameo from Reginald VelJohnson as his iconic character Al Powell.Finnish director Renny Harlin takes the seat helm this entry in the series, and I think he does a really great job visually and aesthetically, especially given this was his first massive film. He's got a good sense of composition and flow that works well for the material, and he knows how to paint thrilling and stylish sequences of bloody action and harrowing stakes with ease. Even with his background mainly in the world of horror, he proves himself quite capable. It's almost a shame in retrospect, especially seeing where his career has gone in recent years with a string of critical and commercial failures. The man knows how to make a fun flick... and I hope he recovers and is able to deliver on his promise once again.Written by original co-writer Steven E. de Souza and series newcomer Doug Richardson, the script is the source of both the film's most rampant strengths and also its most tragic failures. Penning a sequel is always a hard thing to do, especially with high stakes and even higher expectations. And I do think that de Souza and Richardson for the most part capture the spirit of the original. And at its best, there are some really great sequences. I particularly admired some later scenes where McClane is actually about to leave the airport, as it not only broadened the story but also showed us something new and exciting. And its these moments of originality where the film most shines. However, as I mentioned above, the problem is that there seems to be an inherent fear to try too much new with the film. And thus, it often boils down to just simply re-using tired and true ideas from the first film. Lots of McClane crawling through vents while complaining. Lots of shoot- outs in small spaces. Lots of people talking over the radio. And even some secondary characters like William Atherton's smarmy reporter Richard Thornburg are brought back in wholly superfluous supporting roles, for no other reason than the film to highlight them in an attempt to win the audience over with nostalgia. It feels too "safe" for a "Die Hard" movie, and the inability to take any real risks brings it down a lot.Thankfully, it's not a deal breaker. The excellent performances, likable characters and sharp visual direction are able to overcome many of the fundamental issues in the storytelling. In the end, "Die Hard 2" never reaches the great heights of the original. And outside of a certain fifth film that I like to pretend doesn't exist because it's unwatchable, it's probably the weakest of the series. But it's still most certainly a "Die Hard" film at its core, and it's still a ton of fun. It just can't quite elevate itself beyond the level of "pretty good" due to it just repeating what came before but with somewhat less flair.I give "Die Hard 2" a decent 7 out of 10. Fans of the original should check it out, but don't go in expecting another classic.

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TanQ
1990/07/09

This has got to be one of the worst written pieces of crap ever put to celluloid. That being said, if you don't enjoy seeing it, repeatedly, you're probably already dead. I'm still amazed that this was based on a book, like an actual book and not on a comic or a fortune cookie or even a corporate logo printed on a paper napkin.Let's take a closer look and, although there are spoilers they'll only lead to the enjoyment of this exercise in absurdity. The first thing I noticed is Bruce Willis seems to get the same little cut above his right eyebrow as he got in the first movie. I know, nit picking, but it's almost like a studio found that the eyebrow injury tested well among audiences. Okay, so that was a little bit of a minor thing compared to things like grenades with the longest fuse, ever or the completely gratuitous nude scene from our villain with the perfectly sculpted posterior, but it sort of gives you an inkling of where I'm heading here. If you look too closely at this film, it'll drive you mad. They put so much detail into this film and most of it is pure nonsense. In it, you get Colm Meany and Patrick O'Neal speaking to each other in fake accents for absolutely no reason whatsoever. You'll see a hole in a windshield just to remind you that there's a hole in a windshield. You'll have someone describe the hole in the windshield although it'll really have no impact on the plot other than there being said hole in said windshield. You'll watch airplanes land on runways covered with debris from other airplanes... wait, I'm just going to stop there because there are way too many plot holes, mistakes, goofs or just plain nonsense in this film that it makes Transformers look like a documentary.At the end of it, you just won't care. It has some magical ability to just make all the nonsense go away and leave you rooting for the indestructible John Mclean and his plucky band of sidekicks. Watch this movie, you'll enjoy it more than it deserves.

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Leofwine_draca
1990/07/10

For me, this Bruce Willis actioner is perfect. It has it all; cheesy one-liners ("You're the wrong man, in the wrong place, at the wrong time!" "Story of my life..."), lots of brutal action, some really nasty baddies, great special effects from Industrial Light and Magic, and lots of suspenseful and thrilling situations. Of course, it's not on par with the original, untouchable classic, but then what is? By basing this story on an unconnected book, about an airport being taken over by terrorists, the producers wisely moved away from simply doing a rehash of the first film with new locations and plot twists.Director Renny Harlin is at home with the many action scenes here with are fast, furious, and pull no punches. Lots of baddies die in various ways, my favourites being the man whose head gets stuck in a luggage compactor, and the nasty creep who gets an icicle through his eye for his troubles. The action bits in the DIE HARD series are my favourites of any film; I don't know what it is I like about them, but it's just the style and their efficiency which impresses me.The acting is very good, once again, from an excellent cast. Bruce Willis has firmly settled into his leading action man role, playing the kind of laconic, down-to-earth lawman which he would essay throughout the early '90s. Bonnie Bedelia lends glamour and an icy cool to her role as Willis' long-suffering wife, while William Atherton gets to redo his obnoxious reporter role from the first film. As for the baddies, they're excellent again, with the exceptionally nasty-looking William Sadler being the chief villain. John Amos is highly likable as the ultra-tough army sergeant. Even Italian favourite Franco Nero turns up as a wicked general.I love that immortal dialogue by Willis, especially the self-referential lines. I love the fantastic, poetic ending which has to be one of the best endings of any action film, EVER. It's just sheer brilliance (everybody I know who's seen the film agrees with me). I love Dennis Franz as the foul-mouthed pencil-pusher. I love the escape-by-ejector-seat scene. Basically, I love everything about this film and I could watch it again and again for the rest of my life. Unsurprisingly, it's one of my absolute favourites.

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