The Cimarron Kid (1952)

What a waste of my time!!!

just watch it!

Absolutely amazing

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This picture combines elements from the real life exploits of the Dalton Gang and outlaw Bill Doolin, but if you do an internet search on The Cimarron Kid, all you get are references to this movie. I was surprised to see how quickly the Daltons faded from the story, but the events of their raid on Coffeyville, Oklahoma were portrayed fairly accurately. The historical Bill Doolin rode with the Daltons for a while, but whether he was with them on the Coffeyville run remains a matter of conjecture.Be that as it may, this Western is about par for the course for Audie Murphy's movie output. He played both heroes and villains in his pictures, trading on the personal popularity he gained as a real war hero during the Second World War. I don't think you'll find many reviewers who would call him a great actor but he managed to entertain well enough, and that's about the most one can expect from films like these.The puzzler for me in this film was why Murphy's character turned to a life of crime after being exonerated and recommended for parole over his associations with outlaws like the Daltons. His character was one that could have swayed either way, so when he goes the bad guy route I felt the film makers missed an opportunity. A scene I thought was pretty clever was the one in which Carrie Roberts (Beverly Tyler) wrangled an engagement ring out of the Kid when she wasn't even trying. Seems like Dad Roberts (Roy Roberts) was pretty much OK with it too.Now I've seen Hugh O'Brian in outlaw roles before but giving him red hair and a red beard was a bit much, wasn't it? I guess it had to do with his character's name, Red Buck. On hand as a foil to Bill Doolin's position in the gang as nominal leader after most of the Daltons get wiped out, Red doesn't make it out of Rigby during the shootout there. Speaking of which, the inclusion of that railroad turntable was a neat distraction since it had nothing to do with the outcome.Well, the real life Emmett Dalton survived the Coffeyville Raid and after serving prison time, wound up going to Hollywood to consult on films like "When the Daltons Rode". He was given short shrift in this story because the only Dalton survivor in this one was Dynamite Dick (John Hudson) who wound up double crossing Bill Doolin. Sometimes you just can't trust a fellow outlaw.

Parolee Audie Murphy violently resists a crooked district attorney's latest attempt to railroad him, based on his friendship to members of the notorious Dalton gang. Breaking parole, he ends up having to join the gang for real and becoming the new leader.Though not quite as good or well-written as director Budd Boetticher's later series of Randolph Scott pictures, The Cimarron Kid is still a fairly entertaining, muscular pulp-western, with Boetticher's usual flair for excellent photography.With his good looks, youthful appearance, and short stature (not to mention his hero status), I'm a little surprised at how many times Audie Murphy was given a chance to play an anti-hero (Night Passage, The Texican) or even a nasty villain (No Name On The Bullet). He's charming enough though, that the audience forgives the Cimarron Kid long before the law ever does.Noah Beery Jr. gives an amiable, though far-too-short performance as the fun-loving Bob Dalton, while a young James Best and Yvette Dugay are pretty good too as a fellow member of the gang and his beautiful, though savvy love interest.

The best Audie Murphy films are the ones he plays outlaws. That gave an unusual touch to the films, you never knew how it was going to come out at the end. In "The Kansas Raiders", and also on his last film, he was Jesse James. Here, he rides with the Daltons, their chief is Bob Dalton (Noah Beery Jr.) and they plan three bank robberies at the same time. This film is pure fun from beginning to end, with great action scenes, after all it was directed by Budd Boetticher, whose westerns are like wine: they get better as they get older. The two women, Beverly Tyler and Yvette Duguay are quite strong characters, also unusual in this type of westerns. There are spectacular moments like when they are surrounded in a town and try to escape, with Yvette Duguay helping by turning a track on a circular platform. Also when they hold up the two banks in Coffeyville at the same time. If you enjoy a good western, this one is a must.

THE CIMARRON KID (1951) was one of about two dozen westerns Audie Murphy starred in at Universal Pictures in the period from 1950-1966. In brief, it tells the story of outlaw Bill Doolin who rode with the infamous Dalton gang in the disastrous raid on Coffeyville, Kansas, and went on to lead the gang's survivors in a subsequent robbery spree. A WWII hero-turned-movie star, Murphy plays Doolin as a misunderstood youth who gets forced into a life of crime through guilt by association and persecution by an overzealous railroad detective. Further complications ensue when Doolin falls in love with a rancher's daughter who wants him to go straight. The film was directed by western specialist Budd Boetticher who provides quite a number of interesting touches. One of the gang members, played by James Best, has a Mexican girlfriend, known as Cimarron Rose (Yvette Dugay), who is an equal participant in the action and is used to acquire information about payroll shipments and assorted robbery targets. The other major woman character, rancher's daughter Carrie Roberts (Beverly Tyler), is pretty strong and forthright on her own and makes no attempt to play coy in her meetings with Doolin. She even comes up with a plan to help him leave the outlaw life, but one which he rejects.Also, there is a significant black character, a man named Stacy (Frank Silvera) who provides support services for the gang, and who, while not actually a participant in their crimes, is dealt an equal share of the proceeds. There is a scene of him at home with his family--a wife and three children--that indicates his choice of a domestic life over an outlaw one, yet he is always treated with respect by the other men. The rest of the cast consists of a mixed bag of character actors like Noah Beery Jr., Leif Erickson, Roy Roberts, John Hubbard, and Rand Brooks, and up-and-coming Universal contract players: James Best, Hugh O'Brian, John Bromfield, John Hudson, William Reynolds, Palmer Lee (Greg Palmer). At times they threaten to crowd the soft-spoken, unassuming Murphy off the screen, but Audie ultimately manages to hold his own. Boetticher and Murphy would work together one more time on Murphy's last film, A TIME FOR DYING (1971), in which the actor has a cameo as Jesse James.