Indian Horse (2018)

Excellent but underrated film

Disturbing yet enthralling

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The film may be flawed, but its message is not.

Based on the novel by Richard Wagamese: in the 1960s, Saul Indian Horse (played at different times by Sladen Peltier, Forrest Goodluck, and Ajuawak Kapashesit) is an indigenous boy in northern Ontario who is forced into a Catholic residential school where he eventually develops exceptional skills as a hockey player.In addition to successfully focusing on a personal story that reflects probably the worst part of Canada's history (more on that later), "Indian Horse" fascinates in some segments that involve conflicting values. One involves generations of an indigenous family in which an elder practices traditional spirituality while the younger adult generation (brainwashed in residential schools) insists that Christianity is the only acceptable belief system. In later scenes, interpretations of Christianity itself present a conflict in the residential school. On the one hand is a reforming priest who believes in a compassionate approach to the children; on the other is a nun (a true creature from hell) whose approach is literal and uses any means necessary to "Christianize" the children.The film's conclusion is quite touching in its recollection of Saul's difficult past as he tries to come to terms with it.The fact this film was made and distributed (and playing for more than a month in some theatres) is a victory in itself - not only because it is a film of good quality but mainly for frankly addressing some of the worst parts of Canadian history - recent and not so recent. Hopefully, similar stories will be told.

I actually had a chance to meet Richard Wagamese very shortly before he died; he was an inspirational figure. I knew he had written novels about the residential school experience. Soon we're going to get the great Canadian film about the tragedy, but so far there haven't been many attempts. Indian Horse seemed like a promising candidate, but falls short.In ways a sports movie as much (or more) than a story about the residential schools, Indian Horse rarely rises above TV movie-level in its direction. There are some great shots- the first glimpse of the nun coldly looking down on the children, flashbacks when toys are being thrown onto the ice and how these toys blend into the memories- but these are few. The film starts off with a strong look at the cruelties of the school under Catholic control, but veers from that. (Incidentally, Canada's association of Catholic bishops recently released a letter denying involvement in residential schools. This is a blatant lie, or put in their words, bearing false witness under God). Part of the drift away from a strong film involves the less-than-stellar performance of Ajuawak Kapashesit. This is a decent film, but we should be looking for more.

Dolby Sound is a vital force in this film. The narrative is framed - beginning and end - by unseen people around the theatre speaking as if before the Truth and Reconciliation Commission. That was established to explore Canada's historic abuse of its indigenous citizens - from the notorious Catholic schools to the current injustice in the treatment of natives, especially the women. When the film narrative unfurls it's the hero's own long and cripplingly suppressed story of his suffering. The surround sound voices put us in the committee, make us a witness and potentially a sharer of the speaker's horrid experience. That stereo adds to the immediacy of Richard Wagamese's source novel. The story is so riveting and the social predicament it exposes so compelling that one can suspend ordinary judgments upon such things as the acting, the narrative rhythm, the emotional manipulation. The cause justifies the means. All three actors who play Saul at various ages hold us, from the child's innocence through the adolescent's promising success to the adult's defeat. The climactic revelation of the six-year-old's exploitation provides an unexpected and summary shock. Wagamese celebrates Canada's indigenous culture and spirituality in the face of its national oppression. The film does both his fine work and Canada's shame justice.

Here are some lovely performances from the younger actors, but for the most part the cast fails to support the weighty material. Director Campanelli (Momentum) and screenwriter Dennis Foon (Life Above All) are clearly trying to pack as much of Wagamese's book into a feature film as possible. But their approach renders most of the secondary characters one-dimensional, leaving actors like Michael Murphy, Michiel Huisman and Martin Donovan struggling to breathe life into bland expository dialogue.The three actors who play Saul Indian Horse over some 30 years of his life - Sladen Peltier, Forrest Goodluck and Ajuawak Kapashesit - are uniformly terrific all others should look into a different field of work, and the film does have its moments. But there's no doubt in my mind that the story would be better served at miniseries length.