The Last Posse (1953)

Wonderfully offbeat film!

People are voting emotionally.

Good , But It Is Overrated By Some

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Its a Western and honors the theme quite well. It has familiar faces, horses, drinking, fighting, saloon activity, bank robbery, little town, scenery and a woman or two or three to make the connection to the audience. What I liked the best was the story. Realize that there must have been millions of stories having to do with settling in the West during the start-up period. All remain remarkable and unique some succeeding and many failing. Here we are introduced to a town that made it through the rough period and it looks like they have a future or do they? Let the story tell it. Also look forward to what I consider a decent ending if only for this reason. It leaves quite a bit to the viewers imagination as to what happened after the end credits. The questions are obvious and I don't want to spoil it for you. It is interesting to note that a rancher made over 100,000.00 in this movie selling cattle (beef) to the a middleman who sells it to the end users. This was in high demand at the time and a person could get wealthy running cattle if they could get past all the hardships including but no limited to: Rustling, drought, death, weather, illness, and huge logistics problems. If one navigated successfully, you made a fortune and did it again and again giving jobs to many and helping a town grow as well as yourself and your holdings. Much wealth early on was generated this way and handed down. Of course people in the cities had to have beef and they ate tons of it. They still do. Today, the prices are outrageously high for this city boy who lives in CA. I wonder if it is cheaper where they raise them? I bet it is. Enjoy a good sandwich and tasty drink while watching this and a decent snack after that. Oh and special mention to Broderick Crawford who I liked who played in Highway Patrol always speaking in his car microphone 2150 by...LOL

The movie's plot-heavy but interesting. A bedraggled posse rides into town after completing their mission. But their story of what happened is hiding something. Still, they're the town's most respectable men, including the wounded sheriff. So what really happened; we know it's not their official story. Later, we learn the truth by flashback, with some surprises.Producer Harry Joe Brown shows his continuing fascination with the neolithic Alabama Hills by filming the chase and showdown amid the bare rock slabs. It's staging he would later use in his classic Ranown westerns with Randolph Scott. The wobbly sheriff seems like an odd role for an Oscar winner of only a couple years earlier. But then, the tubby, homely Crawford was not exactly movie star material. His role here, however, is a gutsy one for any former Oscar winner. The looks department goes instead to John Derek in a pivotal role that he unfortunately appears bored with. At the same time, the fetching ingénue Hendrix gets a tacked-on role as relief from all the ugly guys. Too bad that great impersonator of ornery young punks, Skip Homeier, doesn't get more screen time.All in all, there's enough plot and interesting characters to merit a longer runtime. Then too, it's well enough produced to also merit Technicolor instead of b&w. Nonetheless, the movie's a non- formula western, more interesting than most, with lots of compelling scenery, pretty good action-- especially around the rock slabs—and a fine cast. So horse opera fans should enjoy it, despite the sometimes clotted storyline.

For those of you who like discovering unknown sleeper westerns than The Last Posse is for you. No cowboy heroes in this one just an honest sheriff doing his job and a young man who let's his better side take over rather than live with a lie.A posse comes in from the hunt with the bodies of the men they were hunting, the man whom these people robbed and a badly wounded Broderick Crawford who is the town sheriff. Some of the town's leading citizens like Will Wright, Warner Anderson, Raymond Greenleaf and Tom Powers are with the posse along with the adopted son of the robbery victim Charles Bickford. It's the son played by John Derek on whom the responsibility for the truth lies.We hear some of the truth in flashback from the posse members. Bickford owns the local Ponderosa and he's not a benevolent type like Ben Cartwright. In fact he's pushed another rancher James Bell far enough. Bell and sons Guy Wilkerson and Skip Homeier rob him as he's making a deposit of six figures. It's Bickford who pulls a posse together and doesn't want the sheriff along, but Crawford goes anyway.The desert trip brings out the truth about a lot of things and Derek has to face up to a different version about his past than he's been told. It's not a pretty picture.The film is in stark black and white and plays for much of the time like a noir thriller. But this B film from Columbia is a real sleeper and not to be missed by either noir or western fans.

The Last Posse is directed by Alfred L. Werker and co-written by Seymour Bennett, Connie Bennett and Kenneth Gamet. It stars Broderick Crawford, Charles Bickford, John Derek and Wanda Hendrix. Primary location used for the shoot is Lone Pine, Alabama Hills, California, with Burnett Guffey on photography duties. Out of Columbia Pictures, story tells of how a returning posse on the trail of outlaw robbers, return to Roswell, New Mexico, minus their leader and with their accompanying sheriff critically wounded.Much better than its B movie origins, The Last Posse is strong in characterisations, visually smart and being structured as it is, primarily in flashback, also getting a bit of unusual intrigue tossed into the Oatmeal. It's also very well acted, with Crawford and Bickford making for a nice gruff opposing pair, and the support cast is filled with solid performers like Henry Hull, Warner Anderson and Skip Homeier. Director Werker (He Walked By Night) does a good job of keeping the story nicely paced, dotting the plot with some well staged action along the way, and the finale, thankfully not telegraphed, doesn't disappoint at all. But in the main it's the writing and Guffey's photography that lifts it above average. The various members of the posse are either troubled or driven by motive, making for a good psychological mix, and this in turn is well realised by Guffey's crisp black and white photography of the Lone Pine, Alabama Hills landscapes. The numerous boulders and odd shaped rocks impose on the characters and the desert flats make a grim stage for the unfolding story. Easily recommended to the Western movie fan. 7/10