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The Raid

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The Raid (1954)

August. 04,1954
|
6.9
|
NR
| Western War
AD:This title is currently not available on Prime Video
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A group of confederate prisoners escape to Canada and plan to rob the banks and set fire to the small town of Saint Albans in Vermont. To get the lie of the land, their leader spends a few days in the town and finds he is getting drawn into its life and especially into that of an attractive widow and her son.

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Nonureva
1954/08/04

Really Surprised!

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Memorergi
1954/08/05

good film but with many flaws

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Lollivan
1954/08/06

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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Tayloriona
1954/08/07

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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dougdoepke
1954/08/08

Maybe most interesting in the movie is the conflict between the social and the political. The Confederate major (Heflin) experiences this when he gets somewhat socialized into the Union town his raiders are slated to attack. He prepares the way for his raiders by infiltrating the town as a businessman. There he meets friendly people, including a widow (Bancroft) and her son (Rettig). It's impossible not to like what he finds there. Still, he and his men have a duty to the Confederacy, regardless of personal feelings. Besides, Gen. Sherman is burning his way through the southern states. So, given the personal conflict, what will the major do. Well acted by a stellar cast, including an unstable Lee Marvin as a Johnny Reb with an itchy trigger finger. With his distinctive looks and manner, Marvin is clearly on his way up the Hollywood ladder. The burning of the town is done to scale, though the flames are clearly controlled. Still, it's an elaborate effect, though I didn't know portable fire-grenades like those used were available at that early time. Of course, a topic like the Civil War means neither side can be treated as evil, unlike propaganda films involving foreign enemies. So each side, Union and Confederate, gets to show good points and bad, but ultimately, each gets respect. All in all, it's a good personality western and showcase for a number of up and coming stars.

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vitaleralphlouis
1954/08/09

A Civil War gem recently hunted down on eBay for a second look after 54 years, this is an inspired historical movie about the day the Confederates reigned down on the Yankee town of St Alban's and delivered an overdue lesson to the smug northerners who were celebrating Sherman's criminal march through Georgia.Based on history, a group of Confederates who'd escaped from a Union prison in New York drift down from Canada to "bring the war home" to the north, a thousand miles from where Union soldiers were burning and looting the Southern states. The town of St. Alban's suffers a small lesson about the toll of war - something they thought only distant neighbors need endure.The one inaccuracy in the film is in showing St Alban's in flames. In fact, burning the town was planned but never actually happened, save for one small shed that was torched.

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zardoz-13
1954/08/10

"My Six Convicts" director Hugo Fregonese's American Civil War saga "The Raid" qualifies as a genuine cult classic because it represents one of the rare occasions where the Confederacy triumphs over the Union in a Hollywood war picture. Not only does Major Neal Benton (Van Heflin of "Shane") lead his men in gray to victory, but he also achieves this exceptional feat in the North's own backyard in New England. Ostensibly, "Violent Saturday" scenarist Sydney Boehm derived his well-written screenplay from Francis Cockrell's story taken from Charleston author Herbert Ravenal Sass's non-fiction book "Affair at St. Albans." The trim, 83-minute, Cinemascope, Technicolor epic depicts Confederate soldiers robbing three banks in St. Albans, Vermont, during October of 1864 and getting away with the loot! In other words, the Confederacy wins in the end! Mind you, any American Civil War historian knows that the Dixie won its share of battles during the war, but Hollywood seldom lets the South win on the big-screen. The same critics and moviegoers who objected strenuously to director Ronald Maxwell's sympathetic portrayal of Jeb Stuart and the Confederacy in "Gods and Generals" probably would abhor this true-life re-enactment of a Southern victory. Simply said, movies like "Gods and Generals" and "The Raid" are not politically correct in our status quo driven society. Nevertheless, Buenos Aires born helmer Hugo Fregonese has acquitted himself splendidly with the material and has assembled a first-rate cast, including Richard Boone, Lee Marvin, James Best, Claude Akins, and Peter Graves in strong supporting roles. Tension, suspense, and surprises galore make this movie intriguing and enjoyable, particularly for the sons and daughters of Confederate veterans who want to relive a moment of glory. Naturally, if you've read this far, the tension, suspense and surprises will be mitigated because you'll know the outcome. When I first saw "The Raid," I have gnawing dread in my stomach that the Yankees would win because they are typically regarded as the good guys and the Rebels are consistently shown as the bad guys. Whatever possessed Twentieth Century Fox to produce this movie is beyond me, but I know that the same studio took a beating for its first movie about Field Marshal Erwin Rommel, Henry Hathaway's "The Desert Fox," which critics and the public alike condemned.C.S.A. Major Neal Benton (Van Heflin) and his fellow officers break out of a Union stockade in Plattsburg, New York, late one evening. Lieutenant Keating (Lee Marvin of "The Dirty Dozen"), Captain Frank Dwyer (Peter Graves of "Stalag 13"), Lieutenant Ramsey (Claude Atkins of "Return of the Seven"), and Lieutenant Robinson (James Best of "The Dukes of Hazzard") almost make it out of the stockade before Union sentries spot them and Keating kills one with a rifle. The Yankees pursue them and our heroes have to leave a fatally wounded comrade, Captain Dupree (George Keymass), behind with a revolver. When the Yankees catch up with Dupree, they shoot him ten times and he dies, but our protagonists manage to flee to the sanctuary of Canada. During this exciting episode, Fregonese and Boehm establish the villainy of one Confederate officer; Lee Marvin's Lieutenant Keating is a hot-headed, pugnacious Southerner who is obsessed with the destruction of all things Northern. Benton knows that Keating is a liability, but he brings him along anyway. Early in his career, the future Academy Award winning Marvin specialized in playing merciless killers. Once the Southerners are across the border, they go into action again and Confederate Colonel Tucker (British born actor Paul Cavanagh of "The House of Fear") furnishes them with provisions for a raid across the border into the fat, sassy New England town of St. Albans with its three banks.Benton masquerades as Canadian businessman Neal Swayze and visits local banker Josiah Anderson, (Will Wright who played skinflint Ben Weaver on three episodes of "The Andy Griffith Show") about properties for sale around the town. Anderson recommends that Swayze stay at the boarding house of Katie Bishop (Oscar winner Anne Bancroft of "The Miracle Worker") and her young son Larry (Tommy Rettig of CBS-TV's "Lassie"), because the vittles are good. In reality, Anderson owns the note on Bishop's boarding house. Swayze relies on both Katie and Larry to show him around the outskirts of St. Albans so he can see the properties. Swayze's presence in Katie's boarding house grates on one of her boarders, one-armed Union officer Captain Lionel Foster (Richard Boone of "The Shootist"), who resents the way that Swayze appears to toy with Katie's affections. Anyway, Swayze completes his reconnaissance of St. Albans and learns that the road out of town crosses a deep, rapidly flowing river. He brings his men into St. Albans and stations them at an abandoned farmhouse on the far side of the river. Keating and Robinson appear in town and not long afterward Dwyer arrives in a wagon selling pots and pans. Later, Swayze lays out his attack plan on the town and demonstrates the use of liquid explosives which they will use to burn parts of the town. Colonel Tucker wants this raid to be the first of many so that Union troops will be forced to serve rear guard duty.Fregonese and Boehm cram a surfeit of detail into his crisp, concise thriller. Swayze grows fond of Katie and her son Larry worships him, especially after he is forced to gun down one of his men in church to prevent the townspeople from learning about their raid. Nothing is a picnic in "The Raid." The Southern protagonists have as much to worry about from their own kind as well as the Yankees who make an unscheduled appearance in town and thwart their time table. Nevertheless, Fregonese and Boehm don't waste a moment and "The Raid" gathers momentum right up to the infamous raid itself. This movie will keep you on the edge of your seat if you enjoy this type of drama. All the characters are beautifully written, especially Richard Boone's dour Captain Foster.

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lutz-17
1954/08/11

Ran across The Raid...A good plot. Too bad about:+the Southerners lacking any trace of Southern accents +Terrible post production sound- external shouting recorded in a tinny sound studio so it resembles someone inside a metal box +bad visual fx with fire and backdropsHelfin and Bancroft a good pair tho there is something 1950's about their prim relationship (well, it was 1954). As usual the child actors are teeth grindingly bad. The star is Lee Marvin, in a minor role, coming straight out of Rebel Without a Cause and heading towards greater psycho thingsThanks to the site for telling me it was based on a real incident

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