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Sierra Passage

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Sierra Passage

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Sierra Passage (1950)

December. 31,1950
|
5.9
| Western
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When young Johnny York witnesses the murder of his father, he joins a travelling variety troupe and trains up as a sharpshooter so he might one day get his revenge.

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WasAnnon
1950/12/31

Slow pace in the most part of the movie.

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Plustown
1951/01/01

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

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Mabel Munoz
1951/01/02

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

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Isbel
1951/01/03

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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jazerbini
1951/01/04

A nostalgic B westerns but that has survived time and quality. Wayne Morris is very well and Alan Hale steals the show in the role of villain. One detail that you can not pass up is the presence of Lola Albright, beautiful, wonderful. The 50's were rich in Westerns that since the second half of the 40s were being produced on a large scale. Some actors like Wayne Morris occupied important place in movies usually simple and predictable final script, but very pleased that a young audience. Came on his trail, then Rory Calhoun, Dale Robertson, Audie Murphy, Randolph Scott, Joel McCrea, Robert Mitchum, Fred MacMurray, Jock Mahoney and others. The film is very nice with a very good photograph, a real gem of the 50s.

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bux
1951/01/05

A good cast and story with tight direction lift this oater above the average. Morris is the young boy, grown, searching for the murderer of his father, while travelling with a variety show. Hale is great as the baddie, and a very young Albright is, as always, easy on the eyes. This is one of the few pictures Morris received top billing in following his return from WWII, and he also produced. Of course the ending is predictable, but it's fun getting there.

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