Spotswood (1992)

Too many fans seem to be blown away

Good concept, poorly executed.

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

I have just used this film to show the effects of a taylorist management style to my year 12 Business management students. Spotswood captures the problems involved in treating workers as just another resource to be exploited, very succinctly. I just loved the employees of this factory. They were all quite typical of Australians of this period, with names I haven't heard for years, like Wendy, Shirley and Cheryl! Their refusal to see the value in the efficiency improvements foisted upon them simply because they were so human, and needed to socialise neatly demonstrated just what is wrong with scientific management practice. I think this movie should be compulsory viewing for all Australians in view of the new industrial relations laws recently passed by the Howard government. Spotswood shows us just the type of community that we are losing as individualism becomes the dominant philosophy in society. In short spotswood neatly illustrated to my students concepts and theories that had been presented in class.

SPOTSWOOD, which, in American release, is called THE EFFICIENCY EXPERT, is a rewarding movie for those who pay attention. I've watched it three times in the last three nights and liked it more each time. Briefly, Anthony Hopkins plays one of these guys who goes from company to company telling management how costs can be cut. It being Anthony Hopkins, you know he's going to look calm and cool while hating what he's doing. (Think of MEET JOE BLACK.) If you've seen the Ealing comedies from the 50s you'll see that SPOTSWOOD is much in the mode of those. The best part of this movie is its focus on the factory Hopkins visits. The characters are droll, but relatively realistic, and, of course, you don't want Hopkins to cause them the misfortune he seems poised to introduce into their lives. The movie is a bit weak in relating the story of Carey (Ben Mendelsohn), a young machinist who worships the boss's daughter from afar. Given that this is a comedy about workers versus big money, the love triangle almost derails the satire (enter Toni Collete as the saintly factory girl Ben Mendelsohn keeps ignoring.) In any case, even in its weak spots it's so well-acted (dig Russell Crowe as an up-and-coming shark) that it holds your interest. There is a really great scene of pure cinema. This is a slot-car race, filled with suspense and laughter. I have yet to see an Australian movie that didn't have at least one almost impossible-to-film moment. The land that gave us 90-some minutes of almost-impossible-to-film moments (that's THE ROAD WARRIOR, of course) offers a marvelous mini-moment in this scene. There is at least one great sight gag ("Don't turn the key until I tell you...") and some very moving moments led by Alwyn Kurts as the owner of the targeted factory. This is a very well-made, amusing motion picture. Also, check out Hopkins in one scene in close-up, when he's laying down his cynical law to Alwyn Kurts. He's got the back of his hand just under his own jaw-bone, and he's moving it in a sawing action. It reminded me of Brando in APOCALYPSE NOW.

I saw this film in 1992 at the Cinema Arts in Huntington , New York. I have it on video. I viewed it last night for the first time in 4 years. It is a nice simple story of change. How change effects people. How simple things could be deceiving. I love Anthony Hopkins in this. I originally saw it because Russell Crowe is in it. He was excellent in "Proof" directed by Joclyn Moorehouse. He was excellent in that as he was in this. I loved the character of the father . How he states that his children are the most important thing to him. There are some real gems here. Well worth the look some 12 years later. Each of the performances are excellent. I realize this is not the film for everyone. It is not flashy, there is no explosions. The appeal is in th simple story .

This film shows us a slice of Australian work life as globalisation takes over. The workers in a small shoe factory, having grown up with the "job for life" paradigm, are examined by an efficiency expert called in by the boss, a man who wants to "modernise" without cutting staff.Many well-known Australian actors appear in this film. It is a gentle and sympathetic look at the effects of economic change. The film also has comic moments where adolescent boys try to ask out a good-looking girl without much success.This film is not a "must-see", but it passes the time acceptably.