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Hit the Saddle

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Hit the Saddle (1937)

March. 03,1937
|
5.9
|
NR
| Western
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Unable to legally capture and sell a herd of protected wild horses, corrupt rancher Rance Macgowan uses his trained killer horse, Volcano, to substitute for the real leader of the herd and cause havoc and death among the ranches. With the government about to drop the restrictions on rounding up the herd, the Three Mesquiteers find themselves in the middle of the controversy after their friend, Sheriff Miller is killed by Volcano.

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Reptileenbu
1937/03/03

Did you people see the same film I saw?

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filippaberry84
1937/03/04

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Brennan Camacho
1937/03/05

Mostly, the movie is committed to the value of a good time.

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Mandeep Tyson
1937/03/06

The acting in this movie is really good.

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classicsoncall
1937/03/07

It's still a mystery to me why Robert Livingston got top billing in the Three Mesquiteers flicks. Ray Corrigan had more charisma, was taller, better built and better looking, and just naturally appeared to be the leader of the trio. In this flick, Corrigan's character Stony Brooke even breaks ranks with his buddies, not that I blame him when it comes to the pretty senorita Rita Cansino. That would be Rita Hayworth for you non-Western fans, a genre in which she made a few early appearances while getting her career under way. You can catch her in the Tex Ritter film "Trouble in Texas", where she also does some singing and dancing, managing to stand out like so few female leads in these kinds of pictures.As for the Mesquiteers, they're off to a bumpy start with Stony on the outs with Tucson Smith (Corrigan) for most of the picture. Besides Rita, he's also defending a pinto stallion falsely accused of running a herd of wild horses responsible for death and destruction in their wake. Now just when I think I've seen about everything you can imagine after watching a few hundred Westerns, this one promotes the unlikely premise of the bad guys actually painting a horse to create a false identity! You read that right, painting a horse! I always thought the term 'paint' to describe a multicolored horse a bit of a misnomer, but this one set me straight, that's for sure.The idea behind this whole ruse was for villain McGowan (J.P. McGowan) to get a ban lifted against capturing wild range horses. With a contract to round up a thousand head, this was a quick buck he wasn't going to let slip away. Besides henchmen Harry Tenbrook and Yakima Canutt, McGowan's own horse Volcano was the linchpin of this operation masquerading as the pinto. Volcano and the paint wound up doing some serious battle once the action got under way, making me wonder how they managed to get the horses to mix it up the way they did.Fortunately, things wind up in favor of the Mesquiteers; Stony and Tucson eventually patch things up with a little help from Lullaby (Max Terhune) at the finale. For his part, Lullaby manages a couple of quick bits with his wooden dummy Elmer. Rita didn't stick around till the end of the story, as she took the money and ran when Tucson and Lullaby bribed her to go back East and leave Stony to come to his senses. Some pals!

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John W Chance
1937/03/08

The fifth 'Three Mesquiters' Republic western has some unusual elements. Rita Cansino (Hayworth) is prominently featured as Stony Brooke's 'future wife'; Stony and Tucson have a major falling out, and a pinto stallion is put on trial for murder.In a buddy movie there's no room for wives (at least in the 1930s and 40s). Rita plays a saloon dancer, Rita, who plans to marry Stony (Robert Livingston). Naturally, Tucson (Ray 'Crash' Corrigan) and Lullaby (Max Terhume) think she's a 'gold digger,' and ultimately Lullaby scares her (and pays her) off. Stony and Tucson come to blows over Rita, and they don't get along for most of the movie, for this and another reason.You see, a pinto stallion has been accused of killing the sheriff, who was the Mesquiters best friend. Tucson becomes the new sheriff bent on capturing the stallion, but Stony feels the horse is innocent, especially when they discover the pinto has no horseshoes and the sheriff was killed by a shod horse. Of course, it was the villain who had painted a devil horse, Volcano, to look like a pinto, and Volcano had actually killed the sheriff. The movie should really have been called, "The Trial of the Pinto Stallion,' since Stony tries to defend the horse in jail to prevent Tucson from having it killed. Stony later quits the Mesquiters to join up with the evil Rance McGowan (J.P.McGowan), as their bad feelings towards each other escalate.The movie is watchable to see actual, not pretended, bad feelings emerge among the three heroes; and, of course, to see Rita Hayworth who sings a duet with Stony, and performs a dance to 'La Cucaracha.' Her dance moves, however, are pretty much the same ones she shows in 'Trouble in Texas' (1937) and even in 'Gilda' (1946), when she must have been the Farrah Fawcett-Majors of the 1940s with all that hair being tousled, flounced, flipped and spun while she was on screen whether dancing or not.Yakima Canutt appears and does his 'usual' amazing stunt work. There seems to be some snatches of music later used in 'Zorro's Fighting Legion' (1939). Despite all of the above, the movie only gets a four and half.

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bkoganbing
1937/03/09

The Three Mesquiteers nearly come to an end over Rita Hayworth and a horse. Depends on your point of view as to who caused more ruckus.First there's the horse, a beautiful wild animal called the pinto stallion. He leads a herd of wild horses which are now protected by law by the government. Some dastardly villains want to shoot the wild ones like The Misfits for dog food. They train a black horse and paint him to look like the pinto so he can start stirring up the other rancher's horses. On one raid, the sheriff is trampled to death by the ersatz pinto. Robert Livingston believes in the horse's innocence, but Ray Corrigan and Max Terhune want him done in and Corrigan's the sheriff.And then there's the matter of Rita Hayworth or as she was known at this point in her career, Rita Cansino. Rita and Livingston want to get married. The other two Mesquiteers have no use for her and think she's a goldigger. This part of the plot may have been the basis for the Gunga Din story that RKO did two years later.So who does Livingston wind up with, Rita or the pinto stallion? For that you have to view this film of The Three Mesquiteers series.

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KDWms
1937/03/10

This film answers the question about a cowboy's greater love: for his woman or for his horse? Although the bond with his woman exceeds those between Stony and the other Mesquiteers (Tuscon and Lullaby), after THEY pay her to leave, Stony's still stickin' up for the horse. And rightly so. The horse ACCUSED of being violent, was actually framed by a TRAINED horse, owned by a guy who wants the protection of hundreds of wild equines to be lifted so that he can round 'em up. Stony does a duet with his girlfriend, billed as Rita Cansino, who later became better known as Rita Hayworth. But, to hell with her...it's the HORSE that's important: an example of the order of priorities which is responsible for my opinion about this movie: things somewhat outta place.

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