The Boss of Big Town (1942)

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

The movie is wonderful and true, an act of love in all its contradictions and complexity

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Creeping along at the pace of a drunken snail, this is an obvious crime drama about the most common type of racket on film: those demanding protection fees and the use of their own suppliers. Ridiculously static with a dreadful print to boot, this suffers from long pauses, loud moments of silence and maudlin music. It is obvious from the start who is behind the big boss's door and this removes all suspense. Unrelated to the Big Town series of radio, film and television, this has a surprising B+ cast who are directed horribly and given clichéd dialog that was trite 10 years before this. Such favorite screen veterans such as John Litel, Florence Rice, H.B. Warner, Frank Ferguson and Mary Gordon try unsuccessfully to rise above the less than mediocre surroundings they are stuffed into, and the results are truly pitiful.

This B film from PRC Studios which did nothing but B films was brought out quickly after Pearl Harbor to emphasize the importance of rationing and price control. The wholesale food and produce markets have always been a target of racketeering. During the Thirties one of Tom Dewey's investigations was against Ciro Terranova the Artichoke king who controlled several wholesale markets. But with the war you have the added dimension of war profiteering and hence the people involved were considered traitors.John Litel, usually a most competent supporting player, is the lead in The Boss Of The Big Town. He's in charge of the wholesale market which John Miljan the racketeer is threatening. Being stymied in all directions, Litel decides it's better to join them than fight them. Of course he's really going undercover to find out who the boss really is.It's not just that The Boss Of The Big Town has the usual shoddy production values associated with PRC films, but the script really makes no kind of sense at all. Especially during the final confrontation scene with The Boss Of Big Town where Litel tells him something that brings about a 180 degree change in attitude. A little too late for a man who Litel only seconds earlier was calling a '6th columnist' and the object of that term was lapping it up. And if you can't figure out who the boss is you have not seen too many of these films.

"In this rousing crime drama, a hard-nosed gang of criminals attempts to move in on local food distribution channels. Vowing to break down their strong-arming operation is heroic city market official Michael Lynn (John Litel), who hopes to disband the racket by removing the operation head from power. Lynn's scheme is to infiltrate the gang as an incompetent stooge on the government's payroll, unmask the leader's identity, and then make his deadly move," according to the DVD sleeve's synopsis.Mr. Litel gets to play the leading man, but in a low-budget, under-rehearsed quickie. Perky reporter Florence Rice (as Linda Gregory), in her penultimate screen appearance, is Litel's main female interest. Ms. Rice wears very TALL headgear. "The Boss of Big Town" offers some good-looking 1940s female fashion, with a California pool scene, and Jean Brooks (as Iris Moore).There is also an opportunity to see Howard Hughes protégée David Bacon (as Dr. Gil Page). In real life, Mr. Bacon would soon be found stabbed to death, in an odd, unsolved Hollywood murder. Silent film veterans H.B. Warner (as Jeffrey Moore) and John Miljan (as Kenneth Craige), along with future veteran Frank Ferguson (as Bram Hart), are among those who fail to generate any additional excitement.*** The Boss of Big Town (12/7/42) Arthur Dreifuss ~ John Litel, Florence Rice, David Bacon, H.B. Warner

What a great name for a gangster film - "The Boss of Big Town"; it conjures up visions of racketeering, mob warfare and violent shoot outs. In fact, the film is a little more reserved than that, focusing on corruption and payoffs in the city food industry. The 'big town' of the title is never mentioned by name, so in that regard, take your pick.Mike Lynn (John Litel) is the general manager of the city market when his vendors start receiving demands for payoffs or face retribution. He's called down by mobster Craige (John Miljan) to invite participation so business goes on without a hitch. Instead of accepting, Lynn becomes determined to expose the corruption and put Craige out of the rackets.The twist in the film is a familiar one to anyone who's seen enough Westerns of the same era, it turns out that Lynn's boss Moore (H.B. Warner) at the city market is the brains behind the shake down. There's even a showdown of sorts with a twist as well. With reporter Linda Gregory (Florence Rice) watching Lynn's back, Craige arrives on the scene to take out Moore, and in turn is shot by police inspector Torrence (Lloyd Ingraham) in a moment of incredible timing. I got a chuckle out of the ending, reminding me of John Wayne in virtually every one of his Lone Star films from the mid 1930's. The final scene closes with Mike Lynn in a clinch with his reporter girl friend, in an unlikely match up that the film barely hinted at with all that went before.If you pay attention, you'll get a kick out of an early scene when Mike uses a phone to call for an ambulance for an injured market vendor - the phone doesn't have a cord!Also, stay sharp for Inspector Torrence's remark about one of the shop owners - he calls him a 'Polak'.