The Conquerors (1932)

This movie was so-so. It had it's moments, but wasn't the greatest.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Not only Richard Dix plays the banker from youth to old age ,but he also portrays his grandson and the scene in which "they" are together is fascinating."The conquerors is a fascinating saga:although rather short,it's so compact we have the strange feeling of having watched a hours + work.remarkable sequences (and ****SpOILERS)-the death of the young boy and the old doc: avoiding any trick of the tearjerkers ,Wellman shows the mother picking up the toys on the bedroom floor and putting them into the chest ;she and her husband close the chest :that's all but it's enough to make us feel their despair.-The scene in which the clients ask for their money which predates that of Frank Capra 's 'it's a wonderful life" by more than 10 years; -The birth of the grandson while at the very same moment,the father takes his own life.-The old banker talking to the portrait of his late wife.William Wellman ,like his equal Frank Borzague ,shows an infinite sympathy for his characters;it shows in such works as this one,but also in "wild boys of the road" "heroes for sale" or "the ox -bow incident'

In less than an hour and a half, we get: young love, courtship, robbery, shooting, hanging, alcoholism, banking, multi-generation family drama, railroads, tragic accident, childbirth, suicide, the dawn of cinema, the stock market crash -- all supporting a theme of westward expansion and hanging tough when the economy turns rotten, which must have been a comfort to a Depression-weary audience. I'm a sucker for these early-talkie near-epics with loudly American themes (other worthy, less-known titles: "Silver Dollar," "The World Changes"), and this one is handsomely produced, well acted, and blessed with vibrant characterizations, most notably Edna May Oliver, indispensable as always, in one of her best roles. Also, Ann Harding, always so womanly and sympathetic without becoming cloying, like Irene Dunne with more backbone. And Richard Dix, a bit thick around the middle, but ably personifying the era's idea of the solid American male. With William Wellman's virile direction and some eye-filling montages by Slavko Vorkapich, it's handsomely shot, and supported by an obvious but stirring Max Steiner score. The continuity doesn't quite add up -- the horseless carriage appears on a Nebraska street circa 1894, a bit early, and Edna May's character would have to be about 120 by the fadeout. But it's rousing entertainment.

A banker in old Nebraska strives to turn his town into a bastion of civilization & civility. Like THE CONQUERORS of the West before and after him he lets nothing stand in his way.Here is a prime example of a very fine film which is virtually forgotten today. Unfairly compared to CIMARRON (1931) - with which it shares some of the same themes and performers - THE CONQUERORS is well able to stand on its own merits, among which first-rate production values and very fine acting are not the least. Certain sequences - the keelboat, the hanging of the outlaws, the opening of the new bank, the arrival of the first train - remain in the memory for a long time.Covering the years 1873 to 1929, we watch the growth of Fort Allen, Nebraska, as seen through the life of banker Roger Standish, most effectively played by Richard Dix. This underrated actor creates a hero worth emulating, one who courageously strives to improve his society and protect his investors through the quiet dignity of his own character. As his wife, he is well-matched by actress Ann Harding, who provides a tower of strength and graciousness through every adversity.Much of the story's laughter - and heartache - is provided through the wonderful pairing of Edna May Oliver, as the no-nonsense owner of the local hotel, and Guy Kibbee, as her alcoholic doctor husband. These two inimitable character actors effortlessly steal all of their scenes - as they would continue to do time & time again throughout the rest of the decade.Movie mavens will recognize Elizabeth Patterson as Dix' sympathetic landlady and Robert Greig as the blasé Englishman at Miss Harding's auction sale, both uncredited.David O. Selznick was the Executive Producer; the rousing music was composed by Max Steiner. Slavko Vorkapich, the Master of the Montage, provided the transitional effects.

The last thirty minutes of this film have a fascinating cinematic depiction of the 1929 stock market crash. Check it out.Edna May Oliver is a gem. The acting style is super theatrical; so much so that it's almost post modern, actors commenting on acting on stage. It would be interesting to remake this picture now with a film within a film screenplay, the actors of that period moving in and out of character.Take a look with your nostalgic eyeballs in your head and you'll enjoy this old RKO picture.