Like the Clouds, Like the Wind (1990)

SERIOUSLY. This is what the crap Hollywood still puts out?

Did you people see the same film I saw?

It's entirely possible that sending the audience out feeling lousy was intentional

Amazing worth wacthing. So good. Biased but well made with many good points.

During the 'dull, meandering' scenes people have mentioned, the film was laying out its politics, which I thought were great. This is the only anime I've seen where characters say it's natural for a man to love a man, or a woman to love a woman. And there's whole lot of cross-dressing and gender-bending going on, which Ginga treats as completely normal. I think this is a great anime for kids, which will counter some of the rigid masculine & feminine gender stereotypes so prevalent in most anime movies.There's also an interesting treatment of power politics. It's saying political power isn't worth it for its own sake, and it will destroy all who try to achieve it. So, although it's a film about a battle for the dynasty, it's a variation on the old "power corrupts" maxim. Which is, I think, another very positive message.

For three quarters of an hour, the story gradually develops towards a pivotal point of some sort. Although it is overburdened with scenes that just seem to be intended to dull the viewer and lure him away from the actual plot, there is something happening. It is not much and it certainly is not obvious. The combination of palace impressions and story-driving scenes do not add any depth or insight to the whole cast of characters. In fact, they keep them sterile as there is no character development at all. Everybody just remains spinning and centered around their own cliché and role - the cute, kinda headstrong girl; the fighting überwoman, the snobby aristocrat. The male lead does not seem to have any distinction at all, he is a shallow presence, which, actually, doesn't even matter as he is only there because the storyboard required him to - it seemed like he was on vacation and got caught up. When the point comes of turning the corner in terms of what happening, the movie first snaps completely blank for a couple of minutes and then becomes ridiculous. It solves - or better, dissolves - itself with a by-the-book Deus Ex Machina, more clichés and some of the most crude plot devices and choices I have ever seen. It's history, alright. First the movie's a drama though it's supposed to be comedic, and then it turns into a farce. The protagonists do what they are expected to do, and there are no surprises. The first set of somewhat serious antagonists however gets replaced by a couple that literally was just bored. Maybe that was some kind of nod towards the audience.This movie does not get any bonus from me for underlying philosophical meaning (since there is none) nor for its technical realization. The animation and editing is fair and so's the sound mixing; but it is by no means outstanding or even above the average Japanese productions of the late 1980's. In fact, the visual treats seem static, un-inspired and un-original.Worst of all - it totally fails to entertain, even if you don't bother with characters and all that stuff. There's too little going on here, and the rest is corny at best. Get a real Ghibli instead, have a feast with it and keep your fingers off this one.

Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court.Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

First off - this film was not made by Studio Ghibli even though some sources list as such. The film has creative people in common with Ghibli so the film looks and feels like it might be part of the work of that studio.This is the story of Ginga who rises from commoner to the first wife of the Emperor. She's a strong willed young woman, perhaps thirteen or fourteen, who stands out among all of the women brought to the palace to compete for the first spot. Add to it court intrigue and a rebellion and you have a potent mix.... ...or would if it didn't sort of wander into too many places for a 78 minute movie. The problem is that there is too much going on with too many characters that get the short end of the stick. I also question a couple of turns in the plot that seem intentionally bleak. For me there was a sense that it was about something in the minds of those who made it but it didn't reach the screen.The film looks good, although its not quite as lush as the Ghibli films its confused with.I give it five out of ten but that's probably a bit too generous for a rather bland film with some really great moments.