The Miracle Worker (2000)

I love this movie so much

Brilliant and touching

Awesome Movie

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Obviously, everyone has their personal opinions on which version of The Miracle Worker is the best, the 1960s one, the 1970s one, or this 2000s one. The truth is, when you have such a moving, powerful story as the life of Helen Keller, then it can be filmed many times and each version will have its own quality and value to it. After all, great stories can be told more than once.This Wonderful World of Disney made-for-television version is lovely and handsome, with a charming "family film" quality that makes it a great version for kids, young and old, to view it and understand it. It accurately follows the true story of how Annie Sullivan taught communication to blind, deaf, and dumb Helen Keller. (Any strict comparisons to the stage play, upon which this is based, or the excellent 1960s film are not necessary; after all, if you want to view the 60s film or the stage play, go view them.) Hallie Kate Eisenberg is perhaps the most underrated little actress on the planet, giving a totally believable and intricate performance as Helen. Just watching her movements and body language in each scene makes you fully believe that she is a blind and deaf child. Patty Duke deservedly won an Academy Award for her performance as Helen Keller in the 60s film. I think Hallie Kate Eisenberg deserves an Emmy for this one! In addition, Hallie Kate is the first screen Helen Keller who is literally the spitting image of the real Helen Keller, both in age and in looks.Alison Elliott is very real and genuine as the plucky Annie Sullivan, as is the rest of the cast, which includes hard-working character actor David Strathairn as Helen's father. This is a lovely, well-made, believable version of Helen Keller's extraordinary story, and it stands completely on its own in comparison to previous versions. It is highly recommended for families, and could be a great version for children who have not yet heard about Helen Keller.

I definitely see this movie as the children's version of Helen Keller's story. The language used in this film is easier to understand, but not true to the time period. The horrors of Annie's childhood were also either overlooked, or barely touched. Because the character's have untouched pasts, it was harder to get emotionally involved in the story. The acting wasn't bad by any means, but when compared to the emotional roller-coaster that the Patty Duke version took you on, this remake falls short. I would show this movie to my younger children only if I thought they weren't mature enough to handle the ealier version of the film.

This is a wonderful film and the best version of the Miracle Worker I've seen by far. Hallie Kate Eisenberg is a wonderful actress, cute and unlike the Olsen Twins, actually seems to study and rehearse her lines and role. She was extremely convincing, though perhaps a little too tame at times, in her role as young Helen Keller. I hope there are to be good things in store for her in the future!

This very vanilla and completely unnecessary remake (the 2nd) of the 1962 film does manage to achieve some solid dramatic moments, but much of Gibson's play has been overly softened and sentimentalized to achieve what passes as "family entertainment" these days. This is one time when smoothing out all the rough edges for the sake of the children (or is it for the over-concerned adults?) has a negative impact.The original play and movie are not absolute masterworks: some of Gibson's writing is too melodramatic and the supporting characters have few dimensions (not helped by the overacting of Victor Jory and Inga Swensen in the '62 film). But the taut direction of Arthur Penn and the sheer intensity of the Bancoft-Duke pairing resulted in an extraordinarily effective piece nonetheless.Here we have the good Alison Elliott as Sullivan and Hallie Kate Eisenberg as a too-scrubbed-clean Helen (when one character remarks at how clean she is after Sullivan has her to herself for a week, you really don't see a difference). Eisenberg is competent, but not moving. Hers is a Helen that would work well in a Disney animated version of the story.Elliot fares better, but the mediocre direction and script undermine her at times. In trying to give the other characters some added dimensions not in the play, the teleplay feels the need to konk us over the head about some of their issues. When confronted about his jealousy of Helen, half-brother James actually says, "If Helen gets better, who else can I blame for my unhappiness?" Yikes. Lucas Black looks very uncomfortable saying that clunky line, and you can't blame him.David Strathairn should have better things to do than play Captain Keller, and his performance has little energy or impact. Kate Greenhouse as Kate Keller loses her southern accent after less than a minute and is rather amateurish at times.Another vote to stick with the original. I've never seen the 1979 remake - which I gather is better than this one.