One Last Dance (2003)

Wonderful character development!

SERIOUSLY. This is what the crap Hollywood still puts out?

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Blistering performances.

When the successful artistic director Alex McGrath (Matthew Walker) dies, his New York dance company invites three veteran dancers, Travis MacPhearson (Patrick Swaize), Chrissa Lindh (Lisa Niemi) and Max Delano (George De La Pena), to exhibit a never performed dance piece called "Without a Word" as a last homage in a benefit show. Along the troubled trio reunion, secrets are disclosed, deep wounds are healed, culminating with their last dance together."One Last Dance" is certainly a very personal work of Patrick Swaize and mostly of his wife Lisa Niemi, who are producers, writer, director and lead actor and actress. The choreography is very beautiful, with a great music score including two Brazilian songs. Lisa Niemi and Patrick Swaize show that they are in good shape as dancers. Unfortunately, the screenplay is weak, with a sort of soap-opera drama and Lisa Niemi performs a confused character, never clear of her feelings and intentions. If she had a serious situation with Alex, why does she need to dance again? Travis returned for Chrissa, and Max because he is completely broken. Further, the tearful character Chrissa Lindh is boring in some moments with her insecurity. But the dances make this movie a worthwhile entertainment for those who like this art. My vote is six.Title (Brazil): "A Última Dança" ("The Last Dance")

After viewing most the film One Last Dance, many psychological comparisons were evident. Not only did this movie portray beautiful dancing and a deep message, there were connections that were closely related psychological processes. The correlations included the ego, characters experiencing self doubt, mid life crisis', and injury.A specific dance sequence in this film that contained all the psychological aspects was in the beginning of the film. When the main character is dancing in the dark dance studio room and he is haunted by various images of experiences he went through. He first starts out moving gracefully to the music running through all the moves in his mind as a dead tree branch lies across the floor. This to me represents the trio's choreographer who passed away before the show was ever performed. The room s also especially dark which expresses to me the emotion being portrayed as morbid because of the death. Sheets are also shown blowing in the wind which suggests being the presence of a spirit or ghost haunting him as he recalls the strict demeanor and suffering the dancers went through under his direction. A final example I recall from the film is when he falls during this scene. To me that represented when the women I the trio fell, and also implied to difficulty and previous failure of the project.After seeing most of this movie, it was really amazing to me the numerous psychological associations it contained. Not only was it a beautiful dance story, there was deeper underlying meaning to it. This film wasn't just a typical dance movie that was uplifting and jovial, but instead demonstrated real life struggles and perseverance.

This is an intense work which focuses on the immense amount of strain and stress that professional dancers must undergo on a daily basis. In this case, the three main characters were unable to cope with the pressure and left the company. Seven years later, the company's tyrranical founder has died and the remaining staff recruit the former trio to premier the work which broke their dancing careers. In the process of reviving the dance, each of the three are forced to confront the psychological, interpersonal and intrapersonal issues which have plagued them for the last seven years.Unlike many other "dance" movies in which the casts are actors who have been given a few ballet lessons, the cast of this film are real dancers. The choreography is beautiful ( in fact, I watch the opening sequence multiple times in a row) and the music is absolutely amazing, ranging from classical to neoclassical to rap.

Patrick Swayze can be compared to the likes of Fred Astaire and Gene Kelly--he can dance AND act! Many of us who are Patrick,Lisa, and George's "chronological" peers love them for their unbelievable dance ability; but we may hate them for being in such great shape! How refreshing to see a movie about dance that showed splendid dancing-and lots of it. I'm so tired of movies that just "touch" on dance and delve into the sob-story, high hormonal problems of teen dancers. One of the things I appreciated about this movie was that it was sensual but not sexual. Really, everything is NOT about sex.My ONLY gripe is some of the language-I'd like to show this movie to some young people who are just starting to dance, because of the focus on FEELING the dance. I'll wager that many young dancers that show up on unnamed TV shows couldn't keep up with Patrick, Lisa, and George AND do it with the grace and style that the three of them exhibited. Give us more please!